Posted on Wednesday, February 14th, 2018 by Matt Donato
Given my thematic body of work here on /Film thus far, I’m sure you’re expecting a February essay that analyzes Valentine’s rosiness through a horror lens. Have I already become that predictable? Yeah. Let’s absolutely talk about why love and horror create the most exquisite, developmentally rich bond(age)s in all the genre world. Why? Simple: there’s no scarier plot device in horror than “love.”
Love is often described as many things – a battlefield (Pat Benatar), the answer (John Lennon), a motherf*#@er (Old School) – but cinema audiences largely attribute love’s on-screen representation to Gerard Butler rom-coms or Hallmark tear-jerkers. Guy meets girl unexpectedly, they fall in love, happily ever afters all around. If it’s December, said man is probably also Santa in disguise. Picture perfect, just as in reality. Right?
For all its butterflies and “You complete me” sentiments, love can also be a savage monstrosity that tears at our gushy insides. This is where, amidst a sea of overtly-saccharine lifestyle pornography pics, the horror genre keeps us in check – unafraid of love’s flip-side intimidation. Call me a cynic, emotionless, or unsalvageable if you must, but to me, we rob ourselves of crucial understanding by not facing our fears and exploring the shadows light doth create.
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(Welcome to Now Stream This, a column dedicated to the best movies streaming on Netflix, Amazon, Hulu, and every other streaming service out there.)
Welcome to another edition of Now Stream This. I’ve scoured the wild world of streaming services to bring you the best of the best of the best. It seems every day another new streaming service is popping up, making it nearly impossible to navigate this dangerous terrain. Don’t worry, I’m here to help. You’re welcome.
This edition of Now Stream This brings you a highly underrated and very recent Todd Haynes movie, a new Netflix horror flick, a gloriously over-the-top action movie, a cynical noir loaded with snappy dialogue, the first Hannibal Lecter film, a romantic horror movie, a Steven Spielberg adventure, a cringe-inducing social media comedy, and some good old fashioned body horror. It’s time to look at the best movies streaming right now. Let’s get streaming.
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The surprising and totally freaky film Spring opens this week after winding its way through a few festivals, including TIFF and Fantastic Fest, and making fans along the way. The film will be in some theaters, and on VOD and even available via BitTorrent Bundle, making it the second film distributed in that manner. But with more films available to viewers every week, even a unique film has to take every chance it has to reach out to new people. Justin Benson and Aaron Moorhead, the directors of Spring, have put together their own little video showing off their grass-roots promotion for the film; check it out below. Read More »
Spring was one of the movies that had the most people talking at Fantastic Fest last year, and it was the one I was most bummed to miss. It comes from writer/directors Justin Benson and Aaron Moorhead, who previously made the intense and unsettling film Resolution, and features Lou Taylor Pucci as an American backpacker who meets a beguiling young woman (Nadia Hilker) in Italy… and then discovers that she has secrets that set her apart from every other girl he’s ever met. This Spring trailer is pretty great, starting off with a pretty normal tone before getting really weird. Check it out below. Read More »