Oscar nominees might have a gut-wrenching experience waiting to hear their name called (or not) during the Academy Awards but at least they don’t have posters to buy. For the second year in a row, Mondo has announced they’ll be selling posters by multiple artists for different Oscar-nominees. The first three have just been revealed and, with them, you’ll see this series is not just limited to Best Picture nominees. After the jump check out:

  • Les Miserables by Olly Moss
  • The Master by Laurent Durieux
  • Paranorman by DKNG

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We’ve got a bunch of cool movie art for you today. The Academy and Gallery1988 commissioned a small group of artists to create original screen prints inspired by this year’s nine Best Picture nominees. After the jump you can see some of them, including:

 AMOUR by artist Matt Owen, ARGO by Anthony Petrie, BEASTS OF THE SOUTHERN WILD by Rich Kelly, DJANGO UNCHAINED by Mark Englert, LES MISÉRABLES by Phantom City Creative, LINCOLN by Jeff Boyes, LIFE OF PI by Tom Whalen, SILVER LININGS PLAYBOOK by Joshua Budich and ZERO DARK THIRTY by Godmachine.

Gallery1988 has tweeted that “this is just the start” and there will be “more soon” including a tweet teasing the appearance of popular artist Olly Moss.  The G1988 x The Academy show will run February 14th to the 17, with more details coming soon. See the first batch of art after the jump.

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/Filmcast Ep. 214 – Gangster Squad

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Dave, Adam, and Devindra discuss this year’s Oscar nominations, and explain why you should watch LA Confidential instead of Gangster Squad.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993.
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For the 70th year, the Hollywood Foreign Press handed out their Golden Globe Awards Sunday night. Hosts Tina Fey and Amy Poehler entertained an audience of TV and movie fans there to bestow awards to shows like Girls, Modern Family, Smash, Breaking Bad, Homeland and Downton Abbey and films like Lincoln, Argo, Django Unchained, Life of Pi, Silver Linings PlaybookZero Dark Thirty and Salmon Fishing in the Yemen. Yes, I said Salmon Fishing in the Yemen.

That’s just one example of surprise nominees that make the Globes such a wild card each and every year. Check out all the winners below along with live commentary.

UPDATE: We’ve embedded a lot of the special moments from the show below.  Read More »

Emma Stone and Seth MacFarlane woke up at the crack of dawn this morning to announce the nominees for the 85th Academy Awards. Academy members nominated nine contenders for Best Picture, with Amour, Argo, Beasts of the Southern Wild, Django Unchained, Les Miserables, Life of Pi, Lincoln, Silver Linings Playbook, and Zero Dark Thirty all in the mix. The choices aren’t totally surprising, but it’s still a strong group of competitors.

It’s always interesting to see how the Best Picture category correlates to the Best Director one, and the notable names shut out this year include Kathryn Bigelow, Ben Affleck, Tom Hooper, and Quentin Tarantino — the first three of whom were all nominated for the DGA prize earlier this week. Another notable snub that I know /Film readers will be all over is the lack of recognition for Looper, which scored in none of the major categories.

On a happier note, The Master hasn’t been getting much love so far but it managed to score three Oscar nominations, all in the acting categories. The Best Actress group proved a historic one, with both the oldest (85-year-old Emmanuelle Riva) and youngest (9-year-old Quvenzhane Wallis) nominees in the category. And the animated field went exactly the way you’d suspect, but I’m just happy to see ParaNorman get a nod. Hit the jump to read the list of nominees.

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The list of nominees for the 65th annual British Academy of Film and Television Arts Awards (also known as BAFTA) feel oddly familiar, yet throw a few curveballs. For example, Steven Spielberg‘s Lincoln leads the nominees with ten nominations, including nods for Best Picture, Actor, Adapted Screenplay and Supporting Actor and Actress. However it’s director was snubbed in the Best Director category. Also passed over for director was Tom Hooper, whose Les Miserables pulled eight nominations including Best Picture, British Film, Actor, Supporting Actress.

In their places in the Best Director race are Quentin Tarantino, for Django Unchained, and Michael Haneke for Amour. That should please some who were upset that Tarantino was snubbed in the DGA nominations yesterday.

Check out the full list below.

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We’re already at the point in the award season where a few films have been solidified as the big winners and prime Oscar candidates. Zero Dark Thirty, Moonrise Kingdom, Silver Linings Playbook, and Lincoln have been awards frontrunners for weeks, and will likely continue to dominate slates of official accolades until the season ends with Oscars being handed out on February 24.

The Best Picture category in the Oscars is based around the efforts of producers, and so the Producer’s Guild of America nominations are a pretty good indicator of what we’re likely to see as a nomination slate for the Best Picture Oscar when AMPAS announces noms next week.

Today the PGA announced its nominations (one day early) and the ten films that were highlighted for what amounts to the PGA’s “best picture” award are: Argo, Beasts of the Southern Wild, Django Unchained, Les Misérables, Life of Pi, Lincoln, Moonrise Kingdom, Silver Linings Playbook, Skyfall, Zero Dark Thirty.

Nothing there for The Master, but that isn’t even much of a surprise at this point, given how things have been going. The inclusion of Skyfall is a bit of a surprise, but mostly for the fact that it is the big commercial outlier rather than The Avengers. Marvel’s The Avengers was a success on many levels, but if any one position should get a sage nod in appreciation of a job well done on that movie, it’s the producers. Same goes for Skyfall, however, so even that “surprise” is a small one.

The press release featuring all of the nominations is after the break.

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Germain’s Top Ten Movies of 2012

2012 was an incredibly good year at the movies. Looking back at the almost 200 films I saw that were released this calendar year, many were in contention for this list. But in the end, there can be only 10. These ten films, ranked in reverse order, are the ones that most stuck with me during 2012 and will continue to do so in 2013 and beyond. Some were pure jolts of entertainment. Others nestled their way into my brain and made me think for weeks on end. But either way, like most top 10 lists, mine is extremely personal and exceedingly different. From Jump Street to Neo Seoul, check it out below. Read More »

I was delighted to finally have the chance to catch Tom Hooper’s Les Misérables last night and despite a few significant missteps (e.g. Russell Crowe as Javert), I found it totally brilliant and engrossing. Nonetheless, I’ve been reading a bunch of criticism on the internet about Hooper’s directorial decisions, most pointedly regarding the look and sound of the film.

In Anthony Lane’s slam of the film in the New Yorker, Lane writes, “The actors were recorded live as they belted out the big numbers, and Hathaway, in particular, takes full advantage, turning in precisely the sort of performance, down to the last sniff, that she would be the first to lampoon on ‘Saturday Night Live.'” Over at The Atlantic, Christopher Orr writes, “The second or third time we watch a face fill the screen with notes tender or tragic, the effect is genuinely arresting. The 22nd or 23rd time…” Critics all over are having a ball blasting the unconventional directorial decisions made in the film. As someone who loved the movie, I thought I’d take a moment to reflect on some of these decisions.
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Cool Posts From Around the Web:

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In this episode, Dave and Joanna Robinson from Pajiba discuss their love of Tom Hooper’s Les Misérables.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993.
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