Don Winslow, the author of books like The Force and the Cartel trilogy, has optioned the rights to several of his novels to studios and TV networks. But in the wake of this week’s egregious voter suppression in Georgia, Winslow is taking action.
“I will allow no film or television show based on one of my works to be shot in the state of Georgia until its government takes immediate, real and concrete steps to ensure free and fair elections and to end voter suppression,” he writes in a recent op-ed, and he’s calling on the rest of Hollywood to also boycott Georgia until the issue can be addressed in a serious, meaningful way. Read More »
Author Don Winslow‘s 2017 novel The Force earned Hollywood’s attention before it was even published. But now the project is gaining steam, because a new report says that Matt Damon (Jason Bourne) is set to reunite with his Ford v Ferrari director James Mangold to star in an upcoming movie adaptation. Read More »
Don Winslow‘s acclaimed Cartel Trilogy is headed to the small screen. FX has picked up the rights to adapt the series, based on Winslow’s bestselling trilogy of novels following DEA agent Art Keller through 45 years of America’s long-running war on drugs.
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The Logan team of James Mangold and Scott Frank are getting together again for The Force. The film is based on the novel by Don Winslow about a team of corrupt NYPD cops. More on The Force movie below.
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Get excited, Cop Land fans, because director James Mangold is making another cop movie. After knocking Logan far out of the ballpark, Mangold has lined up his next project: an adaptation of Don Winslow‘s (The Cartel) upcoming novel, The Force. Stephen King called Winslow’s latest – a story about corrupt cops in New York City – “The Godfather, only with cops. It’s that good.”
Here’s what we know.
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The other day we learned director Michael Mann is working on a prequel to Heat, which shocked quite a few of the director’s fans. Under Mann’s new venture, Michael Mann Books, the prequel will begin as a novel, and possibly be adapted into a film or television series. Just two days after that announcement, another project from Michael Mann Books is in the works: author Don Winslow (Savages) is writing a novel about Chicago crime boss Tony Accardo and his successor Sam Giancana, which Mann might adapt into a feature film.
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It’s a thrill to see William Friedkin developing new projects. He’s got his hands in a TV show based on his own film To Live and Die in L.A., and now he’s moving forward with a film based on Don Winslow‘s novel The Winter of Frankie Machine, about a retired mob killer with a new life as a low-key seaside entrepreneur who is drawn back into mob violence.
This one has been percolating for a few years, with a number of different directors attached. With new heat on Winslow thanks to his recent novel The Cartel, it’s no wonder this one is moving forward again. Read More »
Ridley Scott may go back to the drug trade at some point in the future. The director explored some ugly inevitabilities of the drug trade in The Counselor, and now he is signed to make a film based on Don Winslow‘s recent novel The Cartel.
The novel, which follows ten years’ worth of the diverging paths of two former friends, one in the DEA and the other in a drug cartel, is based in part on the story of Cartel boss Joaquín “El Chapo” Guzmán, who has made global headlines since escaping from a Mexican prison earlier this month. While The Cartel won’t quite be an El Chapo movie, but it might be close.
Update: Following the initial report about this project, further info emerged saying that Leonardo DiCaprio is being courted to play the character Keller. More below.
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Think back to the Oliver Stone films of the 1990s. Not so much JFK and Nixon; more like U-Turn, Natural Born Killers and Any Given Sunday. Those films had a stylized, hyper-saturated color palette that clearly gave Tony Scott some ideas. For instance, on U-Turn, Stone’s cinematographer Robert Richardson shot on reversal film stock — which becomes a transparent positive when developed, rather than a traditional negative — and then cross-processed it as negative film, increasing contrast and color saturation. Tony Scott and Daniel Mindel used the same technique for Domino almost a decade later.
Point is, Stone seems to have gone back to that exaggerated look for his new film Savages, which adapts Don Winslow‘s novel about two small-time pot dealers (Aaron Johnson, Taylor Kitsch) whose mutual girlfriend (Blake Lively) is kidnapped in an attempt to strong-arm them into working with a Mexican drug cartel, which counts Salma Hayek and Benicio Del Toro amongst its members. John Travolta is also in the film; Stone borrowed him from Tony Scott.
If you saw the first poster for the film when Pete ran it in Page 2 yesterday you’ll know something about the look Stone is going for. But now there is a brief montage of footage showing off that stylish, colorful look the director first relied on almost 20 years ago. I have to say, I like it quite a bit. Read More »
Would you like to see Leonardo DiCaprio playing a WWII-era character raised in Japan, trained as an assassin and playing a part in the political power games of the early ’50s? Warner Bros. is thinking you might, and so the studio is developing a film based on Don Winslow‘s novel Satori, which features exactly that sort of character. Read More »