The Bad Batch's Michelle Ang On Season 2 And Omega Becoming Part Of The Team [Exclusive Interview]
'She's actually older than her brothers, but in terms of world experience, she's so much more naive.'
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The Avengers Assembled When My Family Needed Them The Most
In fall 2012, as my family faced the death of my grandfather, the Avengers assembled to help us through it.
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Minority Report Built The Fashion Of The Future Out Of Three Different Worlds
It's called fashion, sweetie. Look it up.
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Avatar: The Way Of Water's VFX Supervisors Discuss Creating The Film's Water And Wildlife [Exclusive Interview]
'Payakan breached the water probably about 10 times in the movie. Tukluns were always breaching the water. We're like, 'Man, there are some giant sims!''
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Director Jason Woliner's 10-Year Journey To Make Paul T. Goldman, Peacock's Most Unusual Show [Exclusive Interview]
'Shooting it on set was brutal.'
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George Miller, Peter Jackson, And Diane Keaton Were Early Contenders To Direct Meet The Robinsons [Exclusive]
We are humbly requesting an animated Disney movie directed by Diane Keaton, please.
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Guillermo Del Toro's Pinocchio Sound Designer On Developing The Sounds Of Each Character [Exclusive Interview]
'How do I give Dogfish personality?'
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One Of RRR's Shots Took Over Two Years To Complete (And It's Not One You Might Expect) [Exclusive]
RRR is a visual feast, and we have the tireless dedication of the VFX team to thank.
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Meet The Robinsons' Director Had A Personal Connection To The Material [Exclusive]
Disney didn't know just how perfect director Stephen J. Anderson was for this movie.
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The Visual Effects Artists Behind RRR Pull Back The Curtain On The Blockbuster Epic [Exclusive Interview]
'To me, it's just borrowing some of those old techniques that still work and blending it with new ones.'
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How Avatar: The Way Of Water's Score Paid Tribute To Avatar Composer James Horner [Exclusive]
James Horner passed away in 2015, but his music from the original Avatar lives on and evolves in James Cameron's sequel.
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Guillermo Del Toro's Pinocchio Used A Cool Technique To Create 'Otherworldly' Voices For The Sisters [Exclusive]
Even though Tilda Swinton voices both the Forest Sprite and Death, sound designer and supervisor Scott Martin Gershin made each of their voices distinct.
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Broker's Song Kang-Ho On The Directing Styles Of Hirokazu Kore-Eda And Bong Joon-Ho [Exclusive Interview]
'I don't think pure good and pure evil exist.'
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Composer Simon Franglen Talks Avatar: The Way Of Water And Planting Seeds For Future Sequels [Exclusive Interview]
'Jim said, 'We don't have our Imperial March. We need a baddies theme.''
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Harvey Guillén On The Dark Optimism Of Puss In Boots: The Last Wish [Exclusive Interview]
'I wanted him to be uplifting and cheerful, never scary, never intimidating, always warm.'
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Broker Director Hirokazu Kore-Eda On Competing Philosophies And Chosen Families [Exclusive Interview]
'I do question whether my own perception is being reflected into the films that I make.'
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His Dark Materials: Ruth Wilson On Mrs. Coulter's Emotional Season 3 Arc [Exclusive Interview]
'It gave me some template of a journey to get to.'
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Avatar: The Way Of Water Costume Designer Deborah L. Scott On A Brand New Frontier [Exclusive Interview]
Most of the characters in Avatar: The Way of Water are CGI, but their costumes were built in the real world first.
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Damien Chazelle On Babylon's Fantastic Jean Smart Speech And That Bravura Ending [Exclusive Interview]
'For me, it was a sequence about evolution, about this life cycle of cinema, about the death and rebirth of cinema...'
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Glass Onion's Jessica Henwick And Madelyn Cline On Quit Vibes And Wild Turkey [Exclusive Interview]
"The key to playing her was really cracking the relationship with Kate [Hudson]..."
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Glass Onion Composer Nathan Johnson On Making The Knives Out Sequel's Score 'A Lot Bigger' [Exclusive Interview]
"How do we tell the story in the best way possible?"
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Babylon Director Damien Chazelle Says The Film's Big Montage Is About The 'Life Cycle Of Cinema' [Exclusive]
'Cinema is always dying and always somehow surviving.'
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Damien Chazelle Considers Babylon A 'Darker Companion Piece' To Singin' In The Rain [Exclusive]
A little less tap dancing and much more debauchery.
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Establishing The Stakes Of Puss In Boots: The Last Wish Required A Drop Of Blood [Exclusive]
'Well, Puss has to bleed here.'
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Avatar: The Way Of Water VFX Supervisors On How Kiri Was Created And Much More [Exclusive Interview]
'We became experts. We knew Sigourney's face well. We had a lot of reference of that. We had 3D reconstruction of every performance.'
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