Matt Damon Used A Body Double Instead Of Going Christian Bale For The Martian
Matt Damon was game to lose weight alongside his character, Mark Watney, but time wasn't on his side.
Read More-
-
Thelma & Louise Taught Ridley Scott How To Handle The Martian
Ridley Scott isn't exactly known for making fun movies, but his time spent directing Thelma & Louise taught him how to bring that energy to The Martian.
Read More -
John Malkovich's Streak Of Villainous Roles Wasn't Something He Controlled
'Those were just the roles I was offered.'
Read More -
Terry Gilliam Credits Brazil For Pulling Him Out From Monty Python's Shadow
'...which then closed the doors.'
Read More -
Gene Wilder's Chemistry With Richard Pryor Came As A Surprise To Both Stars
Even Gene Wilder and Richard Pryor couldn't believe how electric the chemistry was between the two comedy greats.
Read More -
Why David Lynch Chose To Shoot Inland Empire Digitally
Digital film lends itself to the director's unconventional way of making movies.
Read More -
Full Metal Jacket's Set Design Relied On A Wrecking Ball And A Lot Of Explosives
It took more than a few palm trees to turn England into Vietnam.
Read More -
Seth Green Had A Lot Of Opportunities To Make His Italian Job Character Funny
Seth Green was allowed to bring his funny, dorky charm to the character Lyle in The Italian Job.
Read More -
Kathy Bates Says This Is Her 'Achilles Heel' When It Comes To Acting
The role will never receive the critical acclaim of Misery or Titanic, but audiences continue to love Bates' Mama Boucher.
Read More -
A Near-Fatal Lee Ermey Injury Put Full Metal Jacket On Pause For Months
Allegedly the deadliest weapon in the world is a Marine and his rifle, but it's really R. Lee Ermey's incomparable sharp tongue.
Read More -
A Moment Of 'Destiny' Led To The Creation Of Henry: Portrait Of A Serial Killer
'He asked what I was going to do and I told him I had no idea.'
Read More -
Robert Altman Had An Interesting Theory On How Audiences Experience Films
Leave it to Robert Altman to devise a totally unique theory of the audience experience of films.
Read More -
14 Movies Like American Psycho That Will Get Your Heart Racing
Mary Harron's American Psycho is a disturbing and memorable cult classic. Here are 14 films like the Christian Bale-led movie that hit the same notes.
Read More -
James Coburn Knew That Less Was More With His Magnificent Seven Role
Watch out for the quiet ones.
Read More -
Carrie Fisher Wrote Anastasia's Best Scene
If you grew up loving the complicated heroine in Anastasia, you can thank Carrie Fisher.
Read More -
Scream 6 Star Jenna Ortega Says You Won't Miss Sidney In The New Movie Because ... Of All The Gore?
Do you like scary movies?
Read More -
Ralph Macchio On His Experience Auditioning For The Karate Kid And Meeting Pat Morita
'All I remember is how effortless and simple and easy [it was].'
Read More -
Ari Aster Had A Practical Reason For Putting Paimon In Hereditary
In Aster's case, it was better to go with the devil you don't know.
Read More -
The Addams Family Tree Explained
The Addams Family tree is creepy, kooky, mysterious, ooky, and just a little bit complicated.
Read More -
Michael Madsen Joined Reservoir Dogs Just To Hang Out With Harvey Keitel
And here we thought Michael Madsen just wanted an excuse to cut off a cop's ear.
Read More -
-
Sean Connery Saved Terry Gilliam From An Over-Ambitious Time Bandits Script
Love Time Bandits? You should thank Sean Connery and Sean Connery's accountant.
Read More -
-
Johnny Mnemonic's Black-And-White Release Was A 'Redemption' For Robert Longo
Watching the black-and-white cut of Johnny Mnemonic is a vastly different experience than watching the theatrical cut.
Read More -
Alfonso Cuarón Relied On Clive Owen's 'BS' Sense While He Was Writing Children Of Men
When a director and an actor click, magic happens.
Read More -
How Hollywood Sexism Killed Sigourney Weaver's Hopes Of Directing
'I was never comfortable.'
Read More -
The Daily Stream: Hitchcock's Blackmail Is A Bold Transition To The Talkie Era
The sound era of cinema arrives with a roar in Alfred Hitchcock's Blackmail.
Read More
