Borderlands, the video game series that kicked-off in 2009, is headed to the big screen. Eli Roth is set to helm the Borderlands movie for Lionsgate, with a script by Chernobyl creator Craig Mazin. The original game followed a group of “Vault Hunters” looking for an alien vault on the planet of Pandora (no, not the one from Avatar).
Eli Roth Producing Halloween Horror Film ’10-31′, Says it Has One of the “Scariest Premises For a Horror Film” in Years
Posted on Wednesday, October 2nd, 2019 by Chris Evangelista
Eli Roth doesn’t do much directing these days, and after his last film Knock Knock, that’s probably a good thing. He is still producing, though, and he’s got what sounds like an exciting new project lined up. Roth will produce 10-31, based on a story by Laurie Ashbourne and screen story by Kathy Charles. As you might have guessed from the title, the film takes place on Halloween.
Posted on Thursday, March 7th, 2019 by Chris Evangelista
Eli Roth and Kevin Williamson, two people who have made a name for themselves in the horror genre, will team for the first time for The River at Night. An adaptation of the novel by Erica Ferencik, the story follows four friends struggling to survive in the Maine wilderness following a white water rafting accident. The group is eventually drawn to a camp, hoping to find help. But other problems quickly arise.
‘The House with a Clock in Its Walls’ Director Eli Roth Discusses Amblin, Steven Spielberg, and More [Interview]
Posted on Monday, September 24th, 2018 by Jack Giroux
Eli Roth has never thought of himself as a horror director, so the Hostel and Cabin Fever director’s first PG-rated and kids-friendly movie, The House with a Clock in Its Walls, isn’t that surprising of a choice for the filmmaker. As Roth sees it, his previous movies led him to directing Amblin’s adaptation of John Bellairs‘ novel, published in 1973. This is exactly the sort of lavish and old school spectacle he’s always dreamed about making.
While obviously tamer, The House with a Clock in Its Walls has the director’s dark, sometimes slapstick sense of humor as well as sequences that scream horror. Whether with a rotting corpse, evil pumpkins, or a hideous creature in the woods at night, Roth gives younger viewers enough credit to have fun with the scares. In addition to paying respect to his audience, the director told us about working with producer Steven Spielberg, his love of Amblin and Gremlins, influences and references, and showing the almighty Cate Blanchett firing a laser gun/magical umbrella.
‘The House with a Clock in Its Walls’ Review: Eli Roth’s Family-Friendly Frightfest Unfortunately Flounders
Posted on Wednesday, September 19th, 2018 by Chris Evangelista
Eli Roth delivers his first PG-rated film with The House with a Clock in Its Walls, a spooky, amusing horror story for younger viewers. While there’s plenty of gothic atmosphere, and two delightful performances from Jack Black and Cate Blanchett, Roth never quite figures out how to make The House with a Clock in Its Walls tick.
Posted on Tuesday, September 18th, 2018 by Hoai-Tran Bui
Eli Roth, splatter-horror filmmaker extraordinaire, directing a kid’s movie headlined by Cate Blanchett and Jack Black? With a team like that, how could The House with a Clock in its Walls possibly turn out? Apparently, exactly how you’d expect it to turn out, according to critics.
Early buzz of the fantasy film adapting John Bellairs’ 1973 children’s novel of the same name says that The House with a Clock in its Walls has all the hallmarks of its family-fantasy genre and none of the hallmarks of director Roth’s gory repertoire. But that’s fine, because with an enthusiastic Blanchett and Black leading the fantasy film, The House with a Clock in its Walls is perfectly attuned to its target demographic — and not much else.
Find out what critics have to say in our round-up of The House with a Clock in its Walls early buzz.
Posted on Thursday, August 30th, 2018 by Chris Evangelista
Eli Roth isn’t anyone’s idea of a family filmmaker, and yet the director of Cabin Fever has a new PG-rated adventure hitting theaters soon. The House With a Clock in Its Walls is Roth’s first non-R-rated movie, adapted from children’s book of the same name. So how did the guy who made Hostel end up making a family-friendly film? In a new interview, Roth says the progression was natural, and that Clock in Its Walls harkens back to old school Amblin movies.
Posted on Thursday, June 28th, 2018 by Chris Evangelista
A new House with a Clock in Its Walls trailer is here, and it’s full of charming, spooky fun. The adaptation of John Bellairs‘ book hails from filmmaker Eli Roth, and stars Jack Black and Cate Blanchett. Watch The House With a Clock in Its Walls trailer below.
Posted on Tuesday, March 27th, 2018 by Hoai-Tran Bui
Who’d have thought it would be Death Wish director and horror maestro Eli Roth who would be reviving that good ‘ol Steven Spielberg magic?
But he seems to be doing just that in the new fantasy-horror film The House with a Clock in Its Walls, an adaptation of a beloved, spine-tingling gothic children’s novel. And based on the first The House with a Clock in Its Walls trailer, the movie is rife with fantastical elements, awe-inspiring effects, and delightfully witchy performances from Jack Black and Cate Blanchett.
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Posted on Monday, March 12th, 2018 by Jacob Knight
Eli Roth remade Death Wish, and it arrived on life support in theaters this month. To be fair, Roth’s take on Paul Kersey’s vigilante rampage – which traded in a deceased Charles Bronson for a comatose Bruce Willis – reportedly only cost $30 million and recouped nearly half of that in its third-place bow. If the movie has any staying power or decent international numbers (which is questionable, given its uniquely “American” tone), Roth’s Death Wish will probably break even before making a killing on Redbox/VOD, where groups of gun-loving white dudes will undoubtedly drop three bucks, crack a case of Bud, and chuckle along with another round of Roth’s trademark gore porn.
Critically, Roth’s usual brand of Fangoria-ready mayhem was met with rather steadfast resistance, as many critics weren’t morally ready to buy what this natural born carnival barker was selling.