(Revisiting the Renaissance is a bi-weekly series in which Josh Spiegel looks back at the history and making of the 13 films of the Disney Renaissance, released between 1986 and 1999. In today’s column, he discusses the 1992 film Aladdin.)
Walt Disney Animation Studios was riding high at the end of 1991 and into early 1992. The studio had reached a creative height with Beauty and the Beast that seemed impossible just a year earlier. They’d released a film that audiences and critics had adored, and one that had even netted them an Academy Award nomination for Best Picture. The plan, foisted upon them by executives Jeffrey Katzenberg and Michael Eisner, to make one film per year was working out even more than the animators could have imagined.
The studio’s next film would be another big hit, even bigger than its predecessors. And just like Beauty and the Beast, it was amazing that Aladdin got finished at all.
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Marvel and Sony’s release of Spider-Man: Far From Home had no problem taking over the box office this past weekend. But rather than having a gigantic three-day weekend, the blockbuster release spread out the box office love across the holiday week thanks to an early opening on July 2. That allowed the movie to break several records that Avengers: Endgame was not able to shatter.
Meanwhile, on the indie side of things, A24’s release of the cult horror movie Midsommar debuted with the biggest indie opening of the year despite arriving outside of the top five on the box office chart. Read More »
Surprising absolutely no one, Disney and Pixar were able to hold onto the top of the box office for a second weekend with Toy Story 4. The movie is still performing below expectations, but it’s not as if the movie is hurting for money.
Meanwhile, Disney and Marvel Studios also aren’t upset with the box office performance of Avengers: Endgame, which was re-released in theaters with some bonus footage after the credits this past weekend. Unfortunately, the last ditch effort to rake in some extra cash won’t be enough for the movie to topple the all-time record set by Avatar.
Find out how much the Toy Story 4 box office added last weekend and the rest of the numbers below. Read More »
It should come as no surprise that Toy Story 4 topped the box office this past weekend. However, what is surprising is that the acclaimed sequel from Pixar Animation opened significantly lower than the studio projections heading into the weekend.
In its opening weekend, Toy Story 4 raked in $118 million, which would be a strong opening for any movie. But Walt Disney Pictures saw the sequel making around $140 million or more heading into the weekend. The number is still enough to give it the best opening in the franchise (without adjusting for inflation), and the third largest opening weekend of the year. But could this be a sign of audience fatigue when it comes to sequels, reboots and remakes? Read More »
It’s a cruel summer at the box office this year. Avengers: Endgame may have started off the blockbuster season with loads of cash and John Wick: Chapter 3 – Parabellum may be surpassing its predecessors on the charts with great success, but most of the other sequels are crashing and burning spectacularly. And despite topping the box office this past weekend, Men in Black International is another one of those disappointments.
The Men in Black International box office debuted with only $28.5 million from a whopping 4,224 screens. That’s massively disappointing, especially since it’s a record-low opening for the Men in Black franchise. It’s even below what analysts expected for the movie, showing that audiences aren’t attracted to summer movies simply because they have previously established intellectual property involved. Read More »
There’s a good chance you’ve already heard the new original song written for Naomi Scott to sing as Princess Jasmine in Disney’s live-action remake of Aladdin. That’s because the song and music video were released before the movie even hit theaters. But now that the movie has been around for a week, Disney wanted to pump up this musical moment even more with a clip from the scene where Jasmine belts out this tune and refuses to be oppressed by royal tradition. Read More »
(Welcome to The Soapbox, the space where we get loud, feisty, political, and opinionated about anything and everything. In this edition: the live-action Disney remakes feel ashamed to be musicals and that’s a problem.)
Indulge me in a bit of a thought experiment. Think, for just a second, of the films of the Disney Renaissance. Films like Aladdin, The Lion King, and Hercules. Leave aside what you think of these movies — maybe your favorite is The Lion King, or maybe it’s Beauty and the Beast. Think about these movies, and specifically conjure up one thing that these movies share, a common element that binds them. While the Renaissance-era films are quite beautifully animated (primarily by hand), what really unites them is their music. These films all feature memorable, show-stopping, Broadway-style songs. You may not love them all, but you know them.
Now think about the recent wave of live-action remakes. And think about the new Aladdin.
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When Devindra is away, David and Jeff come out to watch the latest Disney live-action Aladdin. Together with Aisha Harris from the New York Times, the cast find out whether the remake live up to the original 1992 version.
Read Aisha Harris’s article in the New York Times on why the reiteration doesn’t make Disney more progressive, and Anisa Khalifa’s blog post on why the casting can’t solve its flawed foundations.
Check out Jeff Cannata’s new D&D show Dungeon Run. Listen to David’s other podcast Write Along with writer C. Robert Cargill Devindra’s new podcast Know More Tech, answering your question on the latest gadgets. Subscribe to David’s Youtube channel at Davechensky.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter or like us on Facebook.
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Cool Posts From Around the Web:
The Memorial Day weekend box office gave audiences an extra day to catch new releases this weekend, and it seems like everyone was clamoring to see how Disney fared with their latest live-action remake of an animated classic.
Aladdin topped the weekend box office with a three-day opening weekend of $85 million. But when all is said and done for the four-day holiday weekend, the movie will have raked in $112.7 million. However, some estimates see the movie possibly hitting around $110.9 million, which would have it take the #5 spot of the biggest Memorial Day weekend openings from X-Men: Days of Future Past. But how did other new releases like Brightburn and Booksmart turn out? Find out in the rest of our box office report. Read More »
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, watch an extensive discussion about the real world impact that the snap of Thanos (as well as undoing it) would have on the world in the Marvel Cinematic Universe. Plus, check out some Terminator: Dark Fate trailer Easter eggs, and watch as the live-action Aladdin remake takes to the streets in James Corden‘s latest edition of Crosswalk: The Musical. Read More »