Disney’s latest “live-action” remake of one of its animated classics is heading straight to Disney+. Disney has set a remake of Robin Hood, the 1973 animated film which imagined Robin Hood as a suave fox and awakened the inner furry in audiences everywhere. The same anthropomorphic charms will be recreated in the Robin Hood remake, which will be a live-action/CG hybrid also starring anthropomorphic animals. To add to this strange hodgepodge of choices is the hiring of Blindspotting director Carlos Lopez Estrada to helm the remake.
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Carlos Lopez Estrada returns to the Sundance Film Festival two years after directing his feature debut, Blindspotting, a love letter to Oakland which included a few scenes of its lead characters freestyle rapping their emotions aloud to each other. In Summertime, his spiritual follow-up, Estrada turns his lens on Los Angeles and makes lyricism the movie’s dominant form of communication. Written by and starring 25 diverse Los Angeles poets, Summertime is a shaggy, criss-crossing saga of young people in L.A. exploring fame, rejection, ambition, and self-reflection – oh, and one of the characters really, really wants a cheeseburger. Picture a DVD of Richard Linklater’s Slacker being passed around as a totem in a slam poetry class, and that gets close to approximating the experience of watching this film.
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Walt Disney Animation is making diversity its priority with its next four projects. Four directors of color are helming the next Disney animated movies, which includes Blindspotting director Carlos Lopez Estrada. Estrada is joining Suzi Yoonessi (Unlovable, Dear Lemon Lima) and Disney veterans Josie Trinidad and Marc Smith to develop new animated movies for theatrical release.
The Disney animation diversity initiative comes as Disney Animation’s chief creative officer Jennifer Lee works to expand the studio’s commitment to inclusion.
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Blindspotting has been a labor of love for over a decade. It shows in the end result. Director Carlos López Estrada‘s hard-hitting drama, which also has a lot of laughs, has been drawing strong reactions ever since it premiered earlier this year at the Sundance Film Festival. “Sharp, stylish, and sincere, Blindspotting may hook you with its flashy wordplay and slick visuals, but this is a hilarious and vital movie of the moment that’s burning with empathy,” our own Ben Pearson wrote in his review from the fest.
The more than warmly received drama hails from producers Jess and Keith Calder, the two behind Snoot Entertainment. Snoot Entertainment has been making films with strong voices behind them since their inception. From Anomalisa to The Guest to Blindspotting, the Calders have been putting out the sort of creative and imaginative movies we’re always craving. The two producers recently took the time to take us behind the scenes of Blindspotting, including the project’s development, shooting in Oakland, and plenty more.
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One of the breakout films from this year’s Sundance Film Festival is the sharp, electric and vital Blindspotting. An impressive blend of stylish comedy and powerful drama makes this a remarkable directorial debut for filmmaker Carlos López Estrada, but it’s the presence of Hamilton star Daveed Diggs giving a breakthrough performance that really drives this movie home. But don’t take our word for it. Take a look at the first Blindspotting trailer below. Read More »
Remember the name Daveed Diggs, because if the Hollywood gods have any sense of justice, this guy is about to blow up in a major way. Fans of Lin-Manuel Miranda’s Broadway smash hit Hamilton are already familiar with Diggs (he played the Marquis de Lafayette and Thomas Jefferson in that show), but in Blindspotting, the opening night movie of the 2018 Sundance Film Festival, Diggs establishes himself as a talented multi-hyphenate who should be at the top of every casting director’s list for years to come.
And while Diggs is terrific in the film, it’s not only a good movie simply because he’s good in it. This is an ambitious film with a lot to say, and director Carlos Lopez Estrada pulls off an impressive high-wire act of balancing drama, humor, and suspense throughout. Put this one on your radar now, because you’re going to want to make sure you see this when it eventually comes to theaters. Read More »