When Devindra is away, David and Jeff come out to watch the latest Disney live-action Aladdin. Together with Aisha Harris from the New York Times, the cast find out whether the remake live up to the original 1992 version.
Read Aisha Harris’s article in the New York Times on why the reiteration doesn’t make Disney more progressive, and Anisa Khalifa’s blog post on why the casting can’t solve its flawed foundations.
Check out Jeff Cannata’s new D&D show Dungeon Run. Listen to David’s other podcast Write Along with writer C. Robert Cargill Devindra’s new podcast Know More Tech, answering your question on the latest gadgets. Subscribe to David’s Youtube channel at Davechensky.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter or like us on Facebook.
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The Memorial Day weekend box office gave audiences an extra day to catch new releases this weekend, and it seems like everyone was clamoring to see how Disney fared with their latest live-action remake of an animated classic.
Aladdin topped the weekend box office with a three-day opening weekend of $85 million. But when all is said and done for the four-day holiday weekend, the movie will have raked in $112.7 million. However, some estimates see the movie possibly hitting around $110.9 million, which would have it take the #5 spot of the biggest Memorial Day weekend openings from X-Men: Days of Future Past. But how did other new releases like Brightburn and Booksmart turn out? Find out in the rest of our box office report. Read More »
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, watch an extensive discussion about the real world impact that the snap of Thanos (as well as undoing it) would have on the world in the Marvel Cinematic Universe. Plus, check out some Terminator: Dark Fate trailer Easter eggs, and watch as the live-action Aladdin remake takes to the streets in James Corden‘s latest edition of Crosswalk: The Musical. Read More »
The original Aladdin was made all the way back in 1992. So it only makes sense that the music video for a new original song in the live-action remake of Disney’s animated classic is a throwback to that decade too.
Disney has just released the full version of “Speechless,” a new song that Naomi Scott sings in the movie as Princess Jasmine. It’s a powerful ballad that gives Jasmine a new dimension as she sings that she won’t be silenced or shut down. The oppression of women is something that wasn’t overtly touched upon in the original movie, so we’re interested to see how they handle that with this movie. Listen to the new Aladdin song in the music video below. Read More »
This weekend brings Disney’s remake of their 1992 animated classic Aladdin to theaters. If the early buzz is to be believed, the movie is surprisingly better than the marketing has indicated so far, though with only 60% on Rotten Tomatoes, it’s clearly not impressing everyone.
But before you get to this updated version of Aladdin, it’s time to look back at the original Disney version to see how it should have ended. Because if you think about it, Aladdin shouldn’t have really had a problem with being a real prince and marry Princess Jasmine. He really doesn’t understand how wishes from genie’s work. Find out how Aladdin should have ended below. Read More »
At a crucial juncture in the new live-action Aladdin, our eponymous hero is in the puffed-up guise of a fancy prince, supposedly encountering the comely Princess Jasmine for the first time. In reality, though, they’ve met before even as Aladdin is trying to pretend otherwise. In this moment, Aladdin is hopelessly tongue-tied, desperate to please but failing at just about every moment, valiant effort aside. Such is the experience of Aladdin in a microcosm. This film is desperate to please, and trying very hard to do so. And it comes up short almost every chance it gets.
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Despite going into Guy Ritchie‘s Aladdin with almost no hope whatsoever, I ended up being won over by the movie. Fans of the original Aladdin won’t be disappointed, and while I’ve grown to be somewhat cynical about Disney remaking its animated classics, this one justifies its existence by making some interesting updates while staying true to its characters.
This past weekend, I attended the Aladdin press conference in Beverly Hills, and amid all of the expected answers about singing and dancing, collaborating on set, and the importance of maintaining cultural authenticity, we learned a few things about the movie and the people who made it. Example: director Guy Ritchie was given the nickname “Cry Ritchie” by stars Will Smith and Naomi Scott on the set because he apparently cried when he saw good takes. Read More »
The summer of 1994 was a big deal for the Walt Disney Company. Primarily, it marked the release of the studio’s biggest animated film to date, The Lion King, a film with a rocky production history that has become one of their most incredible success stories. But it was a summer of upheaval and major change, both among its top executives and within the studio’s storied legacy of animation. The Lion King celebrates its quarter-century anniversary in mid-June, but another 25th anniversary for Disney animation arrives this week, and we should acknowledge it even if it’s not for good reason: the release of The Return of Jafar.
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Right now, it doesn’t seem like many Disney fans are all that excited about the arrival of the studio’s remake of their 1992 animated classic Aladdin. The marketing certainly isn’t doing the movie any favors, whether it’s because of the seemingly wooden performance from Mena Massoud as the titular street urchin or the boring choreography for what should be one of the most lively parts of the movie. However, if the early buzz is any indicator, this movie is much better than the trailers make it seem.
Get the rundown of early Aladdin reactions from social media below. Read More »
The reaction to Disney’s upcoming live-action Aladdin has been a bit…muted. The footage revealed is a bit lacking, and fans of the original don’t quite know what to make of Will Smith‘s take on the Genie. We won’t know how the film actually is until it’s release, but let’s just say the enthusiasm for this live-action Disney remake is a lot lower than previous releases. But maybe this Aladdin special look will do the trick. The video below goes behind-the-scenes of the Guy Ritchie-directed adaptation, showcasing all the work that went into creating the film’s whole new world.
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