Together stars Alison Brie and Dave Franco tell us what it was like making the body horror movie as a real-life couple and what they hope others get out of it.
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Ari Aster's Eddington tackles a myriad of controversial topics in a neo-Western framework, and we spoke with the director about the film's influences and more.
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A24's Sorry, Baby is one of the best films of 2025. Here's our interview with writer/director/star Eva Victor and co-stars Naomi Ackie and Lucas Hedges.
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Superman writer/director James Gunn tells us about the South Korean action film that inspired his visual style, the importance of journalism, and more.
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Poker Face season 2 showrunner Tony Tost tells us about the wild episode that was written but never filmed, which episode took its place, and much more.
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If you saw Jurassic World Rebirth and felt like something was missing, you aren't alone. There's an important element of the franchise that's not in this entry.
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We spoke with Jurassic World Rebirth director Gareth Edwards about how different this was compared to his experiences on Star Wars and Godzilla, and much more.
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Jurassic World Rebirth almost had a different ending than what it ended up with. Director Gareth Edwards told us all about what the end could have looked like.
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Marvel's Ironheart cast a fascinating actor to play an unexpected villain on the show. Here's how the producers got him on board.
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HBO's The Mortician features one of the wildest endings we've seen in a long time. Here's what the director was thinking the moment it happened.
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We spoke with Materialists writer/director Celine Song about the movie's unexpected genre influences, those surprising bookends, that final shot, and more.
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Predator: Killer of Killers director Dan Trachtenberg tells us about crafting those amazing action scenes, the Hong Kong classic that blew his mind, and more.
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Ballerina director Len Wiseman tells us all about the movie's best action scenes, including the practical flamethrower battle and that awesome grenade setpiece.
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We sat down with Benicio del Toro, Michael Cera, and Mia Threapleton to talk about The Phoenician Scheme and their favorite Wes Anderson films.
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The directors of Final Destination Bloodlines share the horror lessons they learned from working with Disney, how they chose those great kills, and more.
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We spoke with showrunner Tony Gilroy about the final shot of Andor season 2, one of the show's most controversial storylines, his next movie, and much more.
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We spoke with John Wick franchise director Chad Stahelski about the new documentary Wick is Pain, whether suffering is a requirement for greatness, and more.
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The Raid's Gareth Evans is back with Havoc, a hard-hitting action film starring Tom Hardy, and the director told us about crafting those ambitious setpieces.
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Until Dawn director David F. Sandberg had to convince some of his colleagues (and the studio) that he could do some of the movie's effects practically.
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We spoke with showrunner Tony Gilroy and Mon Mothma actress Genevieve O'Reilly about Andor season 2, creative freedom, that awesome disco droid, and more.
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We spoke with the incomparable Delroy Lindo about working with Ryan Coogler on Sinners, why he didn't see the movie as a horror film, and much more.
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Here's what a second season of Tron: Uprising would have included.
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Christopher Landon, director of the new thriller Drop, says it's harder than ever to convince studios to make original films. Read our full interview with him.
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We sat down with Alex Garland and Ray Mendoza, the directors of A24's Warfare, to talk about how they made one of the most intense war films of all time.
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Stranger Things star Finn Wolfhard tells us the unexpected films that inspired him and Hell of a Summer co-director Billy Bryk when making their horror comedy.
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The Ballad of Wallis Island, the latest entry in the unofficial subgenre of "gentle cinema," is based on a short film from nearly 20 years ago.
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Tommy Boy is 30 years old this year, and the director shares his favorite Chris Farley memory and several stories about making the movie on today's /Film Daily.
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