How The Onion Helped Screenwriters Seth Reiss And Will Tracy Craft 'The Menu' [Exclusive Interview]
Here's how two comedy veterans wrote a satire as blistering as The Menu.
Read MoreJack Giroux
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Stories By Jack Giroux
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Children Of The Corn Director Kurt Wimmer On Four Decades Of Writing [Exclusive Interview]
'Here's the thing: You are going to the movies to be entertained. I know it. I want to be entertained when I'm writing it.'
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The Sound Of 007 Director Mat Whitecross Explores The History Of Bond's Theme Songs [Exclusive Interview]
Whitecross talks about that amazing Michael Caine story, the controversial Jack White/Alicia Keys song, and more from his new documentary.
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Free Guy Stunt Coordinator Chris O'Hara On Crafting Physical Comedy And John Wick [Interview]
/Film chatted with Free Guy stunt coordinator Chris O'Hara on the difference between action comedies and hard action flicks.
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The Banshees Of Inisherin Editor On Piecing Together Martin McDonagh's Tragic Comedy [Exclusive Interview]
'Little by little, you open him up as a character. Maybe you even see a little bit of yourself in both characters, hopefully.'
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The Banshees Of Inisherin Composer Carter Burwell On Writing Contradiction And Simplicity [Exclusive Interview]
'The music does have to, in a way, play everybody. It's not specific.'
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Tulsa King Stunt Coordinator Freddie Poole On Car Chases, Surviving Fire, And Taking Hits [Exclusive Interview]
'You're never going to see Sylvester Stallone do these intricate martial art moves or anything like that.'
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David Dastmalchian Is Living The Nerd's Dream [Exclusive Interview]
'I want to do it the way my heroes did it, and I want to find my way to get lost into that stuff and tell stories that transport people...'
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Marlowe Director Neil Jordan On Colorful Noir And His Past Horror Films [Exclusive Interview]
'It was very important that we flesh out this character in a way that Liam Neeson can play.'
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Huesera: The Bone Woman Director Michelle Garza Cervera Is Inspired By Nightmares [Exclusive Interview]
'We officially did 13 rewrites of the script. I think it was even more, to be honest.'
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Knock At The Cabin Composer Herdís Stefánsdóttir Was Inspired By The Legendary Bernard Herrmann [Exclusive Interview]
'The opening credits just came very late. I'd already written a big part of the score.'
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Halloween Kills Producer Jason Blum On Why Sequels Are Difficult [Interview]
/Film spoke to Jason Blum about making Halloween Kills, the trick of delivering a good sequel, and more about the inner-workings at Blumhouse.
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The Legendary Francis Ford Coppola Revisits Dementia 13, His Low-Budget Horror Debut [Interview]
We spoke with legendary filmmaker Francis Ford Coppola about his under-seen debut film, which is being re-released in a new director's cut.
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Shrinking Writers Brett Goldstein And Neil Goldman Pay Respect To Therapy [Exclusive Interview]
'You just have to try and tell the stories you want to tell.'
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Shrinking's Jessica Williams Plays The Therapist We All Want [Exclusive Interview]
'I think a lot of times my scenes with Jason were riding the wave, man, and seeing what happens with the scene.'
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Shrinking Co-Creator Bill Lawrence On Finding Comedy In Grief [Exclusive Interview]
'I generally cope by laughing my way through it.'
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Lockwood & Co. Showrunner Joe Cornish Brings Killer Ghosts To Netflix [Exclusive Interview]
'We can't hide our ghosts because one of the brilliant ideas central to Lockwood & Co. is that ghosts can kill you by touching you.'
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Barbarian Composer Anna Drubich Talks About Scoring The Movie In Three Weeks [Exclusive Interview]
'The last version of the cue, I sent [director] Zach [Cregger] on the very last day of the job.'
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The Pale Blue Eye Director Scott Cooper On Writing For His Closest Pal, Christian Bale [Exclusive Interview]
'I tend to write for Christian's internal life because I spend a lot of time with him off set.'
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Composer Simon Franglen Talks Avatar: The Way Of Water And Planting Seeds For Future Sequels [Exclusive Interview]
'Jim said, 'We don't have our Imperial March. We need a baddies theme.''
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Avatar: The Way Of Water Costume Designer Deborah L. Scott On A Brand New Frontier [Exclusive Interview]
Most of the characters in Avatar: The Way of Water are CGI, but their costumes were built in the real world first.
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Composer Henry Jackman Talks Strange World, Needledrops, And More [Exclusive Interview]
"You should remember you've got this giant canvas..."
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Last Night In Soho Costume Designer Odile Dicks-Mireaux Brings '60s London Back To Life [Interview]
Last Night in Soho is about the dangers of nostalgia, but nostalgia never looked so good under the eye of costume designer Odile Dicks-Mireaux.
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The Menu's Nicholas Hoult On His 'Obnoxious' Character And Not Being Jaded [Exclusive Interview]
"He was obnoxious on the page and ridiculous and entitled and a lot of un-charming things..."
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Top Gun: Maverick Editor Eddie Hamilton Felt The Weight Of Expectations [Exclusive Interview]
"I wasn't aggressively pursuing a Tony Scott style, necessarily, but it was in the back of my mind the whole time."
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The Cellar Was Originally Envisioned As A 'Full-Blown Monster Mash-Up' With No Adults [Spoiler Interview]
Brendan Muldowney tells us about his early idea for The Cellar, designing a scary movie that families could watch together, and more.
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