the woman who ran review

A woman spends a couple days catching up with friends over coffee and home-cooked pasta. One is a happy spinster living in the countryside, the second is an aspiring artist who has found a second lease on life, and the last is a career woman dealing with marriage issues with her more famous husband. Are these just relaxed hangouts among friends or are they actually glimpses into three possible futures for Gamhee (The Handmaiden‘s Kim Min-hee), a pensive wanderer whose genial attitude appears to keep at bay any deeper probes into her psyche? In Korean auteur Hong Sang-soo‘s The Woman Who Ran, it could be either — the filmmaker’s penchant for the absurd poking its way through gentle, lackadaisical drama that smoothly glides through its slight story and slim 77-minute runtime.

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