It’s easy to be pessimistic about the state of David Lynch‘s film career at this point. Outside the occasional fashion ad, music video or (admittedly pretty awesome) short film, the guy doesn’t now fall back to the movie camera as his primary creative device.
But there are signs that he’s not done with film yet. One is the revelation that he’s working on a new feature script. And the other is that his occasional acting resume will be bolstered with an appearance in the new film from his daughter, Jennifer Lynch. Read More »
The subtitles here are in French, so this trailer won’t give you many of the core plot details of the French thriller Mobius, but you’ll definitely be able to latch on to the film’s tone and catch a glimpse of the cast at work. The big draw here for some will be Jean Dujardin, last seen in his Oscar-winning turn in The Artist. But for me, it’s Cécile de France, who has been brutal in Haute Tension and simultaneously tough and tender in The Kid With a Bike.
Mobius was both written and directed by French filmmaker Eric Rochant (Love Without Pity, Long Live the Republic) and looks like a straight-up thriller with a potentially good mix of modern look and classic tone. Read More »
Posted on Tuesday, June 26th, 2012 by Angie Han
Sundance was several months ago, but for those of us who didn’t attend, these next few months are going to be a good time to catch up on this year’s crop of Sundance hits. Safety Not Guaranteed has already landed theaters in some cities, Beasts of the Southern Wild is hitting tomorrow, The Queen of Versailles is due out next month, and Robot and Frank is slotted for August. Add to that list Nicholas Jarecki‘s white-collar thriller Arbitrage, which is now getting the word out for its September release.
Richard Gere stars as a billionaire CEO whose success turns out to be built on little more than lies and deceit. When a horrible error threatens to expose him for a fraud, he finds himself sinking to ever-more-despicable depths to try and cover up his mistake. Susan Sarandon, Tim Roth, and Brit Marling also star. Watch the trailer after the jump.
Read More »
There are actors who seem like guys David Cronenberg simply must work with — James Woods, Peter Weller, Viggo Mortensen, Ralph Fiennes, and even Jeff Goldblum help define a ‘type’ that seems like the template that works for Cronenberg. Strong features, a particular mix of energy, chaos and both physical and emotional vulnerability, no matter the man’s stature. Tim Roth fits into that type pretty well, but actor and director have never worked together.
That, thankfully, changes now, as Cronenberg and Media Rights Captiol have picked Roth to star as surgical pioneer John Tattersall, who will be the lead character of the TV series Knifeman. Read More »
Great art is often derived from tragedy so it makes perfect sense that the economic crisis has been the subject of so many recent movies. Arbitrage, the directorial debut of Nicholas Jarecki, is the latest in a continuing line of films concerning the troubled economy and one of the best yet.
Richard Gere plays Robert Miller, a billionaire CEO who is trying to sell his company. He’s also cheating on his wife (Susan Sarandon), deceiving his co-worker/daughter (Brit Marling), and he eventually gets wrapped up in police investigation run by Tim Roth.
It all sounds so cliche, but Jarecki’s script transcends that by giving his audience real issues to chew on and characters to learn from. Arbitrage had its world premiere at the 2012 Sundance Film Festival and you can read more after the jump.
Read More »
Posted on Saturday, October 8th, 2011 by Angie Han
Tim Roth and Cillian Murphy have boarded Rufus Norris‘ Broken, along with Rory Kinnear, Robert Emms, Zana Marjanovic, Bill Milner, and newcomer Eloise Laurence. The story, which was adapted by Mark O’Rowe (Boy A) from Daniel Clay‘s novel of the same title, follows a young girl whose life changes after she witnesses a brutal attack. Broken will be the first feature film by helmer Norris, an accomplished theater director.
Roth recently came off of three seasons as the lead of Fox’s Lie to Me, and will star in next year’s Arbitrage. Murphy will appear in this month’s sci-fi thriller In Time, and has several projects lined up for 2012 including the thriller Red Lights with Robert De Niro and Sigourney Weaver. [The Hollywood Reporter]
After the jump, Hope Davis joins Murderball director Henry Alex Rubin’s ensemble drama, and Rutger Hauer boards a miniseries.
Read More »
Posted on Friday, April 8th, 2011 by Angie Han
Hailee Steinfeld may have lost Katniss Everdeen to Jennifer Lawrence, but she’ll be portraying an even more famous teenager soon. The young True Grit star is reportedly in talks to join Carlo Carlei‘s Romeo and Juliet as Juliet. For those who’ve somehow managed to get this far in life without knowing about Romeo and Juliet, the classic William Shakespeare play centers around a pair of teenagers from rival families who meet and fall in love, with tragic results. Kind of like Romeo Must Die, only with more emphasis on the romance angle and less on the martial arts stuff.
Carlei’s earlier features include 1993’s The Flight of the Innocent and 1995’s Fluke. The script is being written by Julian Fellowes, whose past work includes Gosford Park, last year’s The Tourist, and the critically acclaimed Brit series Downton Abbey. The $15 million picture is scheduled to begin shooting in Italy later this spring, so expect to hear an announcement about who Steinfeld might be killing herself for soon. Um, spoiler alert. [The Hollywood Reporter]
After the jump, an intriguing new project for everyone’s favorite Pumpkin.
Read More »
Jason Schwartzman (Rushmore, Spun, Coconut Records) will play an aging Brooklynite/alcoholic writer who experiences a nasty breakup and finds himself in the position of a Philip Marlowe-ish gumshoe in the new HBO series Bored to Death. Written by former New York Press columnist and novelist, Jonathan Ames, the half-hour comedy will go into production this September. Seth Gordon, director of The King of Kong, will work as a consultant on the show.
Schwartzman’s character “takes out an ad pretending to be a private detective and starts taking cases — solving some and making others worse.” You may remember that back in 2004 Schwartzman starred in the failed Fox sitcom, Cracking Up, from writer Mike White (The School of Rock). Ames also began developing a semi-autobiographical pilot for Showtime the same year, but it was never picked up. Based on the logline, it’s easy to picture Schwartzman making the role and premise into an irreverent hit.
HBO also has the series, Hung, in development from creator/director Alexander Payne and weeks ago I took a look at the pilot script for Cocaine Cowboys, the rumored series for HBO from Jerry Bruckheimer and Michael Bay.
via Hollywood Reporter / Buzz Sugar
The iffier logline belongs to Lie to Me, a one-hour drama for Fox starring Tim Roth as a “scientist/human lie detector, skilled at reading the human face, body and voice to uncover the truth in criminal and private investigations.” Shades of House: the character’s talent/gift makes it difficult for him to maintain personal relationships.
As long as Lie to Me isn’t peppered with computer-generated eyeball schematics of various suspects in the vein of Robocop, we’ll check it out. Variety reports that the material is inspired by the real life science and life long studies of psychologist/deception specialist Dr. Paul Eckman. Brian Grazer is exec-producing the show, which has been picked up for 13 eps, and begins shooting in August.
Discuss: Good day for TV, no? Which show sounds more appealing?
Cool Posts From Around the Web:
Today, The Incredible Hulk opens in face of months of fanboy speculation (early consensus is quite positive), the looming memory of Ang Lee’s Bruce Banner, M. Night’s worst R-rated movie, and the celebration of Jason Voorhees. We want to hear what you thought of the big budget Marvel/Universal film all weekend long.
Things to consider: Is this the Hulk we’ve been waiting for? Better than Ang Lee’s? Was the CGI up to snuff? Is Edward Norton the definitive Banner? Does Norton have good reason to remain displeased with the film’s editing? How does Louis Leterrier‘s film rank against Jon Favreau’s Iron Man and which film did you enjoy more? Is this a better film than Iron Man as some viewers are saying? Was Liv Tyler‘s character just another damsel in distress or did she offer something different? Tim Roth, one of the great comic-to-film villains? And what about Captain America? Tony Stark?
Discuss: Worth the wait?
When all is said and done, will The Incredible Hulk take the spot on our Fave Movies of Summer ’08 listicles previously reserved for Indy and Spielberg? For months, the redo’s marketing, CGI, behind the scenes differences, and purpose have been scrutinized beneath formidable anticipation for The Dark Knight, Iron Man and Hellboy 2. Early reviews are hitting the Net and it appears that the latest Marvel tale, from director Louis Leterrier and star Ed Norton, is a worthy contender and then some. I’ve compiled excerpts from what’s currently being said on the Net. If you’ve attended an early screening, let us hear all about it in the comments, or email/Twitter us. This entire post is spoiler-free.
First off, The Incredible Hulk recently screened at the championed Alamo Drafthouse in Austin, Texas and the locals and spies over at AICN report the following…
“I was afraid going into this movie that the CGI would take me out of the movie, but it never did. The cinematography and CGI were beautifully shot. I loved the Hulk as much in this movie as I did in the comic books. …Ed Norton was incredible as Bruce Banner. But the Hulk? The Hulk truly came to life for me for the first time on film. …Is it as wonderful as Iron Man? No, but it is still a pretty damn good superhero film that continues to give me hope for the future Marvel films in the works.” – CheriBomb
The following guy nitpicks at Liv Tyler’s performance (“she’s always out of breath…”), but he’s even more excited. Given his alias, I can only imagine where and in what circumstance he typed the following…
“Really, let’s not even worry about the thin plot, the point of anything Hulk is SMASH! …In short, the geekiest comparison I can make is to Star Trek:consider Ang Lee’s Hulk to be Star Trek:The Motion Picture, a long drawn out effects heavy cerebral film clearly crafted with a fetishistic love; and consider The Incredible Hulk to be The Wrath Of Khan:shorter, faster, pure ass kicking all the way through.” – The Human Burrito
Yes mom, I went to J-school to quote a spy named The Human Burrito. And if said spy is actually a plant dressed up like my favorite food, I have to say his Star Trek comparison still makes me want to check it out. Other spy reports: This next guy admits that the CGI Hulk is pretty, uh, CGI-y and yet the effects do not “distract” from the overall badassery. He also says that the film is chockful of Easter Eggs and gushing with geek references, something we keep hearing over and over…
“The real surprise for me was Tim Roth – he’s not been this good for years and he’s great as special forces soldier Emil Blonsky, even if his character does get lost a bit towards the end and he does look a bit like Harry Potter’s Dobby at one point. There’s one sequence in particular that has me drooling at the prospect of Marvel’s upcoming Captain America movie.” – rjl1138, NYC
Yeah, but what about Professor Dark and Serious Movies Only, will that chief like it? Probably not and who cares, but Massawyrm says…
“The Incredible Hulk fucking rules. …Every bit as good as Iron Man, The Incredible Hulk takes the material we all love, gets at the heart of what makes it tick and then puts it on the screen FOR ADULTS. It’s dark. It’s heavy.”
Oh, and what about AICN’s Harry Knowles?
“OH HELL YEAH!” – Harry Knowles [includes animation of himself turning into Hulk, makes token allusion to “creaming”]
Elsewhere, reactions are equally elated, like this one…
“Except for one or two quiet moments shared by Banner and his girlfriend while on the lam, Incredible Hulk doesn’t waste a single frame on dull talky exposition. It is all plot-driven and action-filled. In fact, unlike the much-hyped Indiana Jones and the Kingdom of the Crystal Skull, The Incredible Hulk never runs out of steam.” – Sci-Fi Movie Page
Gives yet another new meaning to “Nuke the Fridge.” Here’s an exclusive mini-reaction via txt/Twitter to Slashfilm just seconds ago…
“I was not expecting great things. I knew there was a lot of hype surrounding The Hulk, but I figured it might be just as disappointing as the first one. I am not a huge fan of fantasy/superhero movies because they can fail miserably if there’s poor CGI. But The Hulk was great! Not only was Edward Norton really convincing, but the action was on top of its game. I was pumped the whole time and waiting to see what happened next. Plus, after seeing Iron Man… I couldn’t help but feel anticipation and excitement during the last moments of the movie.” – Alana Taylor, Journalist, NYC
If a negative review(s) pops up, we’ll include it here, but for now, the buzz is on high. And we might as well tell you to stick around for the end credits. Also, the film’s ending is said to be a mega-highlight.
Discuss: HULK (not Ang Lee’s)! Look out for possible spoilers in the comments.