Mad Men creator Matthew Weiner is back with The Romanoffs, an ambitious, star-studded anthology series coming to Amazon. The show focuses on eight separate stories about people who think they’re descended from the Russian royal family. That sounds both weird and interesting, and the cast assembled here is out of this world. Watch The Romanoffs trailer below.
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Blumhouse Picture has a notable track record of casting their horror projects right. They don’t always work out, but even just looking at that The Purge: Election Year trailer from the other day, the production company really struck gold in Frank Grillo. The actor was a big reason why The Purge sequel was a vast improvement over its predecessor. And for Blumhouse’s latest picture, The Darkness, who better to cast than Kevin Bacon to ground your supernatural horror movie?
Get a taste of what’s in store from Blumhouse this time with The Darkness trailer below.
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Posted on Tuesday, October 29th, 2013 by Angie Han
It took the Die Hard franchise five installments to send its hero overseas, but Olympus Has Fallen, a.k.a. “Die Hard in the White House,” will get there considerably faster. According to a new report, Nu Image and Millennium Films are reuniting the entire principal cast of the first movie — including Gerard Butler, Aaron Eckhart, and Morgan Freeman — for London Has Fallen, set in, you guessed it, London. Hit the jump for more plot details.
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The Goats is not a story about Val Kilmer‘s coming of age, sadly. It could, however, be part of the evolution of Eagle Eye and I Am Number Four director D.J. Caruso. The director has meandered from well-liked cult film The Salton Sea to youth-Hitchcock thriller Disturbia to the big budget schlock of Eagle Eye and I Am Number Four. He also worked on The Shield and has some other resume entries, but overall it isn’t
Now he’s getting cameras rolling on The Goats, based on Brock Cole‘s young adult novel, with Knowing‘s pre-teen Chandler Canterbury and Annalise Basso in the lead roles of two kids who run away together after a summer camp incident, and Val Kilmer, Radha Mitchell and Kate Maberly. Read More »
The Silent Hill sequel, Silent Hill: Revelation 3D, is shooting right now in Toronto, and keeps adding cast members as it does. Director Michael J. Bassett (Solomon Kane) already had Adelaide Clemens and Kit Harington starring, with Radha Mitchell, Sean Bean and Deborah Kara Unger reprising their Silent Hill roles in some unknown capacity.
Now a press release announces that the film also boasts Carrie-Ann Moss as Claudia Wolf and Malcolm McDowell as Leonard Wolf. In the video game Silent Hill 3, Claudia is a major character (modeled to look like Julianne Moore, actually) who sets a good chunk of the plot in motion, and isn’t exactly a passive or sane presence. Read more about her here (and about her father Leonard here) but be warned of possible spoilers for the film. The header image for this article, by the way, is a new still of Adelaide Clemens and Kit Harinton in the film, that was supplied with the press release. Click it to enlarge.
After the break, the Dean Koontz adaptation Odd Thomas gets a young actress and Tyler Perry’s next finds a romantic lead. Read More »
When we first heard about Silent Hill: Revelation 3D, the film sounded more like a spin-off than a sequel to Christoph Gans’ 2006 film Silent Hill. Michael J. Bassett (Solomon Kane) wrote and is directing this new film right now in Toronto, with Adelaide Clemens and Kit Harington starring.
But now three major cast members from the previous film have been added. Though we don’t know how big a presence they’ll have in the new film, Sean Bean, Radha Mitchell and Deborah Kara Unger have all joined the cast of Silent Hill: Revelation 3D. More info and a photo of Radha Mitchell in the new film, after the break. Read More »
The third (and presumably last) trailer for Breck Eisner’s The Crazies has hit, and this one is all about being short and sweet. We covered the first trailer back in October (which featured the Gary Jules cover of “Mad World”), and the second in December, which went a bit more in depth with the setup. The film tells the tale of a small town whose population has been turned into crazy killing machines by some sort of unknown toxin. It stars Timothy Olyphant as a small town sheriff who is trying to survive against the hordes of insane civilians and violent military retaliation, along with his pregnant wife (Radha Mitchell).
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The first trailer for Breck Eisner‘s The Crazies was pretty good, but with one significant misstep: it made heavy use of the song ‘Mad World’, which for the next decade should be considered as owned lock, stock and barrel by Donnie Darko. That aside, the trailer had a fairly intriguing vibe.
This second trailer omits the song, thankfully, and is a bit more straightforward. It gets into a lot less plot, jumping in when things are already going off the rails in a small town. There’s more of a slasher vibe to this cut, which I’m guessing is a deliberate move to skew the film as something more simple than it actually is. Read More »
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Touchstone Pictures has released the official trailer for the sci-fi comic book adaptation of Surrogates. The movie tells the story of FBI agents (Bruce Willis and Radha Mitchell) who are investigating the mysterious murder of a college student linked to the man who helped create a high-tech surrogate phenomenon that allows people to purchase unflawed robotic versions of themselves.
It looks more i Robot than Blade Runner, which is disappointing as the original comic book has been described as Blade Runner in tone. But what more can you expect from the guy who brought us Terminator 3: Rise of the Machines. Watch the trailer after the jump, and leave your thoughts in the comments below.
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Remakes get a bad rap amongst filmgoers, and understandably so. Instead of attempting to fulfill the potential hinted at in failed or dated movie projects, Hollywood has proven time and time again that the sole purpose of most remakes is to cash in on the success of the near faultless original films. Occasionally though, there’s a glimmer of hope. A quick glance at two of the best horror films the genre has to offer—The Thing and The Fly—clearly demonstrates that technological advances in filmmaking can be used to more effectively convey an older film’s story. While those films were remakes of ’50s cinema, we’ve also seen a vast of array of ’70s remakes—Dawn of the Dead, The Hills Have Eyes, The Last House on the Left—that have proven to be worthy modern takes on dated (albeit classic) material.
The Crazies, due out September 25, is the latest remake to attempt to join the ranks of those films. Based on the cult classic directed and co-written by George Romero, the film tells the story of a small town struck by insanity when an unknown toxin starts turning its happy, law-abiding citizens into mindless killing machines. Trying desperately to survive both the infected populace and the subsequent military response, the town’s Sherrif (Timothy Olyphant), his pregnant wife (Radha Mitchell), his deputy (Joe Anderson), and an assistant at the medical center (Danielle Panabaker) find themselves forced to band together if they ever intend on getting out of the town alive.
Last week I was granted the opportunity to visit the film’s set at Peach County High School in Georgia, where the crew was getting prepped for a lengthy night shoot. Once there, we first spent some time speaking to director Breck Eisner (Sahara), who explained his stance on remaking the film.
Honestly, any time you do a remake or a reimagining, and this is definitely more of a reimagining than a remake, you want to have target aspects of the movie that they didn’t have access to when they first made it. My theory on remaking movies or reimagining movies is that there should be something that they weren’t able to do the first time around. That you can do differently. So it’s not like just redoing Psycho or redoing a perfect movie, it’s redoing something that had limitations. One of big limitations for [George] Romero was obviously budget. I think he had 200 grand or 275 grand to make the entire movie. We’re obviously spending more money than that—it’s not a big budget movie, but we have better assets so we can represent the government as the scale of the force that it needs to be in a movie like this that is oppressive and realistic for us.
We spent the rest of the evening having the end of that comment proven to us, as we ventured next to a massive field on the outskirts of the high school. Read More »