One of the most enticing films that may well play Cannes this year — and, yes, one of the more frightening ones, too — is Pedro Almodovar‘s reunion with Antonio Banderas, The Skin I Live In.
The film is based on a novel called Tarantula that is nominally about a plastic surgeon who takes revenge upon the man who raped his daughter. But the novel sounds a lot more uncomfortable than a simple revenge film, because the surgeon also happens to keep his wife confined in their house, in which he forces her monthly into degrading sexual encounters with other men. Messed-up stuff, and definitely not what we’ve come to expect from Pedro Almodovar.
We’ve seen one poster for the film already that used a classic scientific illustration style to present one view of the film. Now there are some more posters, which position it much more explicitly as some sort of horror thriller. Read More »
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It’s been a big Toronto Film Festival for Harvey Weinstein, as The Weinstein Company picked up films like Dirty Girl, Sarah’s Key and the surprise hit of the fest, Submarine. But there’s another Harvey-related buy that might not make him as happy: IFC has picked up Unauthorized: The Harvey Weinstein Project, a documentary about the industry titan.
The Barry Avrich-directed and produced film is said by IFC to be “a powerful, uncensored, no-holds-barred account that traces Weinstein’s path from concert promoter on the cold streets of Buffalo to his first trip to the Cannes Film Festival, where he arrived with one pair of pants and closed his first movie deal, to winning an Oscar, and breaking the bank with his first $100 million film.” Avrich previously claimed the film would be balanced, rather than a hatchet job.
The film isn’t yet finished, and a release date hasn’t been reported.[Deadline]
After the break, sales deals for John Cameron Mitchell’s Rabbit Hole, the Korean thriller I Saw the Devil, and pre-sales for Almodovar’s next and Dredd. Read More »