VFW Review

Fangoria’s production banner is becoming a tell-all for cinematic expectations, minimum requirements including gore, violence, and oh, more gore. Joe BegosVFW is the latest outrageous splatter flick to promote the iconic horror brand, and let me tell you – it delivers as suggested. That’s both a positive and negative depending on which filmmaking aspect is being magnified, but we’ll get there soon. As an introduction, understand that VFW is all about Assault On Precinct 13 anarchy, horror-grotesque violence, and enough booze to take down Wade Boggs on a cross-country flight.

Think of it as the action massacre midnighter your parents never wanted you to see, but you snuck into the VHS player at way too young an age after they went to sleep. Oh, the power of grindhouse corruption. Read More »

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It’s a crazy, mixed up world and we are thankful for movies, excluding The Tooth Fairy starring The Rock, that offer proof. /Film’s Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review, or an interview.

It’s rare when the marketing campaign for an indie movie has a celebratory feel, clearly organized by a team as psyched on the feature as they hope the recipient will be. Soon after learning of Black Dynamite last year, several packages arrived at my home/office in correlation with its theatrical release. They contained quality tees—one read “Fight Smack In The Orphanage” in bold-ass white-on-black CAPS—along with a high concept soundtrack and a media kit ribboned and accented with a syringe pen. For months thereafter, director and co-writer Scott Sanders seemed to personally and tirelessly push Dynamite to every white sucka on Internet Geek Street. It was admirable, considering that his second feature film was indeed a pretty fun, meticulously designed hat tip to the Afro-Fu era of Dolemite.

The film is also a stable showcase for Sanders’s pal Michael Jai White (SpawnThe Dark Knight) to launch a renewed case for chiseled action stardom, and a welcome invite for underseen talents like Tommy Davidson and Arsenio Hall to get retarded. Oh, and if you ever wondered about the true origin of chicken and waffles? That’s in there too. During an absurd week that saw oversensitive Twitterers erupt over the existence of soul food, what better film and DVD to welcome Black History Month? Slashfilm’s Weekend Weirdness asked Sanders a few questions about Dynamite’s future as a CIA agent-cum-VietNam veteran-cum-inner city exterminator of “jive ass” dummies. (Note: NSFW movie stills after the jump.)

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Inglorious Bastards up NEXT for Quentin Tarantino

Quentin TarantinoInglorious Bastards will be Quentin Tarantino’s next film, according to the Grindhouse director.

“That will probably be the very next thing I do,” Quentin told /Film at the Grindhouse junket. “Robert will probably be doing Sin City 2 coming up fairly shortly.  I am going to kind of go on the road with this, around the earth here.  I haven’t really done it in a big way in a long time where you spend six months doing it.  But I also like writing on the road, it’s a really good time to do that so I will probably finish up ‘Inglorious Bastards’ while I am promoting ‘Grindhouse’.

Bastards is the project Tarantino worked on in the six years in between the releases of Jackie Brown and Kill Bill. Instead of a conventional 100 to 200 page script, he wrote a 600 page work in three feature-length parts. It has been rumored that the resulting film will be released in two or three parts.

Set in World War II, the story revolves around a group of soldiers on their way to be executed, when they get the chance of a reprieve. Tarantino has described them as “not your normal hero types that are thrown into a big deal in World War II.”

Michael Madsen will star as Babe Buchinsky. Other names rumored to be involved in the project include: Tim Roth, Sylvester Stallone, Bruce Willis, Paul Walker, Adam Sandler, Eddie Murphy, Johnny Depp, John Travolta, Harvey Keitel, Fred Williamson, John Jarratt, Mickey Rourke and Christopher Walken.