This year will go down as one of the weirdest and messiest in Hollywood’s history. Thanks to the coronavirus pandemic, the release of some of the biggest movies of the year have been pushed back to late 2020 or even the summer of 2021, and it remains to be seen how The Academy of Motion Picture Arts and Sciences will handle the annual Academy Awards. But even without any solid plans in place yet, Netflix is planning on giving a traditional awards season release to David Fincher‘s next film, Mank. Read More »
Most of the biggest streaming platforms are frequently — and rightly — criticized for rarely featuring films that were made before the 1980s. The race for new original content has drowned out the century of classic movies that have built up cinema to what it is today. But WarnerMedia’s forthcoming service HBO Max could, at least partially, remedy that with its curated collection of classic movies.
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In honor of Steven Spielberg‘s new newspaper drama The Post, we’ve combed through the archives, pounded the pavement, dusted off the typewriter and put together a list of some of the best newsroom movies fit to print. It’s a list comprised of both crusading, truth-seeking journalists and career opportunists willing to bend the truth as long as it makes for a great story. The connective tissue holding these films together is the ever-present newsroom, where typewriters sing and the truth lives or dies when a story goes to the presses.
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The Directors Guild of America is celebrating its 80th anniversary this year and it has decided to commemorate this event in a manner most befitting of the internet age: by making a list. More specifically, by polling DGA members and assembling a list of the 80 best-directed movies made since 1936, when the guild was founded. That’s one movie per year.
And like all internet lists, it’s bound to inspire conversation, eye-rolling, yelling, and maybe even a little cheer or two.
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While there are certain movie props such as a lightsaber, a time machine or a briefcase that have become iconic pieces of cinema, it’s easy to forget that movie props are everywhere when we’re looking at any single frame of a motion picture. Sometimes a movie prop is so important that it’s in the title of the film and the driving force of the entire story, as with The Maltese Falcon or Raiders of the Lost Ark, and other times they just add to the authenticity of any given scene.
A new video essay takes a look at the importance of movie props on film, whether they’re big or small, subtle or in your face and how they enhance the characters, story or setting of films across the board. Watch! Read More »
Every artist has their own distinct style. Some styles are close to that of other artists and make them hard to distinguish. Others are so completely original, you know exactly who it is. Such is the case with 100% Soft, a Los Angeles based artist who makes work with tiny, simple, almost baby-like characters. It’s impossible to see a piece of art by 100% Soft and not know exactly who did it.
Which is ironic considering the topic of his latest exhibit. It’s called Lil Macguffins, which is the Alfred Hitchcock-coined term about an object in a movie that’s important to the story, but wholly undefined. Some famous examples are The Maltese Falcon in The Maltese Falcon, the briefcase in Pulp Fiction or the sled in Citizen Kane.
September 12, the exhibit will go on display at the Bottleneck Gallery in Brooklyn, New York as part of a three person exhibit with Glen Brogan and Russ Moore. Below, read more about the MacGuffins exhibit by 100% Soft and see a bunch of the art. Read More »
It hasn’t been the best week for Charles Foster Kane, as he lost the top spot on the Sight and Sound list of All-Time Best Films. But he’ll travel to San Francisco for screenings at the great Castro Theater. As a bonus, three artists have reinterpreted his film, the all-time great Citizen Kane, in poster form. It’s gonna be a great weekend at the movies.
Spoke Art is releasing Citizen Kane posters by Sam Smith, Chuck Sperry and Adam Juresko as well as The Big Sleep by Sperry and Gone with the Wind by Smith online today and at the theater this weekend. Check them all out after the jump. Read More »
What is the greatest film of all time? Orson Welles‘ directorial debut Citizen Kane has often been given the honor, but a new iteration of a poll considered to be one of cinema’s most significant has overturned Kane‘s rule.
When Alfred Hitchcock‘s Vertigo opened in 1958, it met with a middling reception and many negative reviews. In 1968 Robin Wood’s book Hitchcock’s Films was part of the process of critical re-evaluation of the movie, calling it his “masterpiece to date.” In 1973 Vertigo was one of five movies owned by Hitchcock that the director took out of circulation. Vertigo was away from screens for ten years, and in that time interest in the film grew exponentially. When it was finally re-released in ’83, Vertigo was hailed as a classic and an important film.
Once a decade, the British magazine Sight and Sound conducts a poll of critics and filmmakers to generate lists of the ten best films ever made. In 1982, Vertigo hit the critics’ list at #7. In 1992 it had climbed to #4, and in 2002 it was second only to Citizen Kane.
Now, with the release of the 2012 poll, Vertigo has toppled Kane to be voted by critics as the best film ever made. Read More »
Cool Posts From Around the Web:
We’re reached a point in the evolution of film criticism where a shift is occurring. Critics who’ve been in the game for decades and decades are slowly beginning to give way to a younger, more vocal audience, many of whom are online. The beautiful thing about that is, though they all share a love of cinema, everyone has their own opinions of how and why we got there. And the best way to show that is with a top ten list.
The online contingent prides themselves upon being the new guard and, to that end, our friends at Film School Rejects polled 37 online critics and four young filmmakers for their lists of the ten greatest films of all time. They then gave those lists a point value and came up with a top ten that’s simultaneously familiar and controversial as it certainly caters to a younger demographic. Check it out and leave your thoughts below. Read More »
Posted on Thursday, April 26th, 2012 by Angie Han
Forget about Tyler Perry and that $130 million he raked in last year. Even the man behind Madea would have to toil for almost five centuries at that rate to equal the $62 billion personal fortune amassed by Smaug. The Middle-earth dragon dominates Forbes‘ list of the 15 wealthiest charcters, followed by the likes of Carlisle Cullen, Lisbeth Salander, Tywin Lannister, and Robert Crawley.
As you might guess, the accounting doesn’t seem entirely scientific. It seems suspiciously convenient, for example, that most of the men, women, and creatures in the Top 15 come from pop culture franchises that are especially hot right now. But if you’ve ever wondered whether Tony Stark or Bruce Wayne would dominate in a pissing contest for the 1%, hit the jump for the rankings.
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