In 1993, at only 19 years old, an aspiring comic book artist named Gabriel Hardman got what appeared to be a big break: the chance to pencil Marvel’s War Machine. But not long after completing the assignment, Hardman chose to ditch comics, move to Hollywood and try to make it as a storyboard artist.
By any measure of success, there’s no doubt that Hardman “made it.” Over the next two decades, he worked on a variety of beloved and/or critically acclaimed projects; ranging from Austin Powers: International Man of Mystery (1997) to Interstellar (2014). But at the same time, while on that upward trajectory, he storyboarded a handful famous flops. Including three films which have been the focus of How Did This Get Made? episodes: Wild Wild West, Spider-Man 3 and Green Lantern.
Interestingly enough, it took a frustrating experience on one of those three films to lead Hardman back to the career he had previously left. And, since then, he has regularly toggled between working in comics (such as Invisible Republic and Heathentown) and working on films (such as Inception and The Dark Knight Rises). To learn more about this unexpected journey, we spoke with Gabriel Hardman about some of the ups and downs in his career.
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Colin Trevorrow is gearing up to direct the ninth installment of Star Wars, and he wants to shoot the movie using film, not digital, cameras. The Jurassic World filmmaker also has been investigating if Star Wars: Episode 9 could be the first narrative feature film to actually shoot in outer space, for real. Hit the jump to learn more about the Star Wars 9 film plans.
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Posted on Monday, December 28th, 2015 by Angie Han
Generally speaking, studios, filmmakers, and stars are happy to see their films land on awards shortlists or critics’ top 10s. But then there are the lists they’d probably rather not be on, like this one of the most pirated movies of 2015.
To be sure, most of these movies did just fine even without the pirates’ box-office dollars. This year’s #2, Furious 7, was a favorite of pirates basically from the moment it opened, and it still managed to set records. (Records which were later broken by Jurassic World and then Star Wars, but never mind that.) Still, it’s gotta be annoying to think of all the money they didn’t make because some people didn’t feel like paying. Especially since a couple of these titles could’ve used that extra boost. Find out what the most pirated movies of 2015 are after the jump.
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Over the last two decades, Hollywood has saved Matt Damon from a variety of precarious situations, from an exhaustive European search during World War II (Saving Private Ryan) to his most recent rescue mission from Mars (The Martian). How much money did it cost to save Matt Damon’s characters in movies? Find out after the jump.
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The Internet Movie Database is now 25 years old. When IMDB first began, it was a downloadable database software on the earliest version of the internet, but now it’s much bigger than that. The Internet Movie Database has a quarter of a billion customers, and some of those users spend their time rating movies on the site. Find out what the top rated movies of the last 25 years are after the jump.
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We’ve previously featured a video essay that dove into the history of aspect ratios in cinema and how they’ve changed in the relatively short history of filmmaking. But beyond the technical changes and differences, varying aspect ratios are now used to not only change the aesthetic of any given film, or even a specific scene or sequence, but to also create a different emotional effect within the viewer.
A new aspect ratio video essay takes a look at some of the different thematic effects that come from changes in aspect ratio, illustrating how they are used to invoke certain feelings or perspectives. This ranges from transporting viewers back in time to a more old fashioned way of life in The Grand Budapest Hotel to glamorizing a memory in (500) Days of Summer to giving an epic scope to action happening on screen in Interstellar. Read More »
Even though Christopher Nolan‘s sci-fi drama Interstellar ended up being a fairly divisive piece of cinema last year, it’s hard to deny that the film still left an impression on people. And while we can nitpick the story until we’re blue in the face, one element I think we can all take the time to appreciate is the abundance of practical effects used.
Miniatures and large sets were used surprisingly frequently with digital effects only being used to enhance what Nolan physically shot with a camera. And this is even more impressive when you take a look at how practical and visual effects combined to create what Nolan calls the “Tesseract,” which is the spatial plane where Matthew McConaughey can see across time and dimensions.
Watch the featurette on the Interstellar Tesseract after the jump! Read More »
Posted on Friday, April 17th, 2015 by Angie Han
An entire galaxy of moviegoers lost their shit yesterday at the second The Star Wars: The Force Awakens trailer, but perhaps none loved it more than Matthew McConaughey. In a new video making the rounds, the Interstellar star laughs, gasps, and weeps while watching the epic trailer. See the funny Matthew McConaughey Star Wars reaction video after the jump. Read More »
Cool Posts From Around the Web:
Interstellar hit home video Tuesday and our friends over at Screen Junkies have picked Christopher Nolan‘s latest for their new installment of their signature Honest Trailers series. The four-minute-long Interstellar Honest Trailer begins “From the director who apparently gets a life time pass because he made The Dark Knight, comes the movie everyone respected for being ambitious and original but also made them say… What’s he doing in a space bookshelf?!”
Screen Junkies thinks Nolan has gone “full blown Shyamalan.” Even though I really enjoyed the film despite its flaws (including yes, the award winning “sound design”), it’s hard not to agree with some of their humorously well-presented points. Watch the Interstellar honest trailer embedded after the jump.
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Back when Christopher Nolan‘s Interstellar was in theaters, Peter wrote a very detailed breakdown of the differences between the original script by Jonathan Nolan, written for Steven Spielberg, and the version that Christopher Nolan shot with his own revisions. Now Jonathan Nolan has talked about some of differences between his script and the finished film while promoting the blu-ray release of the film. Specifically, he addressed the ending, which as originally written in one draft — potentially a different one from the 2008 Spielberg draft — was much more simple, and potentially far less happy. Read More »