Last year it was revealed that Fast and the Furious producer Chris Morgan was teaming with screenwriter/director Alex Kurtzman to design a Universal Monsters cinematic universe. The plan was to reboot the Universal Monsters properties, including characters such as Dracula, The Wolf Man, Frankenstein, The Invisible Man, and Creature from the Black Lagoon, each with their own movies leading to an Avengers-type film that would bring them all together.
The trailer for the first film in the series, The Mummy starring Tom Cruise, was released over the weekend, giving us a first look at the Universal Monster movie universe. I had the opportunity to talk with director Alex Kurtzman about the creation of this world, what their intentions are, how they hope to bring it all together and more. Please note the headline comparison to Marvel is my own, not Kurtzman’s. Although I think its obvious that Kurtzman’s opinion on building a cinematic movie universe seem to closely reflect Marvel Studios’ own philosophies and approach.
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These days, animation isn’t as defined by age as it once was. Once upon a time, a Disney movie was only thought to be for kids. But recently, Pixar has tackled mature themes, the humor of South Park has become a cultural institution, Star Wars is an animated TV series, comic book characters have cartoons and thanks to genres like anime, R-rated animation isn’t an oxymoron.
Enter Justin White, an up and coming artist made popular through sites like Threadless. He’s decided to take that thought one step further and turn some of your favorite live action movies and TV shows in to animation. His first solo show is called Rated G and opens at Gallery 1988 Melrose, in Los Angeles on Friday. We’re proud to exclusively the entire show.
White’s familiar yet flithy animated style has reimagined scenes from 30 films and shows never meant for animation. Films like Fight Club, Fargo, Casablanca, The Breakfast Club, Oldboy, Kindergarden Cop, Alien, Reservoir Dogs, There Will Be Blood and a whole lot more have been reimagined as high quality animation cels. He even tackled TV shows like Community, The Office, Breaking Bad and more.
After the jump check out all 30 images from the show and find out when and how you can grab them. Read More »
UPDATE: We’ve added three new images.
It’s the gallery show they were was born to do. In the past, Mondo has released posters for all the Universal Monsters: Dracula, Frankenstein, Bride of Frankenstein, The Wolf Man, Creature from the Black Lagoon, Phantom of the Opera, The Invisible Man and The Mummy. Obviously, they’re monster fans, and after Mondo opened their own gallery, it was only a matter of time before the monsters took over that space. That time is now.
The Universal Monsters show at the Mondo Gallery opens on Friday October 19 and it’ll feature new work not only by top Mondo artists such as Martin Ansin, Kevin Tong, Ken Taylor, Jason Edminson, Rich Kelly, Phantom City Creative and JC Richard, living legends Rick Baker and Drew Struzan will also have work in the show. Yes, the Oscar winning makeup artist and greatest poster artist ever, returning just as we said he would.
After the jump, check out three of Struzan’s seven original pieces from the show, three of the additional posters that’ll be on display, and find out what the next show might be. (Hint: In England. Olly Moss.) Read More »
Posted on Monday, October 15th, 2012 by Angie Han
Universal isn’t giving up on its long-gestating Creature From the Black Lagoon remake. The project’s been kicking around in one form or another since the early ’80s, but has been pretty quiet the past few years. Now the studio’s starting fresh with writer Dave Kajganich. The scribe is no stranger to horror remakes. He was behind The Invasion, a 2007 remake of The Invasion of the Body Snatchers. In addition, he’s working on new versions of Stephen King’s Pet Semetary, It, and The Stand.
Kajganich will be starting from scratch on Black Lagoon, rather than rewriting any of the earlier drafts. Contrary to previous reports that Carl Erik Rinsch was in talks to direct, Black Lagoon has no director at this time. [THR]
After the jump, He-Man and Shadowman also get new writers.
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On Wednesday, you knew it was going to be big. Game of Thrones and two different posters for The Dark Knight Rises were just the tip of the iceberg. The Mondo Booth at San Diego Comic-Con 2012 was a must visit during the convention, featuring hundreds of eager fans rabidly anticipating the next of several random surprise releases. Lines caused major problems with security and with the schedules of Con attendees desperate to get one of these posters but, mostly, people left happy. Some of the highlights included a Lord of the Rings trilogy set by J.C. Richard, Princess Mononoke by Olly Moss, Lego Lord of the Rings by Kevin Tong, several Adventure Time pieces and even a surprise visit by Guillermo Del Toro to autograph Mimic by Jay Shaw.
After the jump, check out all the posters we haven’t already posted about in one easy to view gallery. Read More »
Universal is in early talks with commercial director and Ridley Scott protege Carl Erik Rinsch to direct a remake of Creature From The Black Lagoon. Last month we told you that Rinsch signed on to helm the Keanu Reeves epic period samurai film 47 Ronin (not to be confused with the adaptation of Frank Miller’s graphic novel Ronin), also for Universal.
You might recognize Rinsch’s name as he was originally tapped to direct a prequel/remake of Alien, but Fox convinced Ridley Scott to helm the project himself. I was one of the few people actually interested in Rinsch’s involvement. Rinsch’s commercials show an amazing sense of imagination, visual effects artistry and composition. We’ve profiled his amazing commercials on the site, more than once. If you havent checked them out yet, you should do so now. Rinsch is not only Scott’s protege, a commercial director for Scott’s company RSA, but he is also romantically involved with Ridley’s daughter Jordan. So basically, he’s “in the family.”
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Breck Eisner is currently hard at work on his remake of George Romero’s The Crazies. Seems like a tough gig – the original film really is something very special and it will be pretty hard to compete with it. Eisner’s obviously happy to tackle remakes, however because both of his potential next projects have seen the silver screen before.
Firstly, there’s a new Creature From the Black Lagoon. One draft of that script was done by Gary Ross, which is pretty encouraging, and I’m definitely intrigued – particularly if it gets shot in 3D, as per the original. And then, and probably more likely to roll first I’m guessing, is a new Flash Gordon film. Talking to Arrow in the Head, Eisner has laid down his ideas on what the films need.
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