Steven Spielberg’s The Adventures of Tintin is a rollicking animated adventure that’s cut from the same cloth as the Indiana Jones series. Spielberg’s Tintin made good money, and for years now, the plan has been for Peter Jackson to direct a sequel. Spielberg and Jackson have sworn up and down that the sequel was coming, no, really, it is – but there has been almost no real movement on the project. And now, Spielberg and Jackson might want to start getting their act together, because it looks like someone wants to swoop in and make their own Tintin film. French director Patrice Leconte says he’s developing a live-action Tintin movie, and is said to be far along in the development process. However, there’s a catch: he doesn’t seem to have the film rights to the character just yet.
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In this edition of Sequel Bits:
- Peter Jackson gives a potential Tintin sequel update.
- Ralph Breaks the Internet features some internet stars, plus: check out early story notes
- Bumblebee screenwriter Christina Hodson talks about crafting a Transfomers movie for a wide audience.
- The Croods 2 is still happening, and Peter Dinklage has joined the cast.
- Karl Urban would like to know what’s going on with Star Trek 4.
- Patrick Dempsey weighs-in on the potential Enchanted sequel.
- Michael Ironside explains why he’s not coming back for Top Gun: Maverick.
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It’s been a year and a half since the first Tintin film was released, but the partnership between Steven Spielberg and Peter Jackson may still be on track to return to theaters in a couple years. While Peter Jackson, who will direct the mo-cap footage for the next Tintin film, is pretty busy with two more Hobbit movies, he said last year that he would shoot the mo-cap work this year.
And now Steven Spielberg has commented on the developing film, and says the plan is still to have the next movie done by Christmas 2015. Read More »
Peter Jackson‘s latest film is just about to hit theaters, but with the expansion of The Hobbit adaptation into a trilogy, he’ll still be a busy guy for the next couple years. While the next two films are shot (mostly — there will probably be some additional shooting at some point) loads of post-production work remains to be done on the second and third Hobbit chapters.
So where’s he going to get the time to make another film?
During a press stop for The Hobbit, Jackson said he would shoot the base mocap footage for the second Tintin film sometime next year. Read More »
Posted on Monday, December 5th, 2011 by Angie Han
2011 was the biggest year ever for sequels, with a record-breaking 27 scheduled to hit theaters. And while it’s too early to say exactly how many we can expect in 2012 and beyond, judging by posts like this one it seems safe to say that the trend won’t be dying down anytime soon. After the jump:
- Entertainment Weekly unveils the first look at Sam Worthington in Wrath of the Titans
- Sony registers domain names for the as-yet-unannounced Insidious 2
- Steven Spielberg’s longtime producer Kathleen Kennedy says Jurassic Park 4 is still looking for “a great script”
- Kennedy also says the sequel to The Adventures of Tintin could hit as early as Christmas 2014
- Bradley Cooper reveals that The Hangover Part III could start shooting in L.A. in September
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This is the first edition in a new regular series where I attempt to answer your questions about the film industry. We’ll be taking a look at the box office, forgotten Hollywood landmarks, the marketing process and more. Sometimes I’ll attempt to answer the question myself, and other times I will contact experts in the particular field to give a more detailed answer. Please feel free to send your questions to firstname.lastname@example.org. I decided to start off this series with an easier question, and use it as a jumping-off point to delve into the more complex world of screen credits.
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When the notion of making performance-capture films based on Hergé‘s Tintin stories first came up, the plan was to make three films. Steven Spielberg would direct the first, Peter Jackson the next, and there was a theoretical third film mentioned here and there. But financing was problematic, and by the time Spielberg’s The Adventures of Tintin was working its way through post-production the film’s subtitle had been dropped and we weren’t hearing much about the second movie. We knew a screenwriter had been hired, but the future of the sequel was less than certain.
The Adventures of Tintin opens tomorrow in many countries, and reviews so far have been quite good. Suddenly, there is news of the second film once more. Peter Jackson says he will make the movie after he finishes The Hobbit. Read More »
James Curran (aka Slimjim Studios) made a great opening title sequence for Steven Spielberg‘s The Adventures of Tintin, and last week it earned the animator no small amount of new fans. One of those fans was evidently Steven Spielberg, who invited Curran to the premiere of Tintin this past weekend, and offered him a job. Read More »
Cool Posts From Around the Web:
There’s a lot of Tintin around today thanks to the reviews that hit the web over the past couple days. But none of those items are as much fun as this unofficial opening credits sequence. The animation below is the work of animator James Curran, who stripped ideas and images from the twenty-four Tintin books by Herge down into icons, and then animated them into a lovely fluid credits sequence.
We know from reviews that Steven Spielberg‘s Tintin boasts a visually distinctive opening sequence of its own (it is drawing comparisons to the credits of Catch Me if You Can) so Curran was on the right track in imagining a way to open the movie. Check out his approach below. Read More »
The first review of Steven Spielberg‘s The Adventures of Tintin hit last week, and we offered up a few choice quotes from that generally very positive assessment. Over the weekend quite a few other reviews hit, and we’ve sampled them below. The aggregate impression is generally positive, with a lot of praise aimed at the energy and adventure setpieces. Not everyone is taken with the performance capture technology that powers the film. That’s to be expected, and I’m fairly impressed that more reviewers seem to be accepting of that process than put off by it. The film opens on October 26 in the UK and won’t hit the US until December 21. Get a sample of the early reviews below. Read More »