Eli Roth's Borderlands may look like the video game come to life, but the lack of innovation in its adaptation leaves it lifeless.
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M. Night Shyamalan is back with Trap, an enjoyable but messy thriller that will divide audiences. Here's our review.
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The crime comedy The Instigators has slick style and a wicked sense of humor, but something's missing. Here's our review.
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Deadpool & Wolverine is full of flat filmmaking and even flatter jokes, but Hugh Jackman's return as Wolverine is great. Here's our review.
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Shelby Oaks is a promising horror debut from YouTube film enthusiast-turned-filmmaker Chris Stuckmann. Here's our review.
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Twisters might not blow you away, but it's a heck of a fun time at the movies with a lot of heart and a stand out performance from Glen Powell.
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Oddity is a simple, scary, atmospheric horror movie done right. Here's our review.
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Fly Me to the Moon, starring Scarlett Johansson and Channing Tatum, brings the rom-com back with style. Here's our review.
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Eddie Murphy seems to be having a good time, but Beverly Hills Cop: Axel F is a weak sequel with few laughs. Here's our review.
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Believe it or not, the prequel A Quiet Place: Day One is the best entry in the series, thanks in no small part to Pig director Michael Sarnoski.
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MaXXXine is an erotic cataclysm of gnarly kills, featuring another powerhouse performance from Mia Goth. Here's our review.
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Kevin Costner's Western Horizon: An American Saga - Chapter 1 probably should've been a TV show. Here's our review.
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These are some of the best movies we saw at this year's Tribeca Film Festival.
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Russell Crowe made another exorcism movie, but unfortunately, The Exorcism isn't as fun as The Pope's Exorcist. Here's our review.
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Baltasar Kormákur is known to American viewers for action films like Contraband and Beast. But his newest film, Touch, marks a welcome change of pace and genre.
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Yorgos Lanthimos' anthology Kinds of Kindness, starring Emma Stone and Jesse Plemons, is a fascinating maze that runs too long. Here's our review.
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The Wasp, starring Natalie Dormer and Naomie Harris, is disturbing and will stick with you long after the credits roll. Here's our Tribeca review.
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The Imaginary is a film that demands to be seen by as many people as possible - regardless of age. Here's our review of the animated Netflix movie.
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Despicable Me 4 has a few gags worth a chuckle, but this is a tired effort from a tired franchise. Here's our review.
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The Disney/Pixar sequel Inside Out 2 doesn't quite capture the magic of the original, but it will definitely make you cry your eyes out. Here's our review.
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The drama Jazzy, which features a cameo from Lily Gladstone, is equal parts graceful, quietly moving, and completely unforgettable. Here's our review.
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The comedy Sacramento, starring Michael Cera and Kristen Stewart, might just be the funniest - and most charming - surprises of the year. Here's our review.
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The new horror movie The Damned is like a combination of Alien and A Nightmare On Elm Street. Here's our review from Tribeca.
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The terrifying Longlegs, starring Maika Monroe and Nicolas Cage, is the best horror movie of the year. Here's our review.
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Ishana Night Shyamalan's horror movie The Watchers is uneven in its story, but boasts some fine filmmaking. Here's our review.
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Your Fat Friend, which tracks the rise of raconteur Aubrey Gordon and explores fatness in America, is a vital counterbalance to Darren Aronofsky's The Whale.
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Bad Boys: Ride or Die is not only a great Bad Boys film, it's also a top-tier action comedy.
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