Alan Ball’s feature directorial debut is more Six Feet Under than American Beauty in tone, and more of the latter in story. There are more than a few structural similarities to Beauty, including the typical but still wonderful Thomas Newman score, an older man who becomes sexually infatuated with a young girl, and a series of fantasy sequences (minus the rose pedals). Based on Alicia Erian’s controversial novel “Towel Head”, Nothing Is Private is a comedy about pedophilia and racial discrimination. Ball is able to turn these two very taboo subjects into 124 minutes of laugh out loud multi-layed entertainment.
Read More »
Today I finally found some time to sit down and sift through the 352 official selections of the 2007 Toronto Film Festival. Many hours later, I present to you 65 must see movies at the Toronto International Film Festival. I did the work so that you don’t have to. So why should you care about these films if you’re not making the trip up to Canada in September?
In 1998, Variety acknowledged that the Toronto International Film Festival “is second only to Cannes in terms of high-profile pics, stars and market activity.” Roger Ebert has also said that “although Cannes is still larger, Toronto is more useful and more importantâ€¦.”
Toronto is essentially a preview of which Independent to mid-sized film releases might be big in the next five months. The festival is considered a launch pad for many studios to begin “Oscar-buzz” for their films.
How do I know that you should see these movies? Well, in most cases I don’t. I have seen some press screenings of a couple of the films listed below (Valley of Elah, My Kid Could Paint That…) and can personally recommend them. But for the most part, I have no idea. I have cobbled this list from an exhaustive day of research. Some of the films I chose because of the director, writer, or cast. Others because of the plot synopsis.
When a review was available, I read it. If a trailer was available, I watched it. I’ve included films that were recommended to me by trusted friends. Some films that I missed but were highly reviewed at the 2007 Sundance Film Festival (Son of Rambow, The Savages).
I must offer this disclaimer: I tend to be attracted to American, British and Japanese cinema to a fault. I do have a handful of picks outside my comfort realm, but if you’re looking for more “Worldly” selections, you might have to look elsewhere.
It should also be noted that some of the films (especially in the Gala and special presentation sections) will hit theaters within the next two months. Some films even hit theaters days within the festival’s conclusion. I put these movies on the list because they are movies of interest. But you, like me, might want to hold off on some of these flicks until they hit your city next month. For me, there are some films that I won’t be able to resist like Across The Universe and No Country for Old Men. I know they come out sooner rather than later, but I need to see them sooner. I’ve noted the release dates of films that are opening in the next two months, just so you have that information.
I’ll be at the festival for nine and a half days, so chances are, I won’t be able to see all of these films. The reality is, I won’t see even half of these films. I’ll be doing some interviews, so I’ve lowered my goal to around 30 movies, which most people would still consider extreme (that’s at least three movies each day of the festival).
Read More »