The Holdovers is proof that we need more thoughtful, studied, loving, and irresistible human stories on screen. Here's our review from TIFF.
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Mother, Couch, starring Ewan McGregor and Ellen Burstyn, is a hazy dreamlike blast of chaos that proves to be irresistible. Here's our TIFF review.
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There's plenty to admire in 'Yellow Bus' -- especially Tannishtha Chatterjee's great performance -- a searing portrait of perseverance. Read our TIFF review.
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A Haunting in Venice, the third film in Kenneth Branagh's Poirot series, tries to change things up with a potentially supernatural bent, but does it work?
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The GameStop stock comedy Dumb Money is plenty funny and boasts some strong performances, but it feels like it only scratches the surface.
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The Nun II has some great scares and atmosphere but it also gets bogged down in being too beholden to the franchise that spawned it. Here's our review.
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With Spain's Killer Book Club, Netflix is (sadly) once again proving that you don't need to make a good movie for it to do wild numbers on streaming.
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Brother, How to Blow Up a Pipeline, and You Hurt My Feelings are all available to watch at home right now, and they're all worth your time.
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LEGO's new Hogwarts Castle and Grounds model lets you build the entire wizarding school on a micro-scale, and there are secrets to be found within. Take a look!
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What's new on Blu-ray? Lots of stuff, including The Flash, Asteroid City, You Hurt My Feelings, and The Blackening! Allow us to break things down for you.
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The Equalizer 3 feels less substantial than the previous two films, but gets by mostly on Denzel Washington's charms and some inspired movie violence.
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The sequel Ernest & Celestine: A Trip to Gibberitia might actually be better than the first Ernest & Celestine film, and that's saying something.
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Scrapper is a dazzling directorial debut, a different kind of father-daughterr story, and is just the kind of scrappy triumph its title indicates.
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The Liam Neeson action thriller Retribution is neither thrilling nor very action-y. It's more like a movie destined to play on cable during a rainy day.
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Despite some undercooked themes and the odd over-explanation, Chuck Chuck Baby beautifully explores what it means to be queer in a small town.
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Blue Beetle has its moments, but is lacking in any sense of fun or adventure. The idea of a better movie is lurking just outside of the frame, though.
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Dracula gets a new tale of terror in the so-so monster movie The Last Voyage of the Demeter. Read our review of the new horror film from director André Øvredal.
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#Manhole is an accomplished single-location horror tale that justifies its means through an evolution into preposterous madness. Read our review here.
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New Life is like Jason Bourne meets Cabin Fever on a budget. Read our Fantasia Fest review.
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Gran Turismo is a racing movie that's perpetually stuck in neutral. Here's our review.
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The best new Blu-ray releases of the week includes Guardians of the Galaxy Vol. 3, So I Married an Axe Murderer, and more.
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Our Meg 2: The Trench review looks at the soggy sequel and gets that sinking feeling.
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The Passenger is a bloody, economical road trip movie with two strong lead performances. Read our review of the latest Blumhouse thriller.
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The Sacrifice Game is a topsy-turvy subversion of the particular horror subgenres at play. Check out our Fantasia Fest review.
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Afire, Passages, and They Cloned Tyrone are three under-the-radar movies from July worth seeking out.
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The Fantasia Fest movie River is a sublime temporal comedy that audiences should not miss. Read our review.
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Baby Assassins 2 is the type of action movie that would kill at a sleepover. Read our Fantasia Fest review.
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