This week, several titles get new, splendid-looking 4K releases. You’ll also have a chance to pick up a criminally underrated horror sequel from earlier this year, as well as a new creepy kid movie. In addition to that, we’re trying out something new with this column: rather than just break down the special features, you’ll find reasons why any of these films are worth owning physically (rather than relying on those newfangled digital copies). These are the new Blu-ray releases and their special features you should check out this week.
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A serious, timely question: Who on Earth doesn’t have love for William Fichtner? The actor brings it every time, no matter the size of the role – which, as he recently told us, is not something he cares about. Whether he’s one of the stars or only on screen for a scene or two, he always leaves an impression. Now, he’s one of the leads of Mark Steven Johnson‘s playful heist movie Finding Steve McQueen, a true story about an eclectic gang of criminals stealing Richard Nixon’s illegal campaign contributions.
Throughout his career, in addition to showing a wide range in a wide variety of films and TV shows, he’s starred in movies that are already proving to stand the test of time. The Dark Knight, Go, Black Hawk Down, and the works of Michael Bay: those movies aren’t going anywhere anytime soon. Recently, we spoke with Fichtner about his experiences on those films and his collaborations with Christopher Nolan, Michael Bay, Sir Ridley Scott, and others.
Below, take a trip down memory lane with the one and only William Fichtner.
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In 1965, Sir Ridley Scott made his directorial debut with the short film, Boy and Bicycle. His illustrious filmmaking career began with a short that cost him $120 and starred his brother, the late Tony Scott. It led to a career that is nothing short of spectacular, one never lacking passion or permanence. He’s a filmmaker who’s been ahead of the curve, created trends, and made movies that’ll last forever.
Thankfully, he’s been game to talk about almost every one of his films in audio commentaries. He’s always candid, ready to share his wealth of knowledge, and keep you hanging onto his every word, whether it’s for a two-hour drama or one of his three-hour epics. The master filmmaker is, without question, a master of audio commentaries.
With the recent release of Alien: Covenant, it felt like the right time to listen to some of Scott’s commentaries. His tracks for Alien and Blade Runner are must-listens, and the same goes for his tracks about demons, kingpins, two legends on the road, and con artists. Here are the five you really need to seek out.
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Posted on Tuesday, January 24th, 2017 by Jacob Hall
Every time we write an article about the best movies coming to Netflix, we have the unfortunate task of writing an article about the best movies leaving Netflix. Here’s what you need to watch before it’s too late.
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It’s that time again. You know, the time where we gather around the list of movies leaving Netflix next month and start making desperate lists of what we need to see before it vanishes. With more and more movies leaving the world’s most popular streaming service than ever before, this ritual has become an imperative. Time is running out.
But before we get to the full list of what’s leaving Netflix, let’s run down the priorities. The stuff you have to see no matter what.
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We frequently think of Ridley Scott as a master, a filmmaker with huge ambition and bigger talent who can bring any vision to the big screen. His resume certainly seems to confirm that. Space opera, war movies, period pieces, spy thrillers, Best Picture winners — he’s pretty much done them all. Still, out of the 22 films Scott has directed, including this week’s release Exodus: Gods and Kings, how many of them are actually good? What about great? It’s a pretty high percentage. Below, we rank the top 15 best Ridley Scott movies. Read More »
MTV talked briefly with director Michael Bay about his upcoming threequel, Transformers: Dark of the Moon, which he claims is “like Black Hawk Down.”
“We just have, I think, a better story,” he said. “It’s epic and it happens in a city, so it’s more accessible because you recognize stuff; it’s not in a desert. It’s kind of like ‘Black Hawk Down’ with our small group of heroes in a city.”
One of my many problems with the second film is that you had no perspective. The ending of Revenge of The Fallen with the constructicons joining together to form Devastator, you got no sense of scale. He looked just like every other Transformer on screen. A battle with a Decepicon that huge would have worked well in the middle of a city, with buildings being destroyed in the process. It looks like this is one of the many notes Bay has observed with this third and final film. Watch the short interview clip to hear more, embedded after the jump.
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“I hear those little kids screaming through my brain. All night long I can hear them. I can close my eyes, but I’m still going to hear them over and over and over.”
It’s a quote that could come from a war veteran or prisoner of war when asked to describe the horrors of their experience. An example of post traumatic stress syndrome, perhaps. War, however, has nothing to do with his particular quote. That quote is from a Florida inmate and he’s referring to the kids in Robert Zemeckis’ The Polar Express. Insert laugh track here.
James Poulin, an inmate at the Brevard County Detention Center in Florida, has filed a lawsuit complaining that he’s being tortured by the people running the jail because he’s forced to watch the same movies over and over again. The jail doesn’t have cable so they play a limited selection of DVDs, which include Saving Private Ryan, Black Hawk Down and The Polar Express, repeatedly. Poulin is trying to get the jail, which had to drop regular TV when the digital switchover happened, to introduce more programming. It’s an interesting case. Do convicted criminals deserve to watch television? And can it actually be torture hearing the same movies all the time? Read More »