Juno and Up in the Air director Jason Reitman‘s new movie Tully hit theaters only about a week ago, but the director has already locked down worldwide distribution for his next movie, a political drama called The Front Runner that stars Hugh Jackman.
Meanwhile, the relatively new distribution company Neon – which has distributed movies like Ingrid Goes West, Revenge, and I, Tonya, – has acquired a “troll love story” called Borders after its premiere at this year’s Cannes Film Festival. Read more about Jason Reitman’s new movie and the fascinating-sounding Borders below.
Read More »
To dig too deeply into a discussion of Tully, the third film from screenwriter Diablo Cody and director Jason Reitman (after Juno and Young Adult) is to risk taking the shine off the movie’s unique brand of intimate magic. Knowing this makes talking about some of the film’s most impressive and heart-breaking reveals all the more difficult, but it makes repeat viewings of Tully something quite special. The film stars Charlize Theron (following up her work with Reitman in Young Adult) as Marlo, a wife (to Ron Livingston) and mother of three, including a newborn. Being the primary parent in the household has not only drained Marlo of energy and deprived her of sleep, but also she has lost sight of the parts of herself that were special and interesting, as her days are taken over with routine.
Enter Tully (Mackenzie Davis, whose vibrancy practically jumps off the screen), a night nanny, hired by Margo’s well-off brother (Mark Duplass) to take responsibility of the infant while Margo gets a full night’s sleep. But Tully sees her job as not only taking care of the baby but taking care of Marlo’s needs as a human being, and the two form an instant bond as they discuss their lives. Marlo sees a lot of herself in Tully, and Tully views Margo’s life of stability — albeit a little boring — as something to aspire to and not avoid.
Read More »
Charlize Theron is a woman on the edge of a nervous breakdown in the Tully trailer.
The Sundance favorite about an exhausted mother of three (Theron) who resorts to hiring a night nanny named Tully (Mackenzie Davis) has dropped a new trailer.
Read More »
Diablo Cody and Jason Reitman are something of an indie dream team. The duo’s first collaboration produced the sharply funny Juno, which became one of the most over-quoted films in the last decade, and helped catapult Cody and stars Ellen Page and Michael Cera to fame. While their second film together, the bleak and sardonic Young Adult, didn’t quite permeate pop culture like Juno, it established the duo’s easy, whip-smart rapport. Enter Tully, the third collaboration between Cody and Reitman starring Charlize Theron as a worn-out mother on the eve of giving birth to her third child. The film premiered at the 2017 Sundance Film Festival to positive buzz, with many critics calling it the duo’s best collaboration yet.
Below, see some of the early buzz for Tully from the Sundance Film Festival.
Read More »
Cool Posts From Around the Web:
The Young Adult team of star Charlize Theron, director Jason Reitman and writer Diablo Cody are together again for Tully. The comedy features Theron as a mother who forges a unique bond with her new nanny, played by Mackenzie Davis. A Tully trailer is expected to drop any day now, but in the meantime, new Tully first look images offer a glimpse of Reitman’s new film.
Read More »
Posted on Tuesday, April 5th, 2016 by Angie Han
Charlize Theron has had some pretty great roles in her time, but one of her best was in Jason Reitman‘s Young Adult. She was mesmerizing as as selfish and troubled writer Mavis Gary, with help from some sharp dialogue written by Diablo Cody. So it comes as fantastic news to hear the team’s thinking of getting back together again. Theron is reportedly eyeing a new project written by Cody, which Reitman will direct. Read More »
If the idea of seeing Michael Fassbender as the Dude in The Big Lebowski sounds weird and terrific, then Jason Reitman‘s next live-read is for you. He’ll mount a one-night-only stage reading of the Joel and Ethan Coen script in Montreal later this month, with Fassbender in the role originally played to perfection by Jeff Bridges. Read More »
Jason Reitman has made Oscar contenders, cult classics, TV pilots and live reads. Now he’s signing up for something totally different: an animated film. Reitman is attached to write and direct Beekle for DreamWorks Animation, based on a book called The Adventures Of Beekle: The Unimaginery Friend by Dan Santat. It’s about an imaginary friend who is so unique, no child imagines him, and he’s left alone. He then goes on an adventure to find a child to be friends with. Read more about the Beekle movie below. Read More »
There are less than 24 hours until the big event and Captain America is out. The text comes in at 11:20 p.m. on Wednesday March 18. For the past two weeks, I’ve been talking regularly to writer/director Jason Reitman about the latest installment in his Live Read series, the ongoing set of performances at the Los Angeles County Museum of Art in which he assembles famous casts to read famous scripts from famous movies as a one-night only event. We’ve been covering them for a long time. For the final one of this season, I wanted to know how it was done.
This Live Read was to be Dazed and Confused by Richard Linklater, a sprawling coming of age film with a huge cast of characters, many of whom have become iconic for moviegoers. The most iconic is Wooderson, played by Matthew McConaughey. It’s a small role, and one that Reitman thought he had cast months before the event.
Reitman was at the 87th Annual Academy Awards back in February representing Whiplash, a Best Picture nominee he produced. There he ran into Captain American actor Chris Evans and asked him if he wanted to read the role of Wooderson. Evans enthusiastically agreed and was on board… until less than 24 hours before the event, when he had to drop out. “He had a sincere personal reason to pull out,” Reitman writes via text. “He’s an incredibly decent and lovely guy.” Nevertheless, Captain America has caused a bit of a problem.
Below, find out both how that turned out and the entire making of story behind the Jason Reitman Live Read of Richard Linklater’s Dazed and Confused Live Read. Read More »
The great thing about Dazed and Confused? I get older and it stays the same age.
Twenty-two years after Richard Linklater‘s ’70s slice of life film hit theaters, listening to it read by a group of actors still feels as poignant and relevant as ever. Maybe the music and references have changed a bit but a teenager’s insecurities, rebellious nature and mischievousness are and will continue to be universal. In Linklater’s script those ideas are delivered with an almost unfairly simple and eloquent precision.
At Thursday’s Live Read, presented by Film Independent at LACMA, Jason Reitman brought together a group of actors to read the script and, yes, the huge cast of characters made things a little confusing. In back-to-back scenes, an actor might have to jump from nerd to cool guy to stoner, giving the whole evening an unpredictable energy. It was even more unpredictable as they were reading an earlier version of the script that had some huge differences from the final film.
Below, we’ll break down those script changes, the cast, some of the crazy performances, and talk about how even in a form that’s unfamiliar to most of us, Dazed and Confused remains as good as ever. Read More »