Alex Gibney tells us about directing HBO's two-part doc Wise Guy: David Chase and The Sopranos, including its fascinating recreation of the opening credits.
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We spoke with Rebel Ridge director Jeremy Saulnier about Aaron Pierre's terrific lead performance, the influence of First Blood, and the film's ending.
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In an unusual move, the original star of Jeremy Saulnier's new Netflix action thriller Rebel Ridge left the production a month into filming.
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Cuckoo stars Hunter Schafer and Dan Stevens tell us about their relationship to the horror genre, their contrasting performances, and more.
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M. Night Shyamalan's Trap seemed to give the game away in its trailer. But according to our interview with the director, the actual twist is more cerebral.
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The Star Trek: Lower Decks team deliberately designed animated 'sets' that resemble the low budget look of the original series.
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A Deadpool & Wolverine producer told us about an early idea for what Deadpool 3 could have been like before Hugh Jackman joined, and it's cracking us up.
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We sat down with Marvel Studios head Kevin Feige to talk about Deadpool & Wolverine, the lessons he learned from implementing Spider-Man into the MCU, and more.
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Star Trek: Lower Decks' creatives put a lot of work into translating the franchise's trademark shirt colors into animation.
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The director of Oddity pieced together his supernatural horror film from several disparate ideas, not realizing the risk of that approach until post-production.
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Twisters director Lee Isaac Chung was inspired by several directors from the 1930s and '40s when it came to the romance in his new blockbuster.
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Minari director Lee Isaac Chung was afraid to direct a big-budget movie like Twisters, but in our interview, he tells us why he decided to face his fears.
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To celebrate the 25th anniversary of SpongeBob SquarePants, we spoke with the main cast members about their auditions, the unusual recording process, and more.
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Sausage Party: Foodtopia has all the violence and graphic sexuality that the movie did, but the series takes things a bit further with one specific sex scene.
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Twister director Jan de Bont says Warner Bros. didn't consider a sequel in the aftermath of the film's huge success. Listen to our full interview with him here.
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Beverly Hills Cop: Axel F director Mark Molloy tells us about working with Eddie Murphy on the long-awaited sequel, balancing nostalgia, and much more.
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A Quiet Place: Day One director Michael Sarnoski cites Steven Soderbergh's Ocean's Eleven as part of the reason food plays such an important role in his films.
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Oscar winner Lupita Nyong'o stars in A Quiet Place: Day One, but director Michael Saronski's set was dictated by her cat co-star.
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The Bikeriders director Jeff Nichols tells us that his Alien Nation remake is still in the works, but at a different studio and with a different title.
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House of the Dragon Showrunner Ryan Condal dishes on small council meetings, balancing Team Black and Team Green, and George RR Martin's recent comments.
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What happened to the memorable, hummable movie themes that used to populate American blockbusters? We spoke with several Oscar-winning composers to find out.
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The Boys showrunner Eric Kripke knows he's making an un-subtle, heavily political show. He also knows some fans just don't understand that.
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Ishana Night Shyamalan has worked as a second unit director for her father, M. Night Shyamalan. For The Watchers, he worked in that capacity for his daughter.
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In a Violent Nature reshot the first four weeks of its production, which is a pretty extreme feat for an independent film. Director Chris Nash explains why.
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The first 10 minutes of Pixar's Up went through several changes during development, including last-minute tweaks to its score by composer Michael Giacchino.
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George Miller, the maestro behind the Mad Max films, tells us about working with Anya Taylor-Joy and Chris Hemsworth on Furiosa, the power of myth, and more.
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Executives at 20th Century Fox had so little faith in audiences at the time that they nixed one-time director Renny Harlin's ambitious vision for Alien 3.
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