Posted on Saturday, September 9th, 2017 by Chris Evangelista
Michael Haneke is not known for light-heartedness. The Austrian filmmaker behind Funny Games, Caché, The White Ribbon, and Amour specializes in challenging, often incredibly bleak dramas where all is not right in the world.
So when Haneke’s new film was announced with the title Happy End, most people familiar with the director likely assumed this was a deliberate misnomer. Well, it is and isn’t. Happy End, which played at the Toronto International Film Festival, is perhaps one of the least-depressing films Haneke has made, while also still being plenty of bleak. There’s a bemusement at work here, as if Heneke is winking at the audience with every scene.