We're All Going to the World's Fair review

Jane Schoenbrun‘s intimate narrative debut We’re All Going to the World’s Fair opens with an eight minute unbroken shot that immediately pulls you in. Alone in her bedroom, a high school girl named Casey (Anna Cobb, in her film debut) records a video of herself uttering the same phrase three times, pricking her finger with a pin, smearing blood across her computer screen, and pressing play on a video which bathes her in rapidly changing colors.

That’s the price of admission to enter a massive multiplayer online role playing game called The World’s Fair, which is described as “the Internet’s scariest online horror game” and said to incite physical transformations in those who play it. The rest of the movie (which is executive produced by A Ghost Story director David Lowery) is about Casey documenting and coming to terms with those changes – many of which serve as a metaphor about what it can feel like to experience gender dysmorphia.
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