The HBO series DTF St. Louis was originally going to be based on a true story. Showrunner Steven Conrad tells us why his plan changed.
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Pillion, A24's dom/sub relationship drama, features many intimate acts, but star Harry Melling and director Harry Lighton explain one you don't see on screen.
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Roy Lee, a producer of the horror thriller Psycho Killer, tells us that the film's grossest scene could have been even more excessive.
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The writer/directors of the sci-fi indie film Redux Redux tell us how Marvel Studios inadvertently helped give them an assist with their screenplay.
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Season 3 of Tell Me Lies concludes in a fittingly dramatic fashion, and showrunner Meaghan Oppenheimer had a blast writing its final scene.
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Director Gore Verbinski tells us about his approach to his AI villain in Good Luck, Have Fun, Don't Die, his first feature film in ten years.
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In our interview, the director of the new Charli XCX movie The Moment explains the hidden layers of meaning to ending the film with that specific song choice.
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Filmmaker S. S. Rajamouli told us about some of the inspirations for his new epic Varanasi, including how a surprising IMAX screening informed his vision.
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Varanasi, RRR director S.S. Rajamouli's new maximalist epic, has a scope that makes James Cameron's Avatar feel puny in comparison.
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U.S. audiences don't react to their movie stars the way India does, and Varanasi lead Priyanka Chopra Jonas has some thoughts on why that is.
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We spoke with Send Help filmmaker Sam Raimi about shooting the movie's most visceral, writhe-in-your-seat moment, and the keys to its success.
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We visited Pixar and learned about how Hoppers was originally supposed to center on a different animal, how beavers became the focus, and more.
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We spoke with multiple One Battle After Another crew members to create a brief oral history of the film's most electric setpiece. Check it out!
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The gruesome, grotesque, underrated 2025 horror movie The Ugly Stepsister has special effects makeup that's sometimes it's invisible.
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Gina Yashere, who plays Lura Thok on Star Trek: Starfleet Academy, wasn't initially aware she was auditioning for a Trek show. But her approach worked.
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Joe Carnahan told us all about making his new Netflix thriller The Rip, his dynamic with producer/stars Ben Affleck and Matt Damon, and much more.
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Star Trek: Starfleet Academy's Robert Picardo explains why his hologram character looks different in the new show, which is set hundreds of years after Voyager.
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We spoke with The Housemaid director Paul Feig about his new thriller starring Amanda Seyfried, Sydney Sweeney, and a sandwich with big pickles.
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We spoke with cinematographer Larry Smith about making Stanley Kubrick's Eyes Wide Shut and restoring it for the Criterion Collection.
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Sisu: Road to Revenge's Jalmari Helander tells us about filming the movie's most challenging action scene, a lengthy vehicular chase he called "motor mayhem."
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Eternity's David Freyne, who also co-wrote the A24 film about a dead woman who chooses which husband to spend eternity with, hopes you argue about her decision.
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We spoke with Predator: Badlands director Dan Trachtenberg about adding new elements to the franchise, what video games influenced him, and much more.
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Black Phone 2 has a shockingly low body count for a horror movie, and one character could have been killed off had the creative team listened to a studio note.
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Director Michael Chaves pulls back the curtain on The Conjuring: Last Rites, revealing his favorite scare of the movie and much more.
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A Nightmare on Elm Street Part 2: Freddy's Revenge is one of the most divisive sequels in the horror franchise. Here's what the director has to say about it.
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Here are the props that Slow Horses head writer Will Smith took home from the set of the Apple TV+ spy drama, following his exit from the show.
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After five seasons, Slow Horses head writer Will Smith is stepping away from Slough House. Here's his explanation for why he's leaving.
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