Nate Bargatze returned to host Saturday Night Live for a second time in season 50, and if you read our recap and review, it just may be better than his first.
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David Cronenberg fans will not want to miss his latest, The Shrouds, a strange film inspired by the death of his wife. Here's our review.
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The Platform 2, hitting Netflix this week, is less of a sequel and more of a remake of the first movie. Here's our review.
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Strong performances aside, the buzzy musical-thriller Emilia Pérez can't help but feel like a half-completed thought experiment. Here's our review.
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With the rise of home video and cable, the '80s were a watershed decade for horror films. From beloved classics to obscure indies, these are the 35 best.
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Saturday Night Live season 50 started with a bit of a disappointment that wasn't worthy of Hacks star Jean Smart. But there are some bright spots.
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Angelina Jolie gives a performance for the ages in Maria, the third film in Pablo Larraín's trilogy focused on tragic, iconic women. Here's our review.
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Will & Harper is both a sweet little road trip comedy and a hopeful reminder that supportive voices exist beyond progressive bubbles. Here's our review.
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The Creep franchise continues with the new streaming series The Creep Tapes, which turns out to be a better option than a third movie. Here's our review.
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The feature film adaptation of Stephen King's vampire horror story Salem's Lot has been delayed for a few years. Was it worth the wait? Here's our review.
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Better Man is a musical biopic of pop star Robbie Williams that just so happens to star a CGI ape. But that's just the beginning of how weird it gets.
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A24's Heretic is a tense and extremely entertaining horror movie with killer performances from Hugh Grant, Sophie Thatcher, and Chloe East.
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The Vince McMahon Netflix docuseries Mr. McMahon is loaded with self-incriminating statements straight from the horse's mouth. Here's our review
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Sebastian Stan gives his best performance yet in A Different Man, director Aaron Schimberg's hilarious dark comedy about facial differences.
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The Donald Trump origin story The Apprentice is a good movie, but now feels like the wrong time for it to exist. Here's our review.
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Believe the hype and brace your emotions for The Wild Robot, DreamWorks' animated feature about a shipwrecked robot who adopts an orphaned gosling.
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Director Sean Baker's Anora is the perfect blend of comedy, drama and social commentary – and it's possibly the best movie of 2024.
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The new horror anthology film V/H/S/Beyond adds some sci-fi to the mix, and ends up being the strongest collection of tales in V/H/S history.
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The Rosemary's Baby prequel Apartment 7A is dull and disappointing, adding nothing of interest to a classic horror movie. Here's our review.
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Art the Clown kills and kills again in Damien Leone's utterly disgusting but undeniably captivating Christmas horror splatterfest Terrifier 3.
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The WandaVision spin-off Agatha All Along is deliciously chaotic, whiplashing between prestige TV and kooky, campy goodness. Here's our review.
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Francis Ford Coppola is back with his long-gestating passion project Megalopolis. The end result is both messy and a must-see. Here's our review.
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Coralie Fargeat's funny, gruesome The Substance, starring Demi Moore and Margaret Qualley, is audacious and unforgettable. Here's our review.
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Crawl and The Hills Have Eyes director Alexandre Aja creates a creepy fairy tale with Never Let Go, starring Halle Berry. Here's our review.
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Few movies in recent memory have a better grasp of what coming of age is really like than My Old Ass, starring Aubrey Plaza & Maisy Stella. Here's our review.
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The Penguin would've been better as a movie instead of a TV show, but Colin Farrell and Cristin Milioti both turn in memorable performances. Here's our review.
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The animated Transformers One is like a breath for fresh air for the Transformers franchise. Here's our review.
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