After he gets done trying to kill the Losers’ Club as Pennywise in It Chapter Two, Bill Skarsgard is going to set his sights on another victim in Gilded Rage. The true crime movie comes from The One I Love director Charlie McDowell, and tells the true story of the death of hedge-fund manager Thomas Gilbert Sr. Gilbert’s death was originally ruled a suicide before an investigation ruled it murder. Gilbert’s son Thomas Gilbert Jr. – the part Skarsgard will play – was arrested for the crime. More on Gilded Rage below.
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We could have an argument all day about whether it’s more difficult to create a multi-million dollar, visual effects spectacular blockbuster or an independent film with a budget that is spread too thin. But there’s something extremely impressive about a high-concept sci-fi drama doing something so grand and ambitious with so few resources. Such is the case with the new film from The One I Love director Charlie McDowell.
The Discovery takes place in a world where Dr. Thomas Harber (Robert Redford) has proved that an afterlife exists. This revelation has prompted a huge increase in suicide in the two years since his historic finding, over four million and counting, with more being added everyday as people “celebrate” the anniversary of the discovery. The premise itself is intriguing enough, but this is just the beginning of the remarkable, fascinating, thought-provoking indie sci-fi film.
Read the rest of our The Discovery review after the jump. Read More »
Charlie McDowell recently shot his second feature film, The Discovery. The sci-fi film is his follow-up to the high-concept drama The One I Love, a promising, small-scale directorial debut. While his new feature doesn’t sound much bigger in scope, its cast is certainly larger than the two-person show McDowell previously directed. The Discovery stars Rooney Mara , Robert Redford, Jason Segel, Jesse Plemmons, and Riley Keough. Netflix has acquired the global rights to McDowell’s next feature, which we’ll see in 2017.
Below, learn more about The Discovery.
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Posted on Thursday, October 29th, 2015 by Angie Han
The One I Love director Charlie McDowell is preparing to mount another twisted romance. His new film The Discovery is set in a world where the existence of the afterlife has been scientifically proven. Nicholas Hoult and Rooney Mara will play the central couple. Read all about the Rooney Mara The Discovery movie after the jump. Read More »
Posted on Thursday, July 17th, 2014 by Angie Han
At first glance, Sundance drama The One I Love seems ordinary in every way. Elisabeth Moss and Mark Duplass play a pretty typical couple whose marriage is suffering from pretty typical problems, like boredom and resentment. Then their couples counselor prescribes a romantic getaway, and things take a turn for the bizarre.
To say more would be venturing into spoiler territory, but you can at least get a sense of the off-kilter tone with the first The One I Love trailer. Watch it after the jump.
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Maybe this is the Twilight Zone, where mundane beginnings lead to extraordinary situations. In The One I Love, a married couple played by Elisabeth Moss and Mark Duplass are having problems. Nothing outlandish, just garden-variety issues such as resentment, boredom, and an erosion of respect. So: off to couples therapy. Their analyst advocates a retreat which, he promises, has worked wonders for many others.
What happens next is… well, something people associated with the film have tried to keep quiet. Frankly, that’s a bit absurd, as the material in question is the premise of the film, not a spoiler. Trailers will eventually give some of it up. But I’ll play along, because doing so is a fun exercise.
To be circumspect: This isn’t a romantic comedy, nor a weepy drama. Unusual, clever, and bitterly funny, The One I Love seeks to expose the impulses that can stall a relationship, or foster growth. While the idea’s deepest potential is not exploited, Duplass and Moss — very nearly the only actors in the movie — perform with nicely-pitched intensity and utter command of their craft. If this had premiered earlier in the Sundance schedule it might have become the must-see film of the fest; the late debut doesn’t change the fact that it is among this year’s early standouts. Read More »