David Gordon Green, the director of the new horror sequel The Exorcist: Believer, tells us about the difference between directing that and his Halloween films.
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The director of Foe tells us about what Saoirse Ronan brought to her role, working with Paul Mescal, and crafting a challenging, engaging new sci-fi parable.
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A24's Dicks: The Musical director tells us about adapting a stage play, the mystery of working with Megan Thee Stallion, creating a flying vagina, and more.
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David Gordon Green's Halloween trilogy had plenty of Easter eggs, but he took a different approach with The Exorcist: Believer.
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We sat down with the director of the Stephen King prequel movie Pet Sematary: Bloodlines to figure out how the film came together.
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The Assistant director Kitty Green spoke with us about her suspenseful new thriller The Royal Hotel, which she describes as the 'hardest job' she's ever done.
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Unlike his Halloween trilogy, David Gordon Green's The Exorcist: Believer required the director to take a more atmospheric, character-driven approach to horror.
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Our Flag Means Death season 2 sees the introduction of a new character played by Ruibo Qian -- one whose historical authenticity isn't exactly by the book.
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David Gordon Green's The Exorcist: Believer, nobly attempts to de-center white, male, Catholic saviors in its story. Here's how and why.
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We spoke with Leprechaun writer/director Mark Jones about the best and worst Leprechaun films, working with soon-to-be-star Jennifer Aniston, and more.
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The Breaking Bad writing staff was under a tremendous amount of pressure to end the show on a high note with its fifth season. Here's how they pulled it off.
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We spoke to Our Flag Means Death creator David Jenkins about the beloved pirate comedy's second season, casting guest stars, practical sets, and much more.
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Before the physical media release of Prey (available today), we spoke with director Dan Trachtenberg about creating Predator weapons, a deleted scene, and more.
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What's your favorite death trap from the Saw franchise? The franchise's producers, Mark Burg and Oren Koules, have some faves of their own.
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The Comedians of Comedy was produced by Netflix in 2005, years before streaming, and it's a raw and entertaining chronicle of a hilarious stand-up tour.
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In which the director of the Toxic Avenger remake tells /Film how he made a movie scene where Peter Dinklage does the unthinkable.
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The longtime producers of the Saw franchise on listening to the fans, their favorite traps, and the majesty of Tobin Bell.
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Do you want to play a game? Saw franchise composer Charlie Clouser tells us what it takes to create scary music for a Saw movie.
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Thanks to Saw X, Saw composer Charlie Clouser has surpassed Star Wars maestro John Williams when it comes to scoring more films in a single franchise.
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The Creator director gave his VFX team an unusual task: Create blockbuster-level visual effects without the typical equipment on set. Here's how they did it.
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Saw X producers Mark Burg and Oren Koules knew longtime Saw franchise editor Kevin Greutert was the only director equipped to handle the midquel.
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Oren Soffer worked with Oscar winner Greig Fraser and director Gareth Edwards to achieve a grounded vibe for their ambitious new sci-fi epic, The Creator.
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/Film spoke with Once and Sing Street director John Carney about his new 'stealth musical' Flora and Son, starring Eve Hewson and Joseph Gordon-Levitt.
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Charlie Clouser, who has composed the score for every Saw film (including the new Saw X), tells us about centering the music around John Kramer/Jigsaw.
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The directors of Disney's new animated film Wish tell us what they hope audiences take away from it, and talk about working with Chris Pine and Ariana DeBose.
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The Bruce Willis and Cybill Shepherd-led show Moonlighting will soon finally be streaming, and we spoke with the show's creator about why it took so long.
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We spoke with Wish co-writer and Walt Disney Animation head Jennifer Lee about the new film, channeling rage into action, and her position in Disney history.
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