Peyton Reed spoiler interview

From Ant-Man to Bring It On to his crowning achievement, Down With Love, there’s a sincere buoyancy to director Peyton Reed‘s work. His deft control of tone is currently on display in Ant-Man and the Wasp, which brings good-hearted laughs to the Marvel Cinematic Universe after Infinity War‘s downer ending. While Reed made Scott Lang’s (Paul Rudd) origin story a heist movie, the sequel is a comedy focused more on banter and character than action – though the action is bigger this time around.

Before making the latest entry in the MCU, Reed watched “the holy trinity of romantic comedies”: Philadelphia Story, His Girl Friday, and It Happened One Night. “The male and female characters are so smart, and there’s this mutual respect between those characters, particularly in His Girl Friday, they respect each other in terms of what they do,” he told us. Reed, who’s also fond of those movies’ “incredible humanism,” also discussed returning to the Quantum Realm, mini Paul Rudd, the end credits tags, the influence of Elmore Leonard, and more. Read our full Peyton Reed spoiler interview below.

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Jody Hill interview

Jody Hill is trying to warm some hearts with his latest comedy, The Legacy of a Whitetail Deer Hunter. The co-creator of Vice Principals and director of Observe and Report hasn’t softened up his humor for his Netflix movie, but the lead characters in his father/son story are certainly far less destructive than his past protagonists. Hill’s first feature film since 2010’s Observe and Report stars Josh Brolin as a hunter and TV show host – and Danny McBride as his trusted and inappropriate cameraman – taking his son Jaden (Montana Jordan) hunting for the first time.

The story, which Hill co-wrote with McBride and John Carcieri (Eastbound & Down), has a surprisingly sweet side to it. The movie will likely feel both familiar and new for Hill’s fans. The Legacy of a Whitetail Deer Hunter has the director’s sense of humor, although it’s not quite as dark this time around. Hill says he wanted to do something different. The very polite filmmaker recently told us about the project’s history, watching old ’80s hunting videos, memories from making HBO’s Vice Principals, and more.

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the domestics set visit

Standing on the set of Mike P. Nelson‘s directorial debut, The Domestics, it looks like the world has visibly turned rotten. A flipped plow truck, the fake blood strewn about, and the beefed-up muscle cars have turned a suburban neighborhood not too far outside of New Orleans, Louisiana, into a battleground between the survivors of a chemical attack.

When we visited the set of the Orion release, the firefight was nearing the end but not quite over, and we witnessed one of the violent dustups Mark (Tyler Hoechlin) and Nina West (Kate Bosworth) experience during their bumpy road trip.

Below, check out what we learned from The Domestics set visit.

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While speaking with Drew Pearce, it’s obvious he has no shortage of good memories from making his first feature film, Hotel Artemis. Having Jodie Foster star in the first movie you’ve directed should help make for a positive experience, but even when the Iron Man 3 co-writer talks about the most challenging days on set, he does so with enthusiasm.

Hotel Artemis is an original independent movie coming out during the crowded summer moviegoing season. For Pearce, he’s hoping some originality and personality will connect with moviegoers. He’s also hoping all the love that went into making his movie about a hospital for assassins shines through. As Pearce told us, “I always say the movie costs $14.5 million and $20 million in favors.”

If you haven’t yet, check out part one of our conversation with Pearce. Below, you can find part two of our Drew Pearce interview, in which he talks about his Marvel experience, nods to Casablanca and Mary Poppins, and more.

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Drew Pearce interview

Drew Pearce‘s feature-length directorial debut, Hotel Artemis, is the sort of movie that’s a real breath of fresh air during the summer moviegoing season. It’s an original story, for starters, but it’s also a movie that relies more on its characters and all-star cast to generate spectacle than the set pieces. Jodie Foster playing a fast-talking, hard-drinking nurse tending to criminals and Jeff Goldblum as “The Wolf King of Los Angeles” has far more entertainment than watching a city get destroyed.

Pearce’s first movie isn’t heavy on action, but it is heavy on star power, in front of and behind the camera. The Iron Man 3 co-writer and the director of Marvel One-Shot: All Hail the King couldn’t have assembled a better team for Hotel Artemis, including cinematographer Chung-hoon Chung, who shot OldboyThe Handmaiden, and most recently, It. Together, Pearce and Chung create a location full of color, history, and personality. Even with one primary location, never does Hotel Artemis feel claustrophobic or small in scale.

About a month ago, I had a chance to sit-down with Pearce for an extended interview covering his work with the DP, his influences, writing with Shane Black, and more.

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lauren cohan interview

Mile 22 is one of those action movies where all the characters seem to have catchy and cool names. Take, for instance, Alice Curr, an Overwatch operative without much of a home life who’s ready to call it quits. Curr is played by Lauren Cohan, who’s perhaps best known for her work on a niche television series called The Walking Dead.

Curt is a part of Jimmy Silva’s (Mark Wahlberg) team trying to get a corrupt cop (Iko Uwais) with valuable info out of Southeast Asia, but along the 22-mile journey of gunfire and explosions, everything goes sideways. While filming an action movie sometimes sounds like a rigid experience, that’s not the case for a Peter Berg movie. We visited Bogotá, Colombia, earlier this year, where Cohan told a group of us all about the experience of making a movie with Berg. Read our full Lauren Cohan Mile 22 interview below.

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Ronda Rousey signed on to star in Mile 22 over three years ago. The former MMA champion and current WWE star was going to star alongside Iko Uwais (The Raid) in a version of the story that was more of a straight-up martial arts movie, which director Peter Berg was only going to produce. After spending a while in development, though, Mile 22 went from a two-hander to an ensemble pic that’s directed by Berg and led by Mark Wahlberg, playing team leader Jimmy Silva.

Since she first signed on to the movie, Rousey has acted in movies like Furious 7 and The Expendables 3, but she has a much more substantial role in Berg’s movie compared to her previous work. If you’ve seen Rousey fight before, you know she has a presence and intensity just waiting to be unleashed on the big screen with the right role. Hopefully, that role is Sam Snow. Read on for our full Ronda Rousey Mile 22 interview from the film’s set.

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mile 22 set visit

It’s a hot day in Bogotá, Columbia, and Peter Berg is throwing jabs at the air. From a distance, it looks like the filmmaker and Wild Card West Boxing Club co-owner is amping himself up before filming two explosions and more pieces of an action scene for his upcoming movie, Mile 22. The Friday Night Lights and The Rundown director appears ready to conquer the day, which is packed with explosions, drones, actors playing dead, and the extraordinary Iko Uwais (The Raid) busting some heads.

Below, check out our Mile 22 set visit report.

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Pietro Scalia interview

Pietro Scalia‘s fingerprints are all over many, many great films. The Academy-award winning editor’s work on JFK is nothing short of masterful, and the same goes for his several collaborations with Ridley Scott. Throughout his career, Scalia has shown a wide range – he has cut together epic period pieces, documentaries, comic book movies, and dramas like Good Will Hunting. Most recently, he brought his talents to director Ron Howard‘s Solo: A Star Wars Story, which features a train robbery sequence that never loses momentum.

The action scene ranks amongst some of the franchise’s most thrilling action set pieces. Over 10 minutes, Scalia and the filmmakers keep cranking up the energy and suspense with the characters at the forefront of a sequence mammoth in scope.

Scalia recently spoke with us about editing the scene, the movie’s surprise cameo, and how one dramatic scene evolved through reshoots.

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David Leitch interview

David Leitch, the co-founder of 87Eleven, has just finished directing (and co-directing) three of the most notable American action movies of the last few years. The former stuntman brings his eye for action and visually appealing worlds, as shown by Atomic Blonde and (his uncredited work on) John Wick, to Deadpool 2. Leitch not only takes the franchise’s action and scope to another level, but also adds a little more personality to Wade Wilson (Ryan Reynolds) and friends, including newcomers Cable (Josh Brolin), Domino (Zazzie Beetz), and Russell (Julian Dennison).

Originally, Leitch was interested in developing the X-Force movie, but after a few weeks of working on his pitch, Deadpool 2 came his way. After a warm reception from audiences and critics, we had the opportunity to speak with Leitch on the movie’s opening day about crafting the sequel’s action, how the first movie influenced some of his choices, and one X-Men easter egg that was cut from the movie.

Below, check out our David Leitch interview, which contains a few spoilers.

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