Martin Scorsese threw fans of the Marvel Cinematic Universe into a tizzy recently when he said that the films of Marvel Studios and other superhero movies alike were not what he considered cinema. Instead, he equated them to theme park rides and even took it a step further by saying movie theaters needed to support what he called “narrative films” instead of superhero movies. At the same time, he did acknowledge the hard work that goes into them, though he reaffirmed his belief that they are not truly cinema. But director Francis Ford Coppola took it a step further.
While speaking to journalists in Lyon, France after accepting the Prix Lumiere award for his overall contributions to cinema throughout his career, Coppola was asked about Martin Scorsese’s comments, and The Godfather saga fiilmmaker did not hold back when throwing shade at Marvel movies, reiterating again that they “are not cinema” but also adding that they are “despicable.” Find out the rest of the Francis Ford Coppola Marvel movie criticism below. Read More »
Francis Ford Coppola, one of the titans of Hollywood cinema, is doing everything he can to get his long-delayed passion project Megalopolis up and running. The director, who previously wasn’t signed with any particular agency, has now officially joined the client list of one of the industry’s largest agencies, CAA, in the hopes that they can help him secure financing for what sounds like a mega-expensive futuristic movie. Read on to learn what we know about it so far. Read More »
Apocalypse Now may be universally hailed as a cinematic masterpiece, but that hasn’t stopped director Francis Ford Coppola from tinkering with it multiple times since its 1979 release. It only took 40 years, but the Oscar-winning director is finally satisfied. The upcoming Apocalypse Now Final Cut is being touted as Coppola’s favorite version of the film, and viewers can finally experience it at its special 40th anniversary theatrical re-release in IMAX theaters this month. A new Apocalypse Now Final Cut trailer teases this IMAX release as well as the 4K Blu-ray release later this month. Watch the Apocalypse Now Final Cut trailer below.
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Francis Ford Coppola‘s Apocalypse Now: Final Cut is coming to theaters and 4K Blu-ray this August. Can’t wait that long? Maybe this trailer will hold you over until then. Coppola went back and reworked his acclaimed Vietnam War epic, putting together something that’s longer than the theatrical cut, but shorter than the Apocalypse Now Redux edition. Watch the Apocalypse Now Final Cut trailer below.
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Francis Ford Coppola‘s Apocalypse Now has been released (and unreleased) in various forms. But the filmmaker recently put together what he considers to be the final cut, and screened it at the Tribeca Film Festival. If you were unable to attend Tribeca, and still want to witness what Coppola has in store, you’re in luck: an Apocalypse Now: Final Cut release date has been set for both theaters and Blu-ray the summer.
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Francis Ford Coppola has tinkered with Apocalypse Now in the past, but now he’s ready to deliver what he considers the final cut. Coppola went back to his Vietnam War epic to craft a new, definitive version, which will debut at this year’s Tribeca Film Festival. There’s no word yet on what will happen after the Tribeca screening, but it’s safe to assume the Apocalypse Now: Final Cut will find its way to Blu-ray eventually.
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One of Francis Ford Coppola‘s never-made dream projects might finally become a reality. The legendary filmmaker has revealed after many years of delay, he will direct Megalopolis, a huge, sprawling epic about an architect trying to build a mini-Utopia in futuristic New York. Coppola wrote the script in the ’80s, but wasn’t ready to make Megalopolis until the dawn of the 21st century.
By 2001, he shot hours of second unit footage, and was gearing up to move into production. But everything came to a halt following the September 11th attacks. Since the story is set in New York, and was set in the wake of a major disaster, Coppola felt post-9/11 was the wrong time to bring Megalopolis to life. The filmmaker eventually moved on, and most assumed the project was lost forever. But now, Coppola is ready to resurrect it.
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R. Lee Ermey, the gruff character actor probably most remembered for his scene-stealing, vulgar-laced turn in Stanley Kubrick‘s Full Metal Jacket, has died at age 74. Ermey was a United States Marine Corps staff sergeant and drill instructor who broke into acting, and spent a long career playing authority figures.
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Black Panther is primed to rule 2018. The Marvel Studios movie directed by Ryan Coogler is one of the most anticipated movies of the year, and with tickets going officially going on sale yesterday, the frenzy over the superpowered king of Wakanda is just beginning.
It’s clear that Black Panther is unlike any movie we’ve seen before: the lush Afro-futurism, the majority-black cast, the epic political intrigue. But no movie is made in a void, and Coogler is readily sharing the movies that influenced Black Panther. And some of them may surprise you.
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If you’re searching for the perfect Halloween double feature, you need not resort to repetitive slashers or gross-out gore-fests. You need only journey down a foggy, mossy path towards a towering structure in ruins, and find yourself embraced by the lush, ornate, blood-soaked worlds of Bram Stoker’s Dracula and Crimson Peak. These two films are the fine wines of horror and gothic romance, paired perfectly with your gourmet Halloween meal. They live, and breathe, and die like so few other horror films.
Primarily because these two films do not adhere strictly to the horror genre. Instead, they wade into the world of Gothic romance, where candles flicker as passions burn; where the old world clashes with the new; where dark secrets lurk in locked rooms. But you can break those locks, if you’re adventurous enough; if you’re brave enough. If you’re willing to face the ghosts and undead that lurk in the shadows, and learn what truths they hold.
These films dabble in death and terror, yes. But they also thrive on love. They have beating hearts which long to be listened to. They are somehow both horrific and delicate; like Venus Fly Traps that can ensnare and destroy if you get too close. As Halloween approaches, and you look for a break from sequels and jump-scares, why not draw closer to these two films and wrap yourself up in their chilly embrace?
This post contains major spoilers for both films.
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