David Fincher recently signed an exclusive deal with Netflix, and it looks like he’s ready to make good on it. The filmmaker is gearing up to make The Killer for the streaming service, a film that he was originally going to make for Paramount back in 2007. The project will reunite Fincher with Seven screenwriter Andrew Kevin Walker, and will star Michael Fassbender as an assassin who slowly starts to go insane. It’s based on the French graphic novel Le Tueur.
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Now that 20th Century Fox is part of The Walt Disney Company, the rights to make new X-Men action figures inspired by the film franchise now lie at Hasbro. That’s why Marvel Legends is finally getting back around to making figures based on the X-Men movies, and they’re starting by celebrating the 20th anniversary of the original X-Men movie, the one that launched the comic book movie craze of the 21st century.Get a load of the first wave of Marvel Legends X-Men movie action figures below. Read More »
Rather than take some time off, Taika Waititi is already at work on his next film. Production has begun on Waititi’s Next Goal Wins, a sports dramadey starring Michael Fassbender and Elisabeth Moss. In addition to Fassbender and moss, the Next Goal Wins cast has added non-binary actor Kaimana as Jaiyah Saelua, the first non-binary soccer player to compete in the Men’s World Cup.
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While we’re eagerly awaiting the arrival of Taika Waititi‘s satirical comedy Jojo Rabbit later this month (read our review and watch the trailer), the filmmaker is already getting his next film together over at Fox Searchlight, and it’s completely different than any other movie he’s done before.
Next Goal Wins is a sports dramedy inspired by the 2014 British documentary of the same name, focusing on the perpetually losing national football team of American Samoa and their coach as the team tries to qualify for the FIFA World Cup. Michael Fassbender is already on board to play the team’s coach, and now Elisabeth Moss is in talks to join the cast too. Read More »
The increasingly busy Taika Waititi already has his next project lined-up, and no, it’s not Thor: Love and Thunder. Before the director returns to the Marvel Cinematic Universe, he’ll direct the sports dramedy Next Goal Wins. And that’s not all: Waititi wants Michael Fassbender to star. Fassbender is in talks to join the film, which is based on the documentary of the same name and focuses on the national football team of American Samoa.
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When a character in Inglorious Basterds looks down at the camera and says, “I think this just might be my masterpiece,” it’s clear that writer-director Quentin Tarantino is carving a self-congratulatory blurb for his own World War II film. Maybe he’s earned the right to gloat. As a viewer, when I think of Tarantino, I think of chapterized revenge. The revenge in Inglorious Basterds is of a historically revisionist nature. It unfolds in five chapters, which collectively serve as a five-point-palm exploder on the moviegoer’s chest. As Once Upon a Time in Hollywood hits theaters this Friday, we can hazard a guess that it might take a similar revisionist approach to its treatment of the Manson murders.
Tarantino was the quintessential filmmaker of the 1990s and he’s never made a movie that was as culturally significant as Pulp Fiction. That kind of era-defining success only comes once in a career. There are cinephiles who prefer Jackie Brown—a like-minded exercise in restraint that consciously appeals to an older audience. These two entries are linked in Tarantino’s directorial filmography in that they’re the only instances where he’s shared a writing credit with someone else. Roger Avary helped conceive the story for Pulp Fiction and Jackie Brown is based on an Elmore Leonard novel.
As great as those movies are, it’s the exuberance and unpredictability of his more original screenplays that made me a fan of Tarantino’s work. In Inglourious Basterds, these elements come into play in a film that is perhaps the truest expression of Tarantino’s style, which is simultaneously cartoonish and craftsmanlike. Tempering some (but not all) of his excesses, he distilled his ideas for a TV miniseries down into a punchy script with sections that play like short stories. Don’t let the title fool you: the results were glorious.
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Hey, did you forget that there’s still a new X-Men movie coming out this summer? You probably did since Dark Phoenix is on track to lose its opening weekend to The Secret Life of Pets 2. Well, what’s left of 20th Century Fox is here to remind you that the movie is still coming, regardless of whatever those secretive critters are up to. That’s why they’ve released two new Dark Phoenix clips, as well as a music video that has even more footage, including the debut of a mutant fans have wanted to see in movies for some time. Read More »
Proving that there are indeed second, third, and even forth acts in Hollywood, Mel Gibson is being given the keys to a major motion picture yet again. The controversial actor and filmmaker is set to helm a remake of The Wild Bunch, and some heavy-hitting talent is already lining-up to work with him. Michael Fassbender, Jamie Foxx, and Peter Dinklage are all in talks to join the Wild Bunch remake cast, indicating that Warner Bros. wants to put together an impressive cast for this contemporary remake of the violent Sam Peckinpah Western.
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Now that 20th Century Fox has been bought by Disney, the Marvel Comics mutants known as the X-Men are back home at Marvel Studios. But before that, the studio will finish the initial series nearly 20 years later with the final installment of the franchise: Dark Phoenix. The only problem is that it’s retelling a story that we’ve already heard before, and much like the recent reboot of Hellboy, it doesn’t seem to be doing much to improve it in any way. Watch the new Dark Phoenix trailer below. Read More »
20th Century Fox finally dropped the first trailer for Dark Phoenix after a long road marked by delays and lengthy reshoots. The X-Men sequel, which adapts Chris Claremont and John Byrne’s famous Dark Phoenix Saga, centers around the powerful mutant Jean Grey (Sophie Turner), whose latent psychic powers are accidentally unlocked, turning her into a dangerous and destructive force.
The first trailer gives us glimpses of the fiery swath that Jean Grey cuts through the world, harming both the X-Men who love her and Magneto’s band of misfits. But there’s still a lot of mystery left to the trailer, namely the mysterious funeral at the center of the teaser. In the Dark Phoenix trailer breakdown we’ll try to decipher what exactly is happening, and who has died. Let’s dive in.
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