How a film opens says a lot about its style and tone, and can turn people off or make them sit forward in their seats with curiosity. This week’s big new release, Guardians of the Galaxy Vol. 2, has a hard act to follow; its 2014 predecessor had a memorable opening in which hero Peter Quill/Star-Lord dances through an alien world, blasting “Come and Get Your Love” on his old Walkman. As we wait to see if Vol. 2 lives up to the original, let’s look at 15 of the best opening scenes in movies.
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If you’re looking for a film that accurately depicts the creation of Facebook, it’s not The Social Network. But if you’re looking for a sharply written drama that defines the generation who is living on the internet, then David Fincher‘s drama scripted by Aaron Sorkin is just the ticket.
Still, just because The Social Network was nominated for Best Picture does not make it safe from the folks at Screen Junkies, who decided to mock the film in an Honest Trailer in honor of this week’s release of The Circle starring Tom Hanks. You also might be surprised to learn how many laptops were broken in the scene where Andrew Garfield smashes Jesse Eisenberg‘s computer.
Watch The Social Network Honest Trailer after the jump. Read More »
Aaron Sorkin has collaborated with some of the best filmmakers working today. Bennett Miller (Moneyball), Danny Boyle (Steve Jobs), and David Fincher (The Social Network) — all of them made first-rate films out of Sorkin’s first-rate writing.
The acclaimed screenwriter is finally tackling one of his own scripts as a director, an adaptation of Molly’s Game. In a recent interview, while the Academy Award-winning writer discussed his directorial debut and the rest of his career, he praised Fincher’s commitment and drive.
Below, Aaron Sorkin discusses David Fincher, the opening of The Social Network, and more.
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It can’t be easy watching a movie about your life. Some people get extremely agitated when pivotal parts of their favorite book aren’t in the film adaptation, so imagine what’d be like for those people seeing an unfaithful or highly dramatized version of their own life shown on the big screen. The movie, especially if it’s popular, is going to be associated with their image forever. Not all audience members leave a theater saying, “I bet that one scene was dramatized for storytelling purposes,” so, if the portrait of its subject is unflattering or inaccurate, that can’t feel great for the subject.
Many folks featured in bio movies have felt left the theater not feeling so hot on how they’ve been depicted, while others have been pleased with the results. Learn about a few biopic reactions from the subjects after the jump.
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I’ve rarely felt this annoyed in a movie theater. Next to me, during a screening of Steve Jobs, an elderly couple loudly whispers comments to each other every few minutes. With each line of dialogue they distract me from basking in, the more frustrated I grow. I’m afraid to ask them to keep quiet — not because I care how they’ll react, but out of fear of missing another line from the movie.
Aaron Sorkin writes anti-bathroom break movies. You don’t want to miss a scene or a line of his, especially in the case of his latest piece of work, the breathless, unrelentingly paced, and intricately structured Steve Jobs. By now, such an exciting piece of drama seems like a foregone conclusion from one of Hollywood’s most prolific, acclaimed, and all-around successful screenwriters. But past and present interviews with him have revealed not only how he pulls off these feats of genius, but how to start if you’re trying to create your own.
After the jump, learn writing tips from Steve Jobs screenwriter Aaron Sorkin.
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Hey there! We haven’t been properly introduced. I’m Ethan Anderton. Back in May, I joined the /Film crew as the Weekend Editor, and while some of you have gotten to know me and my film tastes over the past few months, I never got a chance to truly arrive here at the site like our new writers Jack Giroux and Jacob Hall.
Therefore, I figured I’d follow suit by delivering my own favorite films of all time. These are the movies that have stuck with me over the years, some more recently than others, and have defined and changed my life in a variety of ways. Read More »
Just recently we featured a quick little edit of some footage from the Batman v. Superman: Dawn of Justice trailer where Bruce Wayne witnesses the final battle from the end of Man of Steel. But now the DC Comics superhero match-up gets a whole new face…literally.
YouTube user and TV writer David Elmaleh has created a mash-up of Batman v. Superman and The Social Network, which features the DC Comics cinematic universe’s new Lex Luthor (Jesse Eisenberg) in the lead role. The battle for Facebook between Mark Zuckerberg and The Winklevoss twins has never been so epic, and the David Fincher movie looks like a true battle for the ages.
Watch the Batman v Superman Social Network trailer mash-up after the jump! Read More »
Posted on Friday, November 7th, 2014 by Angie Han
Way back when The Social Network was about to come out, there was all this talk about how Mark Zuckerberg was pissed off about it and never planned to see it. But he did, and he’s spoken out a few times about how inaccurate it was. Now he’s gotten even more in-depth with his thoughts, frankly admitting that he found the whole thing “kind of hurtful.”
Read the reaction from Mark Zuckerberg on The Social Network after the jump.
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David Fincher began his directorial career making music videos for some of the biggest talents in pop music. Beginning with Alien³ in 1992, his work in features has combined a drive for technical achievement off-screen with a consistently recognizable interest in detail-oriented obsession on-screen. He is a consummate craftsman, but one with an uncanny ability to lay his finger right on the cultural pulse. Together, those talents result in films which have gone beyond reflecting cultural attitudes, to defining them.
With the release of his latest film, Gone Girl, we’ve taken the opportunity to revisit the director’s narrative works on film. (And, briefly, in television.) Below is a list of the films of David Fincher ranked by achievement. It’s a highly subjective effort, we realize. Where does Gone Girl fit in alongside Fight Club, Se7en, The Social Network, and Zodiac? What stands out as the best film in his career to date, and what virtues can we find even in his least successful efforts? As you’d expect with Fincher, the answer to that last question is a lot more detailed than it would be for many other filmmakers. Compare our list with your own after reading further.
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Daniel Silva has edited a 17-minute tribute to filmmaker David Fincher, artfully splicing together the director’s nine feature films including Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network and The Girl with the Dragon Tattoo. This video tribute does not include Fincher’s Alien 3 (because, you know why), his 1985 documentary The Beat of the Live Drum (probably because it isnt a narrative feature film) or his upcoming film Gone Girl. The edit is not just a music video like most of the tribute videos you see these days, including lengthy bits of scenes. That said, the short does include “Closer” by Nine Inch Nails and “Oraculum” by Trent Reznor & Atticus Ross. Watch Daniel Silva’s The Films of David Fincher now embedded after the jump.