Alex Garland only has two feature films under his belt as a director, but he’s quickly become one of the most exciting science-fiction filmmakers working today. And with early buzz for his upcoming film Annihilation suggesting that his directorial debut Ex Machina was no fluke, all eyes are on what Garland will do next.
It turns out, he’ll be doing much of the same — but this time, it’s on TV.
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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
LET ME IN
How you respond to Let Me In will depend almost entirely on whether or not you’ve seen the original. On a purely technical level, its craft is unquestionable. Director Matt Reeves has thoughtfully and skillfully reconstructed Let the Right One In for American audiences, maintaining the solemn mood and tender intimacy of the boy-girl relationship that made the original so heartbreakingly compelling. But that’s also the problem: the film is strictly an imitation. Save for some narrative streamlining and one astounding new set piece, this movie lacks any identity of its own. It is nearly a shot-for-shot remake, and it makes very little attempt to differentiate itself. Because of this, anyone who has seen and loved the original (as I did) will find it nearly impossible to divorce themselves from the material. Which is a shame, really, because it many ways the film is an improvement over its predecessor. Reeves managed to not only identify what worked so well in the original and recreate it with better actors, but he also found what was lacking and axed it completely. In spite of this, my loyalty to the original—or rather, originality in general—prevents me from recommending the film to the same extent that I did that film. And even if you haven’t seen Let the Right One In, I would still suggest viewing that film prior to this one. For me, it was the original’s relaxed, indie sensibilities that allowed for the film’s now-iconic moments to resonate so vividly, bringing an unexpectedness to the brief yet startlingly effective action beats. Moreover, the shots themselves were decidedly more quiet and restrained, which in turn made them all the more haunting. Had I seen Let Me In first, I am doubtful that the film would’ve struck a chord with me in the same way Let the Right One In did.
Available on Blu-ray? Yes.
Notable Extras: DVD – An audio commentary with director Matt Reeves, featurettes (“From The Inside: A Look at the Making of Let Me In”, “The Art of Special Effects”), unrated deleted scenes, and a Car Crash Sequence Step-by-Step. Blu-ray – Includes everything on the DVD, as well as a Dissecting Let Me In feature, and a digital copy of the film.
|BEST DVD PRICE
|Amazon – $13.99
|BEST BLU-RAY PRICE
|Amazon – $19.99
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 35 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Don’t expect to see Winter’s Bone, King’s Speech, Toy Story 3, Never Let Me Go, and How to Train Your Dragon nominated for the WGA Awards. The Writers Guild of America have revealed the list of eligible films, and none of the previously mentioned highly acclaimed movies/screenplays are on the ballot. Before you get up in arms, you must realize that the guild’s rules restrict nominations to productions aren’t produced by WGA members or under WGA guidelines.
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Posted on Sunday, December 26th, 2010 by David Chen
I hope everyone here had a happy holiday break! I had the chance to finally sit back, relax aimlessly for a few days, and take in some Netflix Watch Instantly films that I wouldn’t get to during the normal course of events. One such film was Sweetgrass, which guest Matt Singer discussed on a previous episode of the /Filmcast. As I watched, I was struck with the film’s breathtaking beauty, and I realized that there’ve been some great-looking films this past year.
Here are what I consider to be the 10 most beautiful films of 2010. There’s no grand unifying theory to this list, other than that these are movies I personally really enjoyed looking at for one reason or another. They are presented in no particular order.
Oh, and tune in on Tuesday night at 9 PM EST at slashfilm’s live page to hear us countdown our top 10 films of 2010!
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As the year comes to a close, more Top 10 lists are being published. Last week, British filmmaker Edgar Wright (Scott Pilgrim, Hott Fuzz) filed his annual listing of the top five movies of 2010. Hit the jump to find out what movies made Wright’s list this year.
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It’s that time of the year when there will be one film awards ceremony and/or critical poll after another, and we’ve got the results of three to kick off this week. The European Film Awards took place in Estonia over the weekend, and Roman Polanski‘s The Ghost Writer scored six awards, including Best Film, Best Director and Best Actor, the latter for Ewan McGregor.
Meanwhile, at the British Independent Film Awards, The King’s Speech took best picture, while Monsters director Gareth Edwards scored Best Director. And the Washington, DC Area Film Critics Association honored The Social Network, Inception and The Fighter. All the lists are after the break. Read More »
This week, Peter Sciretta, David Chen, Devindra Hardawar and Adam Quigley praise Frank Darabont’s The Walking Dead, discuss the groundbreaking 3D of Jackass 3D, and lambaste the MPAA’s ridiculous Blue Valentine NC-17 rating.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us on Sunday (10/24) at 10 PM EST / 7 PM PST at Slashfilm’s live page as we review Paranormal Activity 2.
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Reviews have been pouring out of Telluride and Toronto for Never Let Me Go, the Mark Romanek-directed adaptation of Kazuo Ishiguro‘s novel. (Peter’s review is here, and a two-part interview with Romanek is here and here.) The consensus isn’t uniform, but those who like the movie seem to really like it, which is always a good sign, at least from the perspective of wanting to see a film that works as a story and a snapshot into a specific world.
I’ll admit: I haven’t read any reviews. It’ll be another week or so before I get to see the film, and I’d rather go in without elevated expectations. But I will check out a trailer, and conveniently there’s a new UK trailer for the film. It’s a much more linear edit than the US trailer, and consequently shows a lot more story. Read More »
After the Telluride Film Festival premiere of his latest film, I had the opportunity to sit down and interview director Mark Romanek for a long-form interview. It was a collaboration between Alex from FirstShowing and myself, which explains how we were able to get so much time with the filmmaker.
Mark Romanek is one of the best music video directors to come out of the 1990’s. His videos have included Nine Inch Nails’ “Closer”, “Scream” – Michael Jackson’s grammy award winning collaboration with sister Janet Jackson (at $7 million, one of the most expensive music video ever made), Janet Jackson’s “Got ‘Til It’s Gone”, Johnny Cash’s gut-wrenching cover of Nine Inch Nails’ “Hurt”, En Vogue’s “Free Your Mind”, Lenny Kravitz’s “Are You Gonna Go My Way”, Beck’s “Devil’s Haircut”, Jay-Z’s “99 Problems” and Fiona Apple’s “Criminal”. His 2002 feature film One Hour Photo is probably best known for Robin Williams’ dramatic turn. While the film is beloved by cinephiles, it pretty much went under the radar of mainstream audiences. It did however gain Romanek a lot of the respect in the movie industry. His follow-up, a big screen adaptation of Kazuo Ishiguro‘s novel Never Let Me Go, premiered at the 37th Telluride Film Festival. The book was named one of TIME’s 100 Best Novels (from 1923 to the Present), featured on many top ten books of 2005 lists, and a finalist in the National Book Critic Circle Award.
We ran the first part of the interview yesterday, click here if you missed it. After the jump is part two of the chat, where we talk about the casting for Never Let Me Go, deleted scenes, what’s up next, the state of the music video industry, clarifying the Guinness Book of World Records-perpetrated lie that he was responsible for the most expensive music video ever made, why Michael Jackson/Janet Jackson‘s “Scream” cost so much, the wonders of creative producing, and what he thought of Joe Johnston‘s The Wolfman. Hit the jump to read the interview.
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