Imagine this: a sequel to Dr. Strangelove called Son of Strangelove, conceived by Stanley Kubrick, scripted by original Strangelove screenwriter Terry Southern, and directed by Terry Gilliam. That’s a pipe dream that might have been a reality, according to Gilliam.
The director, now doing interviews for his new film The Zero Theorem, says that he only heard of this notion after Kubrick died, but the story he relates lines up with some details we know about the actual development of a sequel idea. Read More »
Friday July 26, Gallery 1988 will turn Melrose Avenue (the street) into Melrose Place (the party-centric TV show). Both their galleries are having major pop-culture art openings which are sure to turn the four blocks between them into a madhouse of strolling art fans. We’ll be posting art from both shows and here’s the first.
At Gallery 1988 East, Mark Englert will have his first solo show called Director Series: Kubrick. It’s an entire show of posters based on the films of the legendary director, and the first in a soon-to-be annual tradition of Englert applying his signature detailed landscape style to the films of a specific director. Below, we exclusively debut Englert’s posters for 2001: A Space Odyssey and Dr. Strangelove. Read More »
We’ve all seen Back to the Future. But have any of us seen it with Aziz Ansari? Same goes for Raising Arizona. We’ve all seen it, but never with Nick Kroll. And those are just two of the awesome opportunities coming up during the 2nd Annual Wayne Federman Film Festival, which takes place from February 28-March 2 at the Cinefamily in Los Angeles, CA and features six amazing movie screening with six amazing comedians.
Federman is one of those classic “that guy” actors everyone knows and he came up with the idea to get a bunch of famous stand-up comedians to pick films that inspire them, introduce, screen and talk about them. So that’s what going to happen. The full schedule is below. Read More »
As part of the screening put together in relation to the SXSW Title Design Competition, Ian Albinson from the website The Art of the Title Sequence put together a nice two and a half minute compendium of excellent film titles. (That features an occasional piece of television, too.) For any long-time film lover, this little video will probably elicit quite a few responses simply on the strength of the title cards on display. I queued several films to re-watch after exposure to just a few seconds of their titles.
Check out the collection after the jump. Read More »
Mondo Tees released their latest Star Wars print today but that’s not all. They also have new posters based on two of the best films ever made: The Bridge on the River Kwai and Dr. Strangelove. See the full images after the jump along with all the details. They’re on sale now at Mondo. Read More »
We’ve featured some of 25-year-old Massachusetts-based graphic artist Brandon Schaefer‘s movie posters in a past edition of Cool Stuff. Recently Schaefer has created a series of minimalistic posters paying tribute to the films of Stanley Kubrick. Check them out now, after the jump.
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Burbank-born artist Carlos Ramos (storyboard artist and writer on Dexter’s Labratory, ChalkZone, My Life as a Teenage Robot, The X’s, and Ni Hao Kai-lan) is presenting a solo exhibition of his Stanley Kubrick-inspired artwork at the Copro Gallery from July 10th until August 3rd.
11 years after the death of Stanley Kubrick, Ramos pays homage to the man who wrote and directed such films as A Clockwork Orange, Dr. Strangelove, The Shining and 2001: A Space Odyssey by transforming the galley into a retrospective space with graphic pieces celebrating the greatest and most respected filmmaker in history. Ramos faces his longtime obsession with Kubrick by painting interpretations of his films including the white-on-white habitations of 2001 to the Native American carpet patterns of The Shining to the matching white Droog uniforms in A Clockwork Orange. The emptiness and humanity of Stanley Kubrick’s subjects and characters and unique spacial design come to life thru Ramos’ unique eye.
I’m not sure if they will be releasing any limited edition prints of this art, but I hope so. You can see a preview of some of the art which will be on display at the show, after the jump. Warning, some of the art is NSFW.
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Courtesy of an audio recording made by the Marketsaw folk, the vast majority of us who were not lucky enough to attend James Cameron’s special appearance at the Santa Monica Aero Theatre can now eavesdrop on all 43 minutes of it. Lots of discussion then, on everything from the film’s CG to the Simulcam system that Cameron is using to visualise the film’s FX on set, but the key detail was perhaps the rather surprising announcement that the 2D and 3D versions of Avatar will each be released in a different aspect ratio.
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