Throughout this year, artist Ben Harman has been fleshing out his Disney Dreamland art series, bringing to life beautiful images from Disney’s classic animated movies. Each of his prints is like a vertical widescreen image with meticulously recreated architecture, amazing landscapes, astounding skyscapes, and incredible detail. And more are arriving today.
Bottleneck Gallery and Eyeland Prints UK are releasing seven new Disney Dreamland posters today inspired by six of Disney’s beloved animated movies: Fantasia, The Lion King, Hercules, Pocahontas, The Princess and the Frog, and Lady and the Tramp. Keep reading to see all new posters and find out how to get them. Read More »
Why Is Mile High Comics having a “DC Sucks” comic book sale? Why has The Flash suddenly fired Elongated Man actor Hartley Sawyer? Will The Batman give us yet another version of The Joker? Want to see a custom figure of Thomas Wayne as Batman in Flashpoint? Could Hercules be coming to the Marvel Cinematic Universe? Who was the first Hispanic superhero from DC Comics? All that and more in this edition of Superhero Bits. Read More »
Disney is hellbent on remaking as many of their animated classics as they can, and Hercules recently joined the ever-growing line-up. The remake of the 1997 animated musical is being produced by the Russo Brothers, and while it’s still way too early to see how things will shake out, the Russos are promising their take on the material is going to offer something new, and not follow in the footsteps of the recent shot-for-shot Lion King remake.
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If you thought Disney was done remaking films from their animated library, guess again! Hercules, the 1997 animated musical about going from zero to hero, is the latest to land itself a live-action remake. The Russo Brothers are set to produce the film, while Dave Callaham, writer of the upcoming Marvel film Shang-Chi and the Legend of the Ten Rings, is handling the script.
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Alan Menken, the legendary composer who is responsible for providing the scores for several Disney animated classics, was hard at work on the studio’s live-action remake of The Little Mermaid when the coronavirus ground Hollywood to a halt. And while we already knew that the new movie would feature new music, we weren’t sure about exactly how much to expect. But now we know: the ebullient composer recently revealed that there will be four new songs for the film.
Read on for his exact quotes, plus news about Disenchanted, Hercules, and more. Read More »
For a limited off-Broadway run, The Public Theater slammed together a larger than life production of Disney’s Hercules at the outdoor Delacorte Theater at Central Park. Hercules stands out among its Disney stage-adapted brethren due to its refreshingly scrappy tapestry of communal intimacy laced into a familiar crowd-pleasing tale for 90-minutes of a good family-friendly time.
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(Revisiting the Renaissance is a bi-weekly series in which Josh Spiegel looks back at the history and making of the 13 films of the Disney Renaissance, released between 1986 and 1999. In today’s column, he discusses the 1997 film Hercules.)
One of the best qualities of Disney feature animation is that it can be timeless. Some of the studio’s most charming masterpieces don’t feel like cinematic time capsules; they can be experienced at any age without the audience feeling lost. But one of the biggest successes of the Disney Renaissance was a film that somehow managed to be both timeless and very much of its time: the 1992 animated comedy Aladdin. For its directors, the two men who had played a major part in ushering in the era of the Renaissance, they could follow up this success with a new film that either tried to once again blend the timeless with a modern sensibility. Or they could avoid modernity all together with their next film.
Hercules, the 1997 film directed by John Musker and Ron Clements, takes little time in emphasizing that it would be following the same route Aladdin did, to slightly diminishing returns.
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Wow. So now that we’re all living in a post-Avengers: Infinity War world, it’s time to deal with the fallout of what was undoubtedly a world shaking entry in the MCU. Beware because from here on out there are going to be a lot of spoilers and some serious speculation about the future of the Marvel Cinematic Universe.
Half of the universe is dead, let’s start off with that. It’s quite likely that Marvel won’t keep all of their biggest heroes dead, but even if they bring back the core characters and introduce new heroes like Captain Marvel, it’s likely that by the time we hit Phase Five, the MCU will really need some new blood.
So let’s think about who Marvel has left to bring in as the new generation of heroes after the seeming inevitability of a Secret Invasion plot in Phase Four, not to mention the strong possibility of the retirement of Chris Evans and Robert Downey Jr. as Captain America and Iron Man. It might seem silly to think about this when we don’t know what’s coming for sure in Phase 4, but the answers to this advance question hold the possibility of a very fun, fantastical future for the MCU. Read More »
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After nearly four decades with Disney, director John Musker is retiring. Musker co-wrote and co-directed seven feature films throughout his 41-year career at the House of Mouse, including The Little Mermaid, Aladdin, Moana and more.
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(Welcome to Nostalgia Bomb, a series where we take a look back on beloved childhood favorites and discern whether or not they’re actually any good. In this edition: a look back at Disney’s post-rennaisance animated output, including The Hunchback of Notre Dame, Mulan, and Hercules.)
When people think of Disney, they often jump to the classics – Bambi, Dumbo, Snow White, and so on. But my generation has a different list. We were raised on the studio’s late ’80s and early ’90s “renaissance” titles, including Beauty and the Beast, The Little Mermaid, Aladdin, and The Lion King. But after 1995, the seemingly unstoppable Disney animation machine began to slow down. The films of the late ’90s live on as childhood favorites, not undisputed classics.
And that brings me to the question of the moment: some 20 years later, do these later films of the renaissance era hold up? Are their charms enough to cover their bigger flaws? Is it all nostalgia or are some of these true cinematic gems? Please keep your arms, feet and legs inside the vehicle at all times, because we’re about to take a trip to the late-’90s era of the House of Mouse.
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