Everyone knows that visual effects are required in order to bring a movie like Rogue One: A Star Wars Story to life. They may be more advanced than when George Lucas first took us to a galaxy far, far away, but we wouldn’t have the worlds, spaceships and creatures necessary to bring Star Wars to life without the magic of visual effects.
In the case of Rogue One, there are plenty of sequences that are composed entirely of visual effects, whether they’re space battles or environments that are composed entirely of digital pieces. However, there are some sequences where you might not have realized that a partial virtual set was employed. Instead of throwing actors into a room that is entirely green/blue screen, the crew built proxy sets where the nitty-gritty details would be added in post-production by Industrial Light and Magic. They’re details that you never would have thought were visual effects.
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This week brought Rogue One: A Star Wars Story to Blu-ray and DVD, allowing fans to bring home the first Star Wars spin-off home to watch over and over again with the added bonus of finally being able to watch Star Wars: A new Hope right after.
Besides that, you’re likely going to be rewatching all of the scenes with K-2SO on repeat, since he stole so many scenes from his human counterparts. That’s thanks to actor Alan Tudyk (A Knight’s Tale, Wreck-It Ralph, Firefly), who not only provided the voice of the reprogrammed Imperial droid, but also did the motion capture performance on set with the rest of the actors.
We had a chance to sit down with Alan Tudyk along with Industrial Light and Magic animation supervisor Hal Hickel to talk about how they brought K-2SO to life, from his inception, to finding his voice, to figuring out his movement and more. We ran part of this interview regarding the original journey K-2SO had in earlier drafts of Rogue One, but this is the full Alan Tudyk interview with insight from Hal Hickel along with it. Read More »
In this edition of Star Wars Bits:
- Mads Mikkelsen talks about Galen Erso’s fate.
- Learn more about Saw Gerrera’s origins.
- Screenwriter Gary Whitta reveals the cameo he didn’t like.
- How J.J. Abrams was responsible for Admiral Ackbar not making the cut.
- Director Gareth Edwards says there are “loads” of easter eggs yet to be discovered
- And more!
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Industrial Light and Magic is at the top of their game when it comes to technology and advancements in visual effects. The work on Rogue One: A Star Wars Story done by John Knoll, Mohen Leo, Hal Hickel and Neil Corbould was even nominated for an Academy Award this year, though sadly they didn’t walk away with the trophy. Now we’d like to offer a sneak peek at some of the tools they use to bring Star Wars to life.
A couple weeks ago, /Film visited Industrial Light and Magic as part of a press event for the home video release of Rogue One: A Star Wars Story (available on Blu-ray and DVD today). While there, we were given a demonstration of how ILM used their state of the art technology to give director Gareth Edwards the freedom he needed to shoot complicated visual effects sequences in such a way that he was able to create a shot one day and see it fully rendered in the first teaser trailer for Rogue One just five or six days later. Read More »
Today you can get your hands on Rogue One: A Star Wars Story on Blu-ray and DVD, but if you don’t have time to watch it immediately, you can enjoy an abridged version of the story as told by LEGO.
Using some impressive stop-motion animation, Disney and LEGO teamed up to make this family friendly, shortened version of the Rogue One story as it all takes place in the bedroom of some spoiled kid who not only has the massive Death Star LEGO set, but also the Rebels U-Wing, Director Krennic’s Imperial shuttle, an Imperial battle tank and an AT-ST walker.
Watch the Rogue One as told by LEGO video below. Read More »
A couple weeks ago, /Film had a chance to visit Industrial Light and Magic for a press event ahead of the home video release of Rogue One: A Star Wars Story. While there, executive producer and visual effects supervisor John Knoll gave us a keynote presentation showing off the hard work that went into the various visual effects in Rogue One, from the creation and destruction of Jedha to the seamless, impressive use of virtual sets. But we’ll have more on that later this week in honor of the movie’s arrival on Blu-ray and DVD.
Right now, we have an interview with Knoll where he told us how many visual effects shots were in Rogue One (including comparing the number to the rest of the Star Wars library), why recreating concept artist Ralph McQuarrie‘s designs for the Death Star with visual effects was so difficult, and much more about the visual effects of the movie.
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Kyber crystals are an important part of Star Wars lore. The Force-attuned crystals are fundamental in the creation of lightsabers, and they were also a major component in the creation of the Death Star’s destructive superlaser, as seen in last year’s Rogue One: A Star Wars Story. We found out in that film that the Empire had scoured the galaxy for any kyber crystals they could find in order to fuel the Death Star’s supply, eventually taking over Jedha City’s kyber crystal mines that were once guarded by the Jedi.
But now director Gareth Edwards has revealed some fascinating new information about why Jedha was so rich with kyber crystals: a kyber-heavy asteroid crashed there. But where did that asteroid originate? Read More »
Rogue One: A Star Wars Story is now available for digital download, and next week it will be available on Blu-ray and DVD on April 4. That means fans are really starting to dig into the first Star Wars spin-off, and that includes making close comparisons between the visuals in Rogue One and the films of the original trilogy from 1977, 1980 and 1983. It’s no wonder that Rogue One felt more like a classic Star Wars movie than even The Force Awakens when you see how many of the shots emulate visuals from A New Hope, The Empire Strikes Back and Return of the Jedi.
Watch the Rogue One and Star Wars shot comparison after the jump. Read More »
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Before the weekend, Rogue One: A Star Wars Story was made available on digital download. But those who are still standing by physical media are stuck waiting to relive the first Star Wars spin-off until it hits Blu-ray and DVD on April 4 next week. It might not be easy to wait until then, but perhaps a retro commercial pretending as if Rogue One is coming to VHS will help hold you over.
Star Wars fan Damien Kazan created this trailer for the home video release of Rogue One that looks like it was ripped straight from another VHS that has been through the VCR one too many times. Read More »
One day, we will run out of news concerning what could have been in Rogue One: A Star Wars Story. But that day is not today. Star Wars fans are as interested in the making of these movies as they are in the movies themselves, which makes the production of Rogue One so very fascinating – the first of the saga’s spin-off movies was massaged into many different positions during development and the alternate versions make for a great game of “What if?”.
That’s what makes actor Riz Ahmed‘s audition tape for the film especially interesting – he’s literally trying out several completely different characters for director Gareth Edwards.
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