Posted on Friday, May 15th, 2020 by Blake Harris
Synopsis: The sexy star of a comic strip called “Cool World” attempts to seduce her cartoonist so that she can cross over to the real world.
Tagline: There are two different worlds: The Real World and the Wacky, Animated World. Only one of them will survive.
In 1988, Disney released a beloved hit, which garnered enormous praise for its ability to fuse together live-action and animated storytelling. That film was Who Framed Roger Rabbit.
Four years later, Paramount Pictures released Cool World which—like Roger Rabbit—brought live-action into a cartoon universe. But beyond that (and also starring a sexy cartoon seductress), the two films shared little in common; least of all their results at the box office. Whereas Who Famed Roger Rabbit made over $300 million, Cool World made less than a tenth of that.
To be clear, Cool World was never meant to be Roger Rabbit 2.0; from the get-go, it was supposed to skew older, darker and hit with a harder edge. But—as I learned during my conversation with screenwriter Michael Grais—the final version of Cool World (which hit theaters in July 1992) was a far cry from what the film was originally intended to be.
Below is a copy of our conversation…