Do you love the collectible artwork that we feature at /Film but always lament the fact that it’s usually fairly expensive to purchase for display on your wall? If that’s the case, then you might be interested in checking out Gallery 1988‘s latest installment of their recurring Postcard Correspondence show.
Postcard Correspondence 2017 was unveiled this past weekend, featuring dozens of original pieces of artwork paying tribute to your favorite movies and TV shows (and even some video games) with stunning artwork from some outstanding artists. The pieces pay tribute to the likes of Lord of the Rings, The Office, Inception, Indiana Jones, Jurassic Park, Stranger Things, Hot Fuzz and much more.
Get a look at some of the pieces in the Gallery 1988 Postcard Correspondence 2017 artwork below. Read More »
Posted on Tuesday, October 31st, 2017 by Jacob Hall
Last week, we were pleased to debut a few posters that will be for sale at this year’s MondoCon, Mondo’s annual convention dedicated to pop culture art and collectibles. Now, more posters, pins, and soundtracks have been unveiled ahead of the con’s start this weekend, including art and more for Goodfellas, Justice League, Snow White and the Seven Dwarfs, Samurai Jack, Hot Fuzz, Ratatouille, and Predator. Check them all out below!
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San Diego Comic-Con kicks off tomorrow with the traditional preview night, letting thousands roam the show floor in search of the exclusives that they’re desperate to get their hands on. You can bet the line will be long over at the Mondo booth, where the pop culture collectible house always unleashes a slew of items that you can only get at the convention (some of which we’ve already exclusively revealed), and a handful of new ones were just revealed today.
If you head over to the Mondo booth during San Diego Comic-Con, there will be new prints commemorating Hot Fuzz, Guardians of the Galaxy, Legion, and more. There’s also a very special limited edition vinyl release for one of those movies that will sell out insanely fast, I’m sure. Check out the new Mondo SDCC 2017 exclusives below. Read More »
Every director claims to be a movie geek. But there’s movie geeks, and then there’s Edgar Wright. The director, who casually drops lists of his 1000 favorite films when he’s not working, seems to view movie references as a bit of a sport. If you’re not spotting at least a dozen influences or outright homages in his movies, you probably need to rewind – and if you’re watching his earlier films like Shaun of the Dead or Hot Fuzz, just give up trying to count.
While Wright has increasingly been moving away from overt name-checks in his movies, he still manages to bury familiar score snippets, costume choices, and plot threads in all of his work. Here are just a few.
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Over a twenty-three year career spanning TV and film, Edgar Wright has honed his craft to become one of the most inventive, exciting filmmakers working today. With his genre-bending screwball comedies, Wright has developed an instantly recognizable style, culled from filmmakers before him, like Sam Raimi, Martin Scorsese, the Coen Brothers and more, and given his own unique twist. With rapid-fire montages and close-up cutaways, Wright fully embraces the visual aspect of the visual medium of film (something a shocking number of modern filmmakers seem to overlook). With Wright’s latest film Baby Driver speeding into theaters this week, it’s time to look a selection of the best scenes from his film career.
Spoilers for Wright’s films follow.
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In 2005, I watched a new horror comedy titled Shaun of the Dead. I had not heard of Edgar Wright, Simon Pegg, or anyone involved with this quirky little piece of entertainment. And something struck me big time about this movie: the incredible editing and music choices. And since Shaun‘s release, Wright has proven that he is a master at mixing cinema with the energy of a music video, all the while not losing his grip on the story.
In Wright’s latest movie, Baby Driver, music plays a key role within both the story and structure of the movie. And if you know Wright’s filmography, you know that he has been honing his music video talents for years to create a film like this. So in celebration of Baby Driver‘s release, let’s take a look at the greatest music-driven sequences in Wright’s movies.
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Edgar Wright‘s latest feature film hits theaters this week, and by all accounts Baby Driver is another winner blending action, laughs, and Wright’s own unique sensibilities. (Don’t take my assumption for it though, check out Jacob Hall’s review out of SXSW.) Wright has yet to deliver anything less than a very good time at the movies, and while a lot of factors go into an acclaimed film, one of his many strengths as a filmmaker is in the variety of fun and fun-loving characters he packs into his work.
The scripts are obviously key to the films’ highly quotable nature, but pairing the words on the page with particular performers is what ultimately results in such memorable characters. That combination has resulted in a bounty of fun, funny, and fascinating characters in Wright’s films, and while some are leads, others only manage a few minutes of screen time. It’s an issue of quality trumping quantity, and it’s why someone with two scenes in a movie can be far more memorable than someone who’s in nearly the entire thing. What I’m saying is Shaun of the Dead‘s Ed is an obnoxious twat whose “funny” behavior upsets the film’s delicate tonal balance and ultimately keeps it removed from absolute greatness. Look, I don’t like saying it anymore than you like hearing it, but there it is.
It’s also why the list below is heavy on the male members and light on the ladies. Wright’s films feature plenty of women, but you have to look all the way back to his UK television series, Spaced, to find an example of one with meat on her character’s bones. But that’s a think-piece for a different time. For now let’s keep things moving with a look at the best characters in Edgar Wright’s feature films.
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The closest Edgar Wright has come to making a sequel is his Three Flavours Cornetto Trilogy, the unofficial series of genre films loosely tied together by Simon Pegg and Nick Frost (and ice cream). But would he consider making a sequel to one of his most popular films?
Maybe, Wright answers. And only one of his films really lends itself to a sequel: the second in the Cornetto Trilogy, the buddy cop comedy Hot Fuzz.
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Cool Posts From Around the Web:
Every week in /Answers, we attempt to answer a new pop culture-related question. This week’s edition asks “What is your favorite movie gunfight of all time?” As always, we have submissions from the /Film writing crew and podcast team.
If you’d like to share your favorite movie gunfight, please send your thoughts to firstname.lastname@example.org for a chance to be featured on the site. Find our choices below!
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There are a myriad of ways that we could compliment Edgar Wright. From his economical, near flawless scripts to his fast and fierce shooting style, you can spot an Edgar Wright film from a mile away. But one of the things I look forward to the most is how the director Shaun of the Dead and Scott Pilgrim vs the World uses music to enhance his movies, making for some of the most memorable scenes from his career.
A new video features some of Edgar Wright’s greatest uses of music in film, television and music videos. Even if you’ve seen all of Edgar Wright’s movies, there’s probably some footage here you haven’t seen before, especially in the music video arena. Watch the Edgar Wright music reel after the jump. Read More »