Posted on Wednesday, August 8th, 2018 by Fred Topel
The Goldbergs stars Sean Giambrone and Hayley Orrantia were at the ABC party for the Television Critics Association this week. The comedy, based on creator Adam F. Goldberg’s life, is entering its sixth season in September.
Season 5 ended with Erica (Orrantia) dropping out of college to pursue singing and Adam (Giambrone) helping Barry (Troy Gentile) get prom cancelled. And now, season 6 will pay tribute to an iconic John Hughes movie: Sixteen Candles.
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With December coming to a close, along with the year 2016, Netflix will again be losing some titles from their streaming library in January as new ones arrive for the new year. This time there are some great 1980s favorites leaving Netflix, as well as some outstanding sports documentaries from ESPN, some blockbusters sequels and remakes, and more.
After the jump, find out all of the movies leaving Netflix in January.
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Our friends at Gallery 1988 in Venice, CA have a new art exhibition, “The Road To Shermer, a tribute to John Hughes”. The show opening on February 11th and runs until March 4th, 2011. As you know, John Hughes is the writer/director responsible for some of our most beloved teen films of the 1980s: National Lampoon’s Vacation, Sixteen Candles, Mr. Mom, The Breakfast Club, Weird Science, Plaines Trains & Automobiles, The Great Outdoors, Christmas Vacation, Home Alone, Dutch, Ferris Bueller’s Day Off and many others.
After the jump you can find a gallery of the best artwork from the show (in my opinion).
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We’ve featured some of Dutch Southern’s t-shirts in past editions of Cool Stuff. Their latest tee is called Shermer, IL and was designed by Evanimal. Film geeks will recognize the name of the town as the fictional suburban location of many of John Hughes’ teen comedies. And you may have guessed it, the t-shirt design is a tribute to John Hughes and some of his characters, printed on a white American Apparel tee.
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If you follow the Alamo Drafthouse’s Mondo Tees shop on Twitter (@MondoNews) you might have seen a mention recently that the shop would be selling some John Hughes posters. Now they’re in and on sale to internet shoppers as of now. Jay Ryan has created two images, one for The Breakfast Club and one for Sixteen Candles. Read More »
“Did he make a comeback yet?”
In a recent interview with the L.A. Times, Kevin Smith called ’80s director/’00s recluse John Hughes his “generation’s J.D. Salinger.” I’m not going to get into that comparison, no way, but it’s worth mentioning that Salinger hasn’t written anything in 40 years, whereas Hughes hasn’t done much movie-wise in a decade. He has more in common with Terrence Malick (20 years between
Badlands Days of Heaven and The Thin Red Line) than the completely AWOL Salinger.
Recently, Hughes received a credit under an alias for his, albeit old, story idea for Drillbit Taylor. Sure that film flopped hard, but its release has given the media reason to put out a Hughes APB and it’s hit the Internet pretty hard. Driving home on Monday, I heard a report on NPR about race and the unflappable popularity of Hughes’s character Long Duk Dong from Sixteen Candles. It’s clear that audiences still want the real deal to return, especially during this current hunger for the ’80s and LOL comedy.
As the Times points out, Hughes still maintains select ties to showbiz folk, notably producer and friend Tom Jacobson, and he met with Vince Vaughn a few years ago. I know, big deal, but he’s not exactly chain smoking, shooting guns in his house and sleeping in his bowling alley. Will the man who perfected the affable white goofball in beloved, classic films like Weird Science, Planes, Trains & Automobiles and The Breakfast Club really never write/direct another movie? Ever? You really think so? Even with comedy’s ring leader and producer of Drillbit, Judd Apatow, offering gushers like…
“John Hughes wrote some of the great outsider characters of all time,” says Apatow. “It’s pretty ridiculous to hear people talk about the movies we’ve been doing, with outrageous humor and sweetness all combined, as if they were an original idea. I mean, it was all there first in John Hughes’ films. Whether it’s ‘Freaks and Geeks’ or ‘Superbad,’ the whole idea of having outsiders as the lead characters, that all started with Hughes.”
Apatow uses the same kind words for director Harold Ramis (Caddyshack, Vacation, which Hughes wrote) and now he’s producing Ramis’s arguable comeback film, 2009’s anticipated Year One. So you have to wonder, with all of Apatow’s conecs and influence, has he not mentioned an official return to comedy to one of his biggest inspirations? Jus’ sayin’.
Discuss: Would you like to see John Hughes return, as long as it’s not Curly Sue Squared? Moreover, what are the odds we’ll see it happen?