This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
THE HURT LOCKER
There’s a compelling character moment toward the end of The Hurt Locker that takes place in a supermarket, which is startlingly effective in its contrast to prior events. Much of that, I suppose, is due to it being one of the few scenes in the film where somebody’s limbs aren’t as risk of being blown off their torso. This film isn’t attempting to offer any political insights into the Iraq War, or even realistically examine what it is that soldiers stationed out in Iraq go through every day (if that’s what you’re after, I recommend checking out The Wire-creator David Simon’s most recent televised opus, Generation Kill). This film, like District 9, is an action film. It’s less an intricately structured narrative than it is a series of loosely-fitted action set pieces, directed with such precise pacing and weight that the intensity of them literally left me with a migraine upon my initial viewing. Given the predictability of movies nowadays, I found this forgoing of traditional plotting to be a refreshing change of pace. People don’t see war-based action movies to be lectured; they see them because the subject matter lends itself to terrifyingly believable life-or-death scenarios. The Hurt Locker knows that this is the case, and embraces it. It is easily one of the most thrilling movie-going experiences I’ve ever had, and a definite highlight of ’09.
Available on Blu-ray? Yes.
Notable Extras: DVD & Blu-ray – An audio commentary by director Kathryn Bigelow and writer Mark Boal, and a “Hurt Locker: Behind the Scenes” featurette.
|BEST DVD PRICE
|Amazon – $17.99
|BEST BLU-RAY PRICE
|Amazon – $24.49
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In this week’s /Filmcast, Dave Chen, Devindra Hardawar and Adam Quigley reflect on the prospect of a fifth Rambo film, assess the merits of Mike Judge’s Extract and Robert Siegel’s Big Fan, and try to dissect the Boondock Saints phenomenon. Special guest Jordan Hoffman joins us from UGO Movieblog.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review Shane Acker’s 9.
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First Independent Pictures has supplied us with an exclusive clip from Big Fan, the feature directorial debut of Robert Siegel, screenwriter of Darren Aronofsky’s The Wrestler and former editor of The Onion. You probably know the film better as the Patton Oswalt obsessed football fan movie. As I have warned previously, this film is not a comedy, but instead a character study. If you know that going in, you’ll be a lot better off. Watch the clip after the jump.
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One of the most anticipated films of the 2009 Sundance Film Festival was Big Fan, the feature directorial debut of Robert Siegel, screenwriter of Darren Aronofsky’s The Wrestler and former editor of The Onion . The film was met to mixed reviews, not because its a bad movie, but because most everyone I talked to walked into the screening expecting something else entirely. The film stars comedian Patton Oswalt as a 35-year-old parking garage attendant from Staten Island, who is the self-described “world’s biggest New York Giants fan.
He lives at home with his mother, spending his off hours calling in to local sports-radio station 760 The Zone, where he rants in support of his beloved team, often against his mysterious on-air rival, Eagles fan Philadelphia. His family berates him for doing nothing with his life, but they don’t understand the depth of his love of the Giants or the responsibility his fandom carries. One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop at a gas station in their neighborhood. They impulsively follow his limo into Manhattan, to a strip club, where they hang in the background, agog at their hero. Paul cautiously decides to approach him, stepping into the rarefied air of football stardom — and things do not go as planned. The fallout of this chance encounter brings Paul’s world crashing down around him as his family, the team, the media and the authorities engage in a tug of war over Paul, testing his allegiances and calling into question everything he believes in. Meanwhile, the Giants march toward a late-season showdown with the Eagles, unaware that sometimes the most brutal struggles take place far from the field of play.
With Oswalt in the lead, most festival-goers were expecting a flat out comedy, but were shocked to find a dark dramedy. Big Fan is a character study much in the same vein of Siegel’s The Wrestler. It is a profile of an obsessed sports fanatic who has invested too much of himself into a past time. You might not like the twists and turns, and you probably won’t have any idea where this story will conclude, but you’ll walk out of it with an all new respect for Oswalt — who proves he has dramatic chops on top of the comic timing. Watch the trailer after the jump.
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Former Onion editor turned screenwriter Robert D. Siegel goes from The Wrestler to making his directorial debut with Big Fan, a dramedy about a hardcore New York Giants fan played by /Film favorite Patton Oswalt. Paul Aufiero is a parking lot attendant who lives and breathes everything Giants. He spends his free time scripting intense rants against rival teams which he calls into the local Sports Dog radio show. And every game he can be found tailgating outside Giants Stadium.
But his life is turned upside down when he is beaten up by his favorite player and put in the hospital. Not only is he physically hurt, but now his team is losing due to the suspension over the incident. To make matters worse, Paul’s brother, an as seen on television lawyer, wants him to file a multi-million dollar lawsuit, and the police keep chasing Aufiero to file a report. But Paul refuses to do any harm to his team, even if it means not getting justice for the beat down he suffered.
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The Sundance Institute has announced the first half of the line-up for the 2009 Sundance Film Festival. Included in the first press release are the films in competition in the Drama and Documentary segments. 3,661 feature-length films were submitted this year, which is 37 more films than last year. For the 2009 Sundance Film Festival, 118 feature-length films were selected including 87 world premieres, 19 North American premieres, and 4 U.S. premieres representing 21 countries with 42 first-time filmmakers, including 28 in competition. Before we get into the full list, I would like to point out some of the films that particularly interest me. Also, now should be the time for me to admit that I focus more on English-language films, so my foreign picks will probably be lacking.
The Wrestler screenwriter Robert Siegel makes his directorial debut with Big Fan, which stars Patton Oswalt as a parking garage attendant and hardcore New York Giants football fan who struggles to deal with the consequences when he is beaten up by his favorite player. Michael Rapaport also stars. I loved the humor that Siegel brought to The Wrestler, and with Oswalt in the lead – this one is a no brainer.
The Office star John Krasinski makes his directorial debut with a big screen adaptation of David Foster Wallace‘s book Breif Interviews with Hideous Men. The story follows Julianne Nicholson as a doctoral candidate in anthropology who “tries to remedy the heartache” of being dumped with little explanation, by interviewing men about their behavior. Krasinski, Dominic Cooper and Timothy Hutton also star.
In Cold Souls, Paul Giamatti stars as a famous American actor who in the midst of an existential crisis, “explores soul extraction as a relief from the burdens of daily life.” Okay, doesn’t have the best plot description but Giamatti is involved, as well as David Strathairn, Emily Watson, and Lauren Ambrose.
Emmy Rossum stars in Adam Salky‘s feature directorial debut Dare, about “three very different teenagers discover that, even in the safe world of a suburban prep school, no one is who she or he appears to be.” IMDB also provides a different teaser synopsis: “The good girl, the outsider and the bad boy…like you’ve never seen them before.” This is a feature length adaptation of Salky’s 2005 short film which was met with acclaim at film festivals. I’m a sucker for coming of age films.
Everyone is talking about Paper Heart, the film that Michael Cera made under the raydar with his girlfriend Charlyne Yi. The film is apparently a meta-love story with the stars playing themselves (?). The pre-festival hype aside, I would see this film based on Cera’s involvement alone.
Teeth star Jess Weixler returns to Sundance opposite Jason Ritter in a big screen adaptation of Peter and Vandy, the Drama Desk Nominated Best Play that was lauded for its “almost embarrassing intimacy and killer comic timing.” The film tells the story of a contemporary Manhattan love story, told out of order, with no beginning and no end. Festival programer Geoffrey Gilmore says that “One of the themes” of this year’s festival is “the kind of new-generation love story,” … a new “way of telling love stories right now by a new, younger generation that’s different, that’s fresh, that’s original.” This and the Cera film Paper Heart seems to fit into this statement.
Jeff Daniels stars as the title character Arlen Faber, a reclusive author of a groundbreaking spiritual book awakens to new truths when two strangers enter his life. The film also stars Kat Dennings (Nick and Norah), Olivia Thirlby (Juno, Wackness), and Lauren Gram. The film was formerly titled “The Dream of the Romans“, which is a much better title if you ask me.
In Good Hair, Comedian Chris Rock turns documentary filmmaker when he sets out to examine the culture of African-American hair and hairstyles. I’m not sure if it will be good, like many of Chris Rock’s films, but I’ll always be there for anything the guy creates.
Documentary filmmaker R.J. Cutler was given unprecedented access for a film titled “The September Issue“. Cutler and crew shot Vogue editor in chief Anna Wintour and her team over the corse of nine months as they prepared the 2007 VogueSeptember issue, widely accepted as the “fashion bible” for the year’s trends. I’ve always been interested in the world of journalism, even if the Fashion world might be a very different realm. And I must admit that The Devil Wears Prada has me very interested to catch this one.
You can read the full press release (which includes a listing of all the films announced today) after the jump.
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