Welcome to The SXSW Diaries, where we will be chronicling every single movie we see at the Austin-based film festival.)
Welcome to SXSW 2019 day four. In this edition: Extra Ordinary humorously explores the mundanity of the supernatural, NOS4A2 brings Joe Hill‘s novel to chilling life, and Good Boys is a perfectly innocent but somehow totally filthy comedy.
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When grandma stitched you that decorative “Home Is Where The Heart Is” pillow, she didn’t mean it literally (a physical, beating organ), but Travis Stevens’ Girl On The Third Floor is architectural horror that ponders otherwise. If these walls could talk, what secrets they’d spill – or better yet, imprison. Stevens’ haunting deconstruction splits no hairs between sins of the past and sins of today, as some desecrated buildings have endured too much tragedy worth keeping quiet. It’s a homeowner’s worst reality, temptress’ playground, and spooky-scary ghost story isolated inside a barren, yet active, fixer-upper.
It’s not The Witch In The Window–tier “latched souls” terrorization, but Stevens’ directorial debut is nonetheless a hair-raising plea for atonement once momentum snowballs. Read More »
Which is more terrifying: keeping up your high school status, or childbirth? Directors/writers Stephen Cedars and Benji Kleiman honor both painstaking enterprises in their furiously entertaining hor(ror)monal romp, Snatchers. Initial parallels to 2007’s Teeth fade quickly as the film splices Mean Girls DNA with Critters or Gremlins, or most appropriately, Slither. This is the kind of maternal midnighter that uproariously decapitates a gynecologist and coins the phrase “vag-cannon” while doomsday rages onward. It deals with single parenthood, safe sexual practices, and feisty gender “free pass” commentaries, all while nasty uterine buggers spatter Madre Vista bloody red. Read More »
At the SXSW Premiere of US, director/writer/producer Jordan Peele reflected on going beyond the standard horror beats. “I love horror” he mused about the conventions of the genre and what inspires him. “At the same time, who cares?” he said to laughs.
This perfectly captures what US does: it’s a carelessness to how Peele approaches the story, but not in a lazy or disrespectful way. But rather, a lack of care to stick to what audiences expect from horror – and that makes for a sharp, funny and terrifying film.
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With Dave on vacation, Devindra and Jeff review the sequel we didn’t know we needed, T2 Trainspotting. They also chat about this year’s SXSW, the prospect of new Matrix films, and the downsides of good shows on streaming platforms nobody is subscribing to (looking at you, CBS).
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook! Read More »
The 2017 SXSW Film Festival kicks off today and /Film will be there for the duration, bringing you reviews of major premieres and new discoveries alike. While we’re bound to uncover a gem (or three) that come out of nowhere, a few movies are already on our radar as must-sees. Let’s run down the films we’re prioritizing this year.
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Posted on Tuesday, January 31st, 2017 by Jacob Hall
The bulk of the 2017 SXSW Film Festival line-up has been unveiled and it is spectacular. We already knew that Terrence Malick‘s Song to Song would open this year’s fest, but it’s now in good company: Edgar Wright‘s Baby Driver, Ben Wheatley‘s Free Fire, and Michael Showalter‘s The Big Sick are among the films playing.
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Posted on Wednesday, March 7th, 2012 by Angie Han
On Mad Men, John Slattery proved to be fantastic at letting down his loved ones; on Friday Night Lights, Zach Gilford demonstrated an equal talent for being disappointed in his. So it makes perfect sense that the pair would team up to play a father and son with a rocky relationship in In Our Nature, an indie drama slated to premiere later this week at the South By Southwest Film Festival.
Specifically, Gilford stars as a son who still harbors resentment over his parents’ split. When a scheduling mishap leads to Gilford and his girlfriend (Jena Malone) sharing the family vacation home with his dad and his girlfriend (Gabrielle Union), father and son are forced to come to terms with one another and with the women in their lives. Watch the trailer after the jump.
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For the past decade, film screenings at the Alamo Drafthouses in Austin, Texas have gained legendary status in geek culture. Stars show up to premiere films there, incredible posters are designed for many of the screenings, cult classics are paired around specific foods or themed events, not to mention it’s the birthplace of the Rolling Roadshow and the host venue for South by Southwest, Fantastic Fest, Harry Knowles’ Butt-Numb-A-Thon and was recently named “Best Overall Theatrical Experience” by Fandango. And now, that unique brand of incredible film going experience is on its way to both New York and Los Angeles.
Tim League, the founder and CEO of the Drafthouse, said that plans are in the works to bring Drafthouses to New York City and Los Angeles, the two hubs of the film world, “within the next year, year-and-a-half.” With the Drafthouse beginning to distribute movies, having theaters in those markets would be a major plus. Read More »
I hate to write a short post but today has been a busy day. The official line-up for the South by South West 2007 Film Festival has been announced. You can check out the line-up at cinematical.