Charlie Chaplin‘s 1921 silent film classic The Kid is getting the remake treatment. That information alone is unexpected, but brace yourselves, because that’s just the beginning. The new film will be an animated science fiction movie called The Kid: An Animated Adventure, starring Jacob Tremblay (Room, The Predator, the upcoming Good Boys) as the young protagonist who discovers a robot named Chaplin who possesses a human soul.
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Billy the Kid has long been a source of fascination for Hollywood, getting the silver screen treatment most notably in Sam Peckinpah’s 1973 classic film Pat Garrett and Billy the Kid. Now, the famous Old West outlaw and gunfighter is getting another round on the big screen in actor-turned-director Vincent D’Onofrio‘s The Kid. Dane DeHaan stars as the titular teenage outlaw.
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In 1988, the National Film Preservation Act create the National Film Registry, which selects a couple dozen films each year for preservation in the Library of Congress. Up to 25 films are selected annually as “culturally, historically, or aesthetically significant films.” These have to be at least ten years old, can be feature, short experimental or ‘other’ — anything that is film, really — and are chosen from a list of films nominated by the public.
This year, 2228 films were nominated by the public and twenty-five were selected for preservation. Among those are the big Oscar winner The Silence of the Lambs, everyone’s favorite autistic history hero Forrest Gump, Charlie Chaplin‘s The Kid and one of the greatest (and earliest) train movies ever made, John Ford‘s The Iron Horse.
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 35 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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