Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising?
This week we massage our way to wellness, wonder what kind of kompromat Putin has on Trump, uncover the video ramblings of a nutty farmer, discover beauty through art and cinema, and then leave it all on the mat.
Read More »
In Christianity, the lamb is symbolic of gentleness, innocence, and purity. The animal has also been used as a reference to Jesus Christ when the bible mentions “lamb of God.” There is a softness and delicate nature to the lamb, one that provides comfort in its shed fur used for blankets and clothing. They also possess a specific loyalty and obedience as they are willfully herded by a shepherd–blindly following its master even to its death. This thematic symbolism is woven throughout director Malgorzata Szumowska’s horror film, The Other Lamb, as she depicts a tale of obedience and defiance within the isolated world of a cult. Read More »
Like many time periods preceding it, the fall film festival circuit of 2019 has been a mixed bag of results for female filmmakers. The Venice Film Festival spared a measly two slots in its competition for films directed by women and, as if to thumb their nose at those decrying their regressive attitudes, awarded their Best Director prize to convicted rapist Roman Polanski. All this from a festival that signed the 50/50 by 2020 pledge for gender parity just last year, to boot. As Katrin Gebbe, director of Pelican Blood told me, “In the past few years, we’ve started to put our finger into the wound.”
Meanwhile, at the 2019 Toronto International Film Festival (TIFF), the programmers paid more than lip service to their commitment on equality. Female directors comprised 36% of this year’s selection at TIFF, with percentages even higher in sections like Contemporary World Cinema and the high-profile Galas. Look beyond the numbers, too, and it’s clear that quantity did not come at the expense of quality.
Read More »
If you’re more interested in the typical fall slate of festival entrees than summer’s glut of tentpole action fare, this is a great week. The Toronto International Film Festival announced the first wave of films that will play the fest in September. This is a batch of about 50 titles, which makes up only a small chunk of the programming. Usually TIFF features between two and three hundred films. But these are some of the highest-profile entries.
Below you’ll find rundowns on the new films from George Clooney, Bennett Miller, Jay & Mark Duplass, Todd Solondz, Francis Ford Coppola, Cameron Crowe, Sarah Polley, Fernando Meirelles, Lars von Trier, Marc Forster, Steve McQueen, Alexander Payne, and Lynne Ramsay. No announcement yet of the Midnight Madness programming choices, always some of my faves, but this is a great start. Read More »