Posted on Friday, June 22nd, 2018 by Trey Mangum
When Sony announced it was making a modern, Atlanta-set version of Super Fly (re-styling it as Superfly), it didn’t come as a surprise. We’re in the midst of a blaxploitation craze. Tons of film and television projects are in development based upon 1970s black action movies – films that were often criticized for their stereotypical portrayals of black people, but applauded for bringing stories centered on black people into the spotlight.
A new Shaft film starring Jessie T. Usher will be released in 2019. Underground co-creator Misha Green is developing a new Cleopatra Jones film at Warner Bros. Power creator Courtney Kemp was recently developing a reboot of Get Christie Love! starring Kylie Bunbury, and Hulu is reportedly working on a reboot of Foxy Brown starring Meagan Good.
Since the project was first announced, I was never completely against a Super Fly remake. If updated to modern times and made like a Power-esque crime drama, I always thought there could be a market for it. But just because I thought it could work doesn’t mean we actually needed a remake. Read More »