Kelly Reilly's Beth is Yellowstone's most chaotic and uncensorable character. But in the interest of staying true to Beth, she basically pissed off America.
The Fall of the House of Usher contains lots of gruesome violence and twists, but one was done in such a clever way it won Mike Flanagan a unique award.
Stephen Sondheim's touches wander his posthumous (half-)musical Here We Are, his long-gestating collaboration with playwright David Ives. Read our review.
A scene in the comedy series Extras featuring guest star Patrick Stewart ended up requiring over 40 takes because Ricky Gervais kept laughing too much.
Killers of the Flower Moon has fantastic lead performances by Leonardo DiCaprio and Lily Gladstone, but let's give it up for Jesse Plemons and Brendan Fraser.
An R-rated horror movie might be expected to pull out all the stops in the shock department, but even the most horrific films have to rein it in sometimes.
Cordelia Chase didn't get to actually stake a vampire until her final episode of Buffy the Vampire Slayer, despite frequent appeals from Charisma Carpenter.
Some of our favorite sci-fi movies serve up wild late twists. Take a closer look, though, as filmmakers often drop in sneaky clues teasing those twists.
The Bones finale went out with a literal bang by blowing up the Jeffersonian Institute lab -- something David Boreanaz had been wanting to do since season 1.
We've all asked the same question of the new Star Wars sequel trilogy: why can't Rey and Kylo Ren just make out? Rian Johnson has a frustratingly good reason.
For a scene that happened early in Yellowstone season 1, Kelly Reilly's Beth Dutton had to face down a pack of wolves. But they weren't CG. They were real.
It was always Team Spike or Team Angel when it came to debating the perfect match for Buffy on Buffy the Vampire Slayer. What about Alyson Hannigan's Willow?