Let’s tackle these in reverse order from the headline. Last week rumors emerged that Sylvester Stallone would direct The Expendables 2 after all. (Several months back it had been announced that he would not write or direct.) The rumor showed up via a BoxOfficeMojo tweet, and was reportedly sourced from LionsGate, which distributed the first film. I contacted the studio, which said that nothing was confirmed.
Now Deadline indirectly but definitively reports a statement from Sly that he “wants it known that despite reports to the contrary, he will not be directing the sequel to The Expendables.” So that remains that. The script is in, and now we’ll wait to see who is tapped to direct, what cast members will return, and who’ll be added. Maybe the experience of directing Sylvester Stallone in Headshot will go so well that Walter Hill will do The Expandables sequel as well? More info on Headshot, which Thomas Jane has just joined, after the break. Read More »
A week ago, Wayne Kramer walked away from the director’s chair for the film Headshot, in which Sylvester Stallone is slated to star. Blame creative differences; in other words, there was a staredown over material and the star won, as tends to happen. Shortly afterward Sylvester Stallone wanted Walter Hill to step into the job as director, and that is now happening. In other words, the director of The Warriors, 48 Hrs. and the Deadwood pilot is on his way back! Read More »
Earlier today we reported that the Sylvester Stallone film Headshot needs a new director, as the previous hire, Wayne Kramer (The Cooler) walked due to creative differences. Now we know there are a number of contenders to replace him, with Sylvester Stallone’s key choice being Walter Hill, director of films like 48 Hours and The Warriors, and an early participant in Deadwood. Read More »
Somehow, 2010-2011 is going to go down as a time period when finding a director for Pride and Prejudice and Zombies turned into a massive undertaking. David O. Russell was going to make the film, but he walked. Many others were considered, then Mike White was hired, then he left, too. Craig Gillespie (Lars and the Real Girl, the upcoming Fright Night remake) has been said to be the top choice to be director #3, then for a minute it looked like PP&Z author Seth Grahame-Smith and David Katzenberg might co-direct. But now Deadline says Craig Gillespie is getting the job after all.
The basic project (zombies are inserted into the text of Jane Austen’s Pride and Prejudice) doesn’t sound appealing at all, but I guess I can see why the idea of making a period drama with that weird horror overtone might be of interest to a director. It’s like a weird experiment; how do you take one thing and make it into something quite different, while only changing a few items? At this point, the whole arc of the project sounds like a weird experiment, though. Now we’ll have to watch how the casting process goes. I can only imagine that will take another few years.
After the break, Sylvester Stallone’s new movie needs a new director, but Meg Ryan probably won’t get the job because she’ll be busy making something else as her first film. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 32 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Warner Bros has acquired the big screen rights to Headshot (Du plomb dans la tête which roughly translates to “Lead in the Head”), a three-book French graphic novel series by Alexis Nolent (aka Matz).
The series tells the story of two killers, two cops, and a journalist. In a Bronx apartment, Jimmy and Louis, two hired killers, slaughter a senator and the prostitute. Perry and Carlisle, two New York City cops, investigate and find evidence that points to the killers. Things go wrong and both their partners are killed. The Hitman and Cop decide to form an alliance, and on their road to revenge they realize that the enemy isn’t the only thing they have in common.
Producer turned screenwriter Alessandro Camon has been hired to write the screenplay adaptations. Camon is also attached to the Paramount Pictures/David Fincher adaptation of Matz’ The Killer. If I were to guess, I would say that Camon probably discovered the less-popular title while working on The Killer. The film will be produced by Smallville creators Alfred Gough and Miles Millar.