flesh and blood review

(Blumhouse Television and Hulu have partnered for a monthly horror anthology series titled Into The Dark, set to release a full holiday-themed feature the first Friday of every month. Horror anthology expert Matt Donato will be tackling the series one-by-one, stacking up the entries as they become streamable.)

Sandwiched between Halloween and Christmas is a holiday that demands noteworthy horror treatment, but to this day, Thanksgiving boasts abysmal genre cred. Eli Roth’s “GIVE ME NOW” Grindhouse faux-trailer? Killer puppet schlocker ThanksKilling? Home Sweet Home (1981)? For this critic, Into The Dark’s most intriguing entry was always going to be Patrick Lussier’s Flesh & Blood based purely on Turkey Day implications. Does it deliver? The most significant “F” word here is “Family,” yet much like October’s The Body, browned-and-buttered holiday aesthetics simmer in a rather bland broth.

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Mark Webber's Flesh and Blood

You’ve seen Mark Webber on the big screen in Scott Pilgrim vs. the World as Stephen “The Talent” Stills, and in a variety of solid indies like Happy Christmas, For a Good Time Call… and Save the Date. We’ll also see him in Blue Ruin director Jeremy Saulnier’s thriller Green Room, opening at TIFF next month.

But Webber has also gotten behind the camera to make his own indie movies, such as the SXSW Audience Award-winning Explicit Ills, the touching and genuine The End of Love, starring Webber and his real-life toddler son Isaac, and The Ever After, which he made with his wife, actress Teresa Palmer.

Now he’s just successfully Kickstarted a new indie called Flesh and Blood, and Webber provided us at SlashFilm with the exclusive details on this new project, which he sees as the end of a trilogy in bringing parts of his real life to the big screen. Find out more about Mark Webber’s Flesh and Blood below! Read More »