Who? You may not know the names Mans Marlind and Bjorn Stein if you’re not (a) Swedish or (b) in the UK. The pair have made, among other things, the Swedish thriller Storm (2005), and the thriller Shelter (2009) with Julianne Moore and Jonathan Rhys-Meyers, which has hit territories including the UK and Japan, but not the US.
Now the pair are negotiating a deal to direct what is being referred to in trades as Underworld 4. Read More »
Usually when the central protagonist is absent from the latest entry in a franchise, that’s a sign that it’s on its last legs, and the studio is making a last-ditch attempt to milk it of all its remaining worth. One might’ve thought that was the case with Underworld: Rise of the Lycans, but lo and behold, Kate Beckinsale will portray the leather-clad Selene once again for the fourth film in the Underworld series, which has yet to be tagged with a generic, nondescript subtitle. Learn more after the break. Read More »
What would it take to get you really excited for the fourth Underworld film? I’m not sure anything would do the trick for me (I wasn’t excited for the second and third by any means) but putting a really good writer on the job would help. Seeing that a writer from The Shield would be writing the picture gave me a little boost of interest. Only a little boost, though, because it isn’t series creator Shawn Ryan, but John Hlavin, who wrote a couple episodes of the final season. Read More »
You might well argue that 3D is nothing more than a gimmick but I would wholeheartedly disagree. You might as well say stereo sound over mono is a gimmick or that zoom lenses are a gimmick. The addition of a “second eye” opens up so many new expressive storytelling devices for filmmakers that this new dawn of digital 3D deserves to be taken as seriously as the advent of three-strip technicolor. It’s a popular claim that having seen a film in 2D you didn’t “miss anything”, but that would be equally true if you saw a film down-mixed to mono sound, on a laptop screen as opposed to in a huge auditorium or a color film when desaturated. These aren’t necessarily things you’d know you are missing out on.
The Venice film festival are taking 3D suitably seriously, it would seem with the announcement of a new prize for the best 3D picture of the year. Variety name nine films as eligible, two of which will be playing at the festival: Up and The Hole, which receives its world premiere in Venice.
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